"There's nothing I want more than to open my doors to you. To show you my work. My music. My entire heart and soul. I need you to see it, to look at me the same way you did when I showed you London's skyline."
Oftentimes I find myself wishing there were more books that explore the messy and chaotic side of being human. Rarely do I find one as extraordinary as Mandy C. Rodrigues' debut, which tackles the uncomfortable experience of needing to figure out who you want to be after everything you thought you wanted falls apart. Words keep failing me as I try to put this review together, because there seems to be no way to do this masterpiece justice.
At first glance, this is a book about second chances. Ten years ago, Eric Lowell fell in love with a boy who broke his heart and nearly destroyed his dreams, and it's taken him a decade to undo the chaos that Andrew Westcott unleashed in his world. Despite the deep emotional wounds he sustained back then, Eric refused to give up on his goals as an aspiring composer, and his efforts seem to be paying off at last in the shape of a soundtrack commission from the BBC itself. Everything goes sideways, though, when Andrew barges back into his life, bringing along a downpour of complicated feelings that Eric should know better than to act upon.
When you look beyond the surface, though, this is so much more than a second-chance romance between two young men whose history might or might not get in the way of their feelings. Deep down this is a book about the grief and pain and loss that shape us as we walk through life. But it is also an ode to the million ways we find to endure them, one day at a time, because at the other side lie our dreams and purpose. It is also a love letter to everyone whose struggles left them broken into sharp-edged pieces they had to figure out how to soften. It is also a quiet ballad about the infinite love we are able to give, and it is also a cautionary tale about what happens when we forget to set some of it aside for ourselves.
Despite how intrincate certain topics included in this book are, Rodrigues handles them with grace and compassion. Something I can be really nitpicky about in books is how accurate the depiction of mental illness, neurodiversity and therapy is, because we still live in a society that claims to care about all three while only barely tolerating those of us affected in real life. AWS burns bright in this sense, and is at once unapologetic and compassionate in its depiction of OCD, anxiety, and autism. Rodrigues makes room for an exploration of how each of these impacts a person's life and well-being, while also validating what they might feel as a result. It is alright to be angry about one's mental health. It is also alright to be sad, or scared, or confused. But perhaps the most powerful statement she made is that you are allowed to feel multiple things at once about your unique experience with neurodiversity and mental illness.
Validation abounds in this story about two underdogs whose shared experiences have been shaped by their adverse childhood experiences and complex trauma, and there is a uniquely beautiful brokenness to the careful and tender examination of how the history of who we've been makes us who we've become. Neither excusing nor judging her characters for the choices they made when they did not know or could not do any better, Rodrigues opens up a conversation about what it means to be human in the face of adversity.
This book contains multitudes, and if you look close enough you will see that it is, indeed, a story about love. For it is ultimately a tale of two boys who are ravenous for genuine connection through no fault of their own, and it is also an ode to everyone who has experienced the most hostile things in life and still opened their heart and allowed others in.
Please read this book.