James Patterson has several bestselling series, each carrying different levels of readership popularity. Detective Alex Cross is his coveted franchise and most successful series, followed by the Women’s Murder Club, Detective Michael Bennett, NYPD Red, and the Private novels.
The Detective Michael Bennett series is one of Patterson’s better feel-good characters. Bennett is a successful Detective working special crimes in New York City. His home life and (very large) family are really the center of his world and provide the primary reason for the readers to cheer him on. Bennett’s first wife, Maeve, died after fighting a losing battle with cancer, leaving him with their 10 adopted children to raise, along with his sour grandfather and catholic priest, Seamus. During most of the books, Bennett has moved on by falling in love and getting married - to his wonderful housekeeper and currently pregnant with their first child, Mary Catherine - in-between solving crimes and stopping serial killers along the way.
In “Paranoia” Michael Bennett has been given a special assignment from a NYPD inspector. One that is intended to be a solo investigation into the recent deaths of retired police officers, some that were considered suicides and a couple that appeared to be accidents. Bennett needs to keep his work quiet because if foul play were to come from it, the public image would way too damaging.
Investigating the departed officers will not be easy for Michael, especially while he is training and mentoring a younger officer, Rob Trilling, an ex-military sharpshooter, who can tell when things are being kept from him. Michael will need to decide who he can trust to help him and who he cannot, because even though he’s been told it’s a one-person job, he knows that it cannot be done alone.
At the same time, Michael’s wife, Catherine, starts to have some problems with her pregnancy, including a visit the Emergency Room, where they are instructed that Catherine must go on immediate bed rest. Time for each of the Bennett family members to step forward and take up the slack for all that she’s done for them.
While Michael tries to balance his work and home life, he finds himself involved in deaths that may actually have been intentional, as well as coming across an unknown assassin who is eliminating individuals involved in his investigation and may be turning his attention towards Bennett and Trilling. This time Michael may have met his match…
Much like the last several books, the strong family focus and uplifting ending left a nice smile on my face. It reminded me that the strength of this series has always been the balance between Bennett facing down the evilness of the world (serial killers, psycho and deranged killers, bad people seeking power, etc.) and the strength of his family. The love and support of his family is his heart. They provide him with the strength, drive, and perseverance that he needs to successfully hunt down and deal with evil killers and villains. It’s a sharp two-edged sword, but Michael does a good job of shuffling between both worlds, maintaining both his core identity and humanity.
However, the strength of this particular book was the focus on the Bennett family members and Michael’s new partner, Rob Trilling, and their personal storylines rather than the overall mystery that Michael tries to solve. That’s neither good nor bad, just what it is.
I liked the story lines involving Mary Catherine’s pregnancy (and the somewhat humorous challenges they faced), Juliana’s and Rob’s growing relationship as a couple, and Brian’s developing serious cooking skills and trying out for the Rising Chefs cooking show. It was fun to see the family members step in and take a more lead role when Catherine was put on bed rest, as well as how Juliana dealt with Rob’s lack of experience with women and dating (especially with his having five secret female roommates). I believe that Juliana is becoming an interesting and proactive character that deserves more on the stage, providing a great balance to the strong but quiet personality of Rob, who also deserves to continue his own arc and relationship with her and her father.
Those personal family related storylines overshadowed the primary mystery and Michael’s investigation, making it feel a bit more mechanical than usual. It wasn’t bad. It just wasn’t as strong or suspenseful as investigations as other books in the series. It didn’t help when I could discern who the big bad guy was behind all of the killings early on, and although I found the hit man character of Kevin Doyle interesting and conflicted, he was still a bit of a mess and inconsistent in his behaviors. It just felt like Michael was going to stay safe and figure things out sooner than later, and he did it without too much stress, worry, or damage. It also left me with a serious question that raises a major problem with the strategy that the villain takes from the very beginning, but to share that would be way too much of a spoiler, so I must keep it to myself as to not spoil anyone’s reading experience.
Anyway… Moving on…
Overall, this was a good, not great, outing for Michael Bennett and his family. An engaging and fast-paced, entertaining read that was more focused on the family members and personal storylines than the overall mystery itself. It was a good example of the kind of escapist mind-candy formula thriller that James Patterson is known for.
See you and the family next year, Michael. Until then, take care, rest up, and get ready to welcome a new member to the family…
By the way, two side notes that made me a bit curious.
One, the title didn’t really seem to really connect to the book’s over-arching mystery and storylines. I know it ties to the one-word titles that have become the pattern for the Michael Bennet for the last 12 years (with one exception) and is used in the description on the inside flap, but it just seems more like a cool title that has nothing much to do with the actual story.
Second, the cover shows a young woman running away up a set of stairs while looking over her shoulder. Maybe it’s just me, but I don’t remember any scene in the book whatsoever that involved a female character running anywhere, let along up a stairway…
Neither of these thoughts mean anything or take away from the reading experience, but I just found them a bit odd. Nothing more.