I have a lot of thoughts about this book, so here's my TL;DR:
After what is a very promising beginning, Dream On, Ramona Riley turns into a cliche-ridden mess, where sex is used as a stand-in for romance and there's no real payoff in the end.
Okay, if you're still reading, here's the full review.
I've been a fan of Ashley Herring Blake's books for years--since before her foray into adult romance. But the Bright Falls series has a special place in my heart, which means I have been excited about and blessed with new AHB book releases for the last few years. But, guys, between this book and Make the Season Bright, I think AHB is now off my Day 1 Read List, and that makes me so sad.
I loved the premise of the novel: the small-town girl-next-door charms the Hollywood bad-girl nepo baby, only--plot twist--they've already met and had one magical and memorable encounter And for the first half of the novel, I was enjoying my time in Clover Lake with Ramona and Dylan. But there was this moment--and I marked it in an update (at the 45% mark) because I knew the moment was important--that AHB could either subvert my expectations against the demands of the tropes or she could tell the same lazy story I've read over a hundred times. She went with the latter. And her novel suffers for it.
Okay, but more specifically, here's what didn't work--and this will be spoiler free so will probably be super vague:
1) There's an over reliance on miscommunication. Look, I know this is a common romance technique, but a good enough writer will understand that tension doesn't have to come from what is unsaid. (See Mae Marvel's Everyone I Kissed Since You Got Famous for a good example of this.) And there's a lot that's unsaid in this novel. The idea that I need to tell her; I just need to figure out the right time is so eye-roll inducing and tired that if I wasn't reading this book on my phone, I may have wanted to throttle the book against the wall. And that's only one side of it. That doesn't even cover the fake dating that isn't actually fake dating because I have real feelings so I don't have to say anything plot.
2) Sex is used to make up for lack of communication and that's an automatic demerit for me. Especially in a romance novel. Which leads me to...
3) Sex is used to prove their chemistry/romantic connection, and I wish authors would stop doing this. Sex does not equate to romance. You want to write erotica? Great. Go for it. But I'm reading a romance novel, which means that while I understand there will likely be sex scenes (and I'm okay with that), I don't want sex scenes at the expense of romance or romantic build up. I would rather have fade-to-black sex than sex instead of romance, to be honest. But the issue with this novel is that I don't know why Ramona is attracted to Dylan apart from this weird connection to a very brief moment when they were 13 years old that was extremely important to both and this newfound sexual chemistry. But sex is not something that replaces actually getting to know someone. And I understand Dylan's attraction even less (reasons that have to do with Dylan, not Ramona).
4) The sex scenes did not work for at all. The book lost me at "Come for me, baby girl," which I had to read twice. Ew. No. But that's not all that bothered me here, and I'm not trying to spoil anything, so all I'll say is that none of it worked. I was uncomfortable and ending up skimming a lot of it. But YMMV. Other readers seem to like it. But, again, I'm more interested in the romance than the sex. And the second half of the novel has a lot of sex.
5) There are just too many characters in this novel that are under developed and, considering this is the start of a series, it seems a little lazy. Also, there are some side characters that do some really shady things and AHB doesn't address it in a meaningful way. The fact that I didn't get closure on that stuff really pissed me off.
6) The queer diversity seems so forced AND AHB is still allergic to lesbians. Both of those things are happening in this novel at the same time. Okay, so the leads are both bisexual. The BFF is pansexual. Dylan's co-star is also queer and dating a trans person. Dylan's manager is trans. Ramona's sister's BFF is queer (maybe bi?) and her sister is questioning. It's the fact that that's is so unrealistic that drives me bonkers. Especially in two worlds: small town USA and Hollywood where being out is either dangerous or detrimental. But you're giving me all those folks, AHB, and not one of them defines themselves as a lesbian? Oh wait. I stand corrected. Dylan's original co-star, who doesn't end up being a character in the book due to an injury, is "an outspoken lesbian." Oh, and the director, who is awful, is also a lesbian. And so is the BFF's FWB barely-there nonbinary hookup. And Dylan's character, Eloise, is also a lesbian. Lesbians are a good chunk of your readers, AHB. Maybe include some meaningful lesbian characters?
7) I didn't really like Dylan or Ramona all that much. And that's not their fault. That's AHB's fault for not making them full-formed characters.
Oh, but two minor things I did like: Brown-eye representation! Also, both characters are brunettes, which I feel is rare.
I'm landing on 2 stars here because despite its many flaws, it's still readable. But maybe AHB should take a break from writing and find her mojo again. But that's not going to happen. The teaser for the next book is right there.