Okay. So, first things first - a word of warning. This is quite a dark storyline, so, if stories of child murder will be upsetting for you, then I would probably not recommend this book for you. This is the painful truth at the heart of this book. Whilst the act in itself does not really feature heavily, or gratuitously, within the book, there is no getting away from the fact that one of the characters is a serial killer, and that their story, and that of their family is, therefore, hard to read. If you can move beyond this particular aspect of the book, as abhorrent as it might be, then you will be reading something that is fascinating and grotesque in perhaps equal measure.
The serial killer in this particular novel is the recently deceased Lucas Cole. We are first drawn into his world via his son, Nathan, who has returned to his childhood home following his father's recent suicide. What his father was is not a revelation to Nathan, who has known since his childhood about his father's rather concerning obsession, and it is partly down to this that Nathan fled from his home as soon as he could. What is a surprise is that his father has documented his crimes in a manuscript, a fictionalised account of a serial killer whose hallmark is scarily similar to Lucas' own. Finding this manuscript, and items which belong to a recently missing young girl, lead Nathan in a quest to find out whether or not his father was responsible for one last crime.
I find it very hard to say that I liked or enjoyed this story - it is truly a dark read, even by the author's previous standards. But it is a very clever book. Tariq Ashkanani drew me in from the very opening of the novel, and using the story within a story aspect of Lucas's manuscript allowed him to really explore that nature of both killer and son in a way which was slowly revelatory. There is a clear thread in which we are forced to think about duplicity of character, and how easily a little charm and fame can shape people's opinions of someone, in spite of the fact the very core of their being is so different. This is true not just of Lucas, but of others within the book, but it is easy to understand how events, as they are explored in the fictitious retelling might have shaped the psyche of both Nathan and his sister, Kate.
This is not just Lucas and Nathan's story, and there is another character, Isaac Holloway, Private Investigator and childhood friend of Nathan and kate, who is called upon by the parents of the missing girl to try and find her. He was a very interesting character to spend time with. As troubled as Nathan perhaps, but in very different ways. A former cop, the pressure of his former career, and a particularly harrowing case have clearly affected him, and watching his navigate the difficulties of this new case was really interesting. The author has infused a real sense of authenticity within his character, avoiding the obvious stereotypes that could apply to such a personality, but still being able to draw upon his psychological fragility, and his uncertainty about being able to help the parents. I kind of liked Isaac, even though, much like Nathan he is a hard character to spend a lot of time with. Between them, they made for a very compelling narrative, for very different reasons, and I found I needed to know how things would work out for each of them.
The answer? Not as expected. Despite making the identity of the 'killer' quite evident from the start, Tariq Ashkanani is still able to deliver some very unexpected twists within the book. Revelations and actions that caught me unaware, and scenes that are able to shock even in the midst of an already taught and unsettling storyline. It is almost as though he has captured within this story the kind of morbid fascination that people derive from true crime documentaries. That need to know what really makes a killer tick, and how their actions might impact upon those who are closest to them, both knowingly and not.
A tough read at times perhaps, but still one I would recommend if you are able to take your crime fiction on the darker side of the genre. Murder should never really be pretty, but this one hits particularly hard.