If you’re like me and haven’t read a romance erotica book, take everything you think you know about the genre and set it to one side. Now, pick up a copy of Cynthia Ogren’s Beautiful Monsters and let the wild ride begin.
It would be easy to focus on the excellent pacing, the well-drawn characters, and the intriguing plot of this book, all of which I’m sure will fully satisfy devotees of romance erotica. But I’d like to focus on other aspects of Beautiful Monsters, those that appealed to me and led me to read compulsively this wonderfully executed and beautifully told story.
Riley Rinaldi and Keller Cross are likable, yet extraordinarily flawed characters. Their journey into and out of love has all the to-hell-and-back-again qualities associated with a glamorous Hollywood production. Oh wait…it IS a Hollywood production. But the fact that the setting is Tinseltown should not lead one to think the characters are shallow and two-dimensional, because all of Ogren’s characters come with fully rounded personalities, idiosyncrasies, and yes, lots of baggage.
What is less obvious is that the setting and the Hollywood production around which all of the action centers, the vampiric “Beautiful Monsters,” serves as a metaphor for Lala Land itself, and for the people which populate its palatial houses and its slapdash sets, its raunchy clubs and seedy tattoo parlors. Beautiful on the outside, monstrous on the inside, the town’s inhabitants are consumed by jealousy, love, anger and greed.
But what Ogren unfolds against the reprehensible backdrop is a lyrical tale of love addiction, one that is intoxicating and breathtaking. The story grabs the reader in a passionate embrace and will not let go until the story is spent. The reader emerges fully satisfied, caring about the main characters, and eager to be swept away in another story from the mind and heart of this truly wonderful new storyteller.