Acknowledgement: Thank you to NetGalley, the publisher and Ms Thompson for setting up their partnership with NetGalley. I received this book for free in exchange for an honest review.
Warnings: Period-typical homophobia (1950s), period-typical purity mindset (1980s), suicide, murder, domestic abuse, bullying, adults failing their children
Summary: Full disclosure, I went into this book expecting real magic, real curses, and a mystical/fantastical story. If this is the kind of book you’re looking for, Curse of the Cole Women is not for you. The magic found here is the magic of families, of tradition, of heritage and women through the ages, but it is also the magic of evil men, of small towns and the minds born from them. If asked to give this story a few tags, I’d say it was gothic historical, and while romance is at it’s heart, the story is not romantic.
The chapters of this story alternate frequently, back and forth between two different Cole women at any given time. The first Cole woman we see is Goody Cole, thrown into the sea for being a witch during the 1600s. The men that threw her there are the ones that seemingly start the “curse” that no Cole woman can ever leave the island of Juniper, and that only two Cole women can live on the island at any time.
We go then to Mabel, and later, Mabel’s daughter Rebecca, and even later, Rebecca’s daughter Simone, and how all of them had children, all of them had daughters, and none of them were married when it happened. Except for Simone, who is determined not to give the curse of the Cole women a single thought.
Mabel, in the 50s, lets a mainlander, a stranger, stay with her for some time, a Jewish man who managed to escape the Holocaust, but lost his parents to a camp. He and Mabel have a quiet romance, that ends when he leaves to find his sister, who also survived. Mabel carries on his traditions for her daughter.
While Rebecca, in the 80s, does not carry those traditions for Simone, she does carry on the tradition of falling for someone who doesn’t marry her. Unfortunately for her, the man she loves is the sort of man who cheats on his fiancee with Rebecca, then pretends Rebecca and the child he fathered don’t exist anymore.
Simone, despite never knowing her grandmother Mabel or the traditions of the grandfather who survived to teach those traditions, Simone finds them anyway. She works hard at a school who hates her to get into Yale, and finally, finally leaves the island, the first Cole woman to go so far from the sea. The first Cole woman to ever choose herself.
The island of Juniper is the epitome of a close-minded, bigoted, racist (for a given definition of racism by which I mean antisemitic) town. No one leaves, no one comes to stay for longer than the tourist season lasts, and if there isn’t a Cole woman in the Cole Lighthouse, then the fish dry up and their fishermen die at Sea and it’s the Cole women’s fault, of course, they’re witches and not only that they’re Jewish witches.
Spoilers:
Mabel and Rebecca both “give in” to the curse of the Cole women and kill themselves in the sea. Mabel, to protect her lover – a woman who’s husband was abusive to her, who attacked them one night and fell from the lighthouse – and Rebecca, to escape her deteriorating mental health.
Simone is the only one who spends the entirety of her chapters refusing to give the curse any power over her. That, at its heart, is what the book is about. That the evil of ignorant, angry humans is more powerful than any one person alone, and unlike her mother, and her mother’s mother, Simone spends a good portion of her adult life trying to capture a story that doesn’t end in more death.
It’s up to the reader to see how much magic is “real” and how much is tradition steeped in guilt and anger, but I didn’t read even the most mystical parts of this book as anything more than manifestations of troubled minds, and that made the language chosen even more impactful. There are several lines that will stick with me from this book for a long while, and I don’t want to spoil them for anyone, so I’ll close with the one that I liked the most:
She wondered what it meant to avenge your ancestors. Was it punishing, an eye for eye, or was it choosing the future, choosing your own peace in their image?
The best revenge is living well. 3.5/5, rounded up to 4/5.