Disjointed, but valuable nuggets to find
I enjoyed a good portion of this book, but at times I wasn't sure what level the author was trying to engage the audience at. For example, if you're a reader familiar with the bible but with none of the scholarship (such as, say, an average Christian who uses the text only for their own religious purposes but has never taken a class on it beyond confirmation), this book is already a lot of new information that could be incredible and new...but then, it's not necessarily all the important information, nor a history of how things became canonized, which might be better to look into first.
But then, if you've already looked into those things, a lot of this isn't news. I came to this book having already read a lot of things for both general and scholarly audiences, and so this seemed a little too beginner-level, even patronizing to the minimally-knowledgeable.
And yet, it takes deep dives into several texts that even I had hardly heard of! Books like Enoch are well-known enough, being referred to in the text of the Bible itself and being part of the Apocrypha (which itself should maybe have been more emphasized here), but it's not entirely clear why the author decided to spend whole chapters on the Apocalypse of Abraham and the extra stories about Adam and Eve. Why not, for example, examine more pivotal texts that were used like scripture for a while and even had great influence on tradition, such as the Apocrypha (for the Jewish Bible), or for the New Testament, the Shepherd of Hermas or the Apocalypse of Peter, or on some of the gnostic writings? Nearly nothing about the New Testament Canon, though some of the ones discussed were nearly contemporary with them. While I agree with the author that including these would be an incredible addition (or even contradiction or correction) to the texts we ended up with, it almost seems like he decided to flesh out a few as a sample, and then realized that there was no way to cover all of them, and just ended. As some reviewers have said, this book almost reads better as a collection of essays - some about the history of the times, some on the histories of the texts themselves (see below for highlights), and some just about individual stories that didn't make the cut. But there doesn't seem to be a clear, repeatable thesis to follow throughout and tie the book together.
Don't get me wrong, however: I gave the book 4 stars instead of 3 because a lot of this was still incredibly informative. Here are some very valuable highlights:
1. His tone, unlike scholars such as Ehrmann, inform the reader of the scholarship without having a bone to pick. Ehrmann, for example, gives important insights and facts, but sells them as revelatory and provocative bombshells, perhaps reflecting the personal story he went through going from fundamentalist to agnostic. Hoffman, on the other hand, always seems to respect the text, the authors, and the audiences, giving only facts but never really trying to shock us. Of course, that may be surprising to readers who picked up this book precisely for these reasons. So even if that's disappointing, he's at least not trying to point fingers at the people who left them out and start conspiracies about purist cabals or whatever. (Not that Ehrmann does it, but my point is that Hoffman's tone is factual and observational, rarely commentary.)
2. The chapter on the Dead Sea Scrolls, and even the one on Josephus, are really worth a book on their own. He didn't sell them short (like I don't feel like I need to read a separate book on it - he didn't gloss over anything), but I'm super glad they're here. Really, it could have been done as separate books - one on the history of the texts and one on the content of the texts - but at least the reader can learn a lot about how we even know anything about the ancient texts. Of course, along the way he has to dispel myths about various things (such as what Josephus got wrong, or what he actually said and why), but the story of the Dead Sea Scrolls is itself worthy of its own docuseries.
3. Of the "cut" texts that he does go through (only three, really, though the book description mentions psalms and other texts), they do serve to flesh out a lot of the better known texts, and remind us that the audiences of the texts would themselves have been aware of other stories/texts that don't actually appear in our "final" version. Similar to say, Tolkien's Lord of the Rings, there are references to other stories, histories, characters, etc. that never appear in the main books but which Tolkien was developing separately or had in mind. Just so, the ancient world (especially of the Jews under Greece and Rome) lived in an environment that contained much more than just the versions we read today. The writers and audiences of what became the Bible didn't have *just* the Bible, and to make a Bible at all meant that not everything could make it in. And it's true, because of how the canonical texts are read today, that inclusion of these texts would certainly have changed our final interpretations of the stories in various ways. So I appreciated going through these texts, even if they were neither the most significant texts to hit the cutting room floor, nor a representative sample of all the texts that did.
4. Despite the lack of a clear thesis, you will absolutely learn something. The things you learn you'll be able to remember and do something with, unlike some of the more scholarly works that are dense and technical. You'll appreciate his entry-level approach any time you're reading about something that's new to you, and it'll stick better in the end. Likely it'll lead you to other works on the things you find most interesting.