Quirke returns in the third volume of John Banville’s celebrated series.
A junior doctor at a local hospital, April Latimer is a scandalous presence in the conservative and highly patriarchal society of 1950s Dublin: the independently-minded scion of a well-connected family, she has decidedly unconventional taste in men. When she vanishes, her friend Phoebe fears the worst—and calls on her father, forensic pathologist Quirke, for help.
Sober again after intensive treatment for alcoholism, Quirke enlists his old sparring partner, Detective Inspector Hackett, in the search for the missing young woman. In their separate ways the two men retrace April's trail through Dublin’s seedier side. But as Quirke contends with a beguiling actress, racial tensions, and April’s formidable family, Phoebe finds she is being watched…
Elegy for April is a masterclass in tension and atmosphere from “one of the best novelists in English” (The Guardian).
William John Banville is an Irish novelist, short story writer, adapter of dramas and screenwriter. Though he has been described as "the heir to Proust, via Nabokov", Banville himself maintains that W.B. Yeats and Henry James are the two real influences on his work. Banville has won the 1976 James Tait Black Memorial Prize, the 2003 International Nonino Prize, the 2005 Booker Prize, the 2011 Franz Kafka Prize, the 2013 Austrian State Prize for European Literature and the 2014 Prince of Asturias Award for Literature. He was elected a Fellow of the Royal Society of Literature in 2007. Italy made him a Cavaliere of the Ordine della Stella d'Italia (essentially a knighthood) in 2017. He is a former member of Aosdána, having voluntarily relinquished the financial stipend in 2001 to another, more impoverished, writer. Banville was born and grew up in Wexford town in south-east Ireland. He published his first novel, Nightspawn, in 1971. A second, Birchwood, followed two years later. "The Revolutions Trilogy", published between 1976 and 1982, comprises three works, each named in reference to a renowned scientist: Doctor Copernicus, Kepler and The Newton Letter. His next work, Mefisto, had a mathematical theme. His 1989 novel The Book of Evidence, shortlisted for the Booker Prize and winner of that year's Guinness Peat Aviation award, heralded a second trilogy, three works which deal in common with the work of art. "The Frames Trilogy" is completed by Ghosts and Athena, both published during the 1990s. Banville's thirteenth novel, The Sea, won the Booker Prize in 2005. In addition, he publishes crime novels as Benjamin Black — most of these feature the character of Quirke, an Irish pathologist based in Dublin. Banville is considered a contender for the Nobel Prize in Literature. He lives in Dublin.
Quirke is just plain weird in this one. Truly, I would have given this a 3 star for some portions, maybe even a 3.5 stars. Yet just could not-for plot and for characters both?? It doesn't seem to jive at all with the former Quirke books either.
He is drying out. (Alcoholic rehab stay too.) BUT! The departures Banville took here?? I wonder why he rather "left the building" with putting Quirke AND Phoebe's friends into such contorted context positions. UGH! And he is a DOCTOR. A pathologist yet. His standards on the job he returns to here?? So much of this is characters in murk.
The only thing I can think of is that Banville (under the name Black as the copy I read was written under the alias author designation) wanted to take a rather wander experiment into "social warrior" territory routes. Down two or three separate paths of pretentious overlook too. To be "empathetic" or to demonstrate his better world judgments?? This entire plot was rift with nasty applications and even worse situations. As if they were a given and just so -"oh well" serendipity that also went along as a follow.
Why did he try this kind of exercise IN A SERIES? I wonder if he was trying to win the "Rosie O'Donnell" award of/ for various self-identity or social delusion or some past or present Irish history commentary. (Abortion, race relations, immigrant status, incest are just the main ones. Of course the Church is always center target in some parlay of effect or affect.) Today's Ireland or that Ireland of some part of the early or middle 20th century? I have no idea from reading this particular book alone. Yes, what exact decade was this novel set into??? THAT WAS not established to a 1 star level, IMHO. Vaguely or clearly this is the 1950's? Not in this book if you read it stand alone. I thought it was 1930's but then it became the 1950's. Totally different onus and styles, btw. Reading in the trailers that it was 1950's? Well, I remember the 1950's. Not even within phones is this accurate, IMHO.
There were other HUGE mistakes too, IMHO. What/ which "after war" period is he describing. He has that botched big time trying to name movie stars etc. or current cigarette holder styles too. DO SOME RESEARCH if you want to put trivia of "mod" in anything, John. Or is Ireland on a completely separate path than most of the other parts of the Western European or entire Western Civilization world have experienced? Not this much? More like if the 1950's met the 1970's wearing 1920's clothing in this novel.
I actually didn't mind the mistakes until about half. It was HARD for me to finish this one. I only did so because I was shocked he so jumped the shark for both character and social standards "goals". Good writer gone rogue. Hope he gets into a time period he knows or has better stand alones coming up. No more Quirke's for me. Sober or drunk, just ugh!
Quirke and Hackett (though mostly Quirke) are on the case in the disappearance of April Latimer, a junior doctor at the hospital where Quirke works. April is a friend of Phoebe, Quirke's daughter, and Phoebe is worried because she hasn't heard from her friend in a couple of weeks. The two generally speak or see each other every day or two. But April has a reputation as a carefree spirit who does as she pleases without consulting anyone, so her family, which heartily disapproves of her, is not concerned. They just want to keep any scandal out of the papers. But Hackett discovers blood in April's bedroom, and now it seems as if something terrible has indeed happened to the young woman.
Banville's "mysteries" aren't about the sleuthing and the crime solving. They're about the psychology of the characters, in this instance both Phoebe and her father. I think you can probably figure out the crime (at least I did), but it's how Quirke and Phoebe act and respond and think that's the genuine mystery.
Tore through it in two days and thoroughly enjoyed how the author built the suspense, managed to sneak in a murder mystery and a Dublin tour, while creating memorable characters. Kind of memorable. Realized after that it’s a series, but can’t say I want to spend any more time with any of those characters. The Dublin vibe and the era, yes. The people, not so much. Doesn’t mean the novel wasn’t worth reading and I will recommend it to mystery fans. But not going to pursue the rest of the series.
Spoiler. Way too much time spent on his drying out … or not. Seemed like more drinking happened in this book than the others. Also did I miss something? Who was watching Phoebe? What did Quirk tell the nurse to make April’s brother come out to the car and admit he got rid of Aprils body? So many unanswered questions. Not the least of which is how he retains his job.
I thoroughly enjoyed this atmospheric, poetically written mystery. The first I've read by this author. Not new, published in 2010, but worth the read. Can be read as a standalone but I believe is book 3 in a series. Thanks Goodreads, the author, and publisher, for my free print copy.