A "quietly astonishing" vision of sainthood (Los Angeles Review of Books), sketched in luminous short poems.
Young Santa speaks in animal tracks and simples of the moon. He gets lost in the land of seeds and snow. He does not know what he does not know. In short-form poems 'worthy of Bashō or Dōgen' (David Mutschlecner), Deany-Braun prefigures Father Christmas as 'a saint of poetry' (Anne Waldman).
This debut poetry collection by Joe Deany-Braun left me thinking of one of my favorite quotes from Emily Dickinson: "If I feel physically as if the top of my head were taken off, I know that is poetry." This book delivers to Dickinson's sentiment in every way, with poems that left me in goosebumps. The last poem in particular hit me hard, while being the perfect example of how white space can effectively impact a reader. Really remarkable work.
Before he became caricatured as a jolly old elf slugging coke with polar bears and doling out petroleum-based chachkis faster than Am*z*n, Santa was an itinerant wanderer, a Christian mystic, a tang dynasty style poet in exile questioning his faith. Ignore the detractors, kids. Santa is real.
A collection of tiny, meditative poems centered around a youthful version of our planet's favorite folkloric figure? Sign me up. This collection was full of wonder and heart.
Young Santa reminds me of those fractal animations that start out simple enough: it's just a leaf, right? But as the camera zooms in, the waxy green surface gives rise to a more complex pattern, and zooming in on that pattern gives rise to an even more unexpected, immense topography, so that zooming in begins to feel, paradoxically, like zooming out, until the reader is humming along like an engine, the microscopic and the immense like pistons, giving the repeated and delightful sensation of stepping into cupboards that open onto one Narnia after another, complete with snowy ranges, precipitous drops, and even unexpected, delightful characters on parallel quests, bushwhacking the scrub, out to catch gods of their own.
When I think of this book, I don't just think of a collection of poems, which can so often feel like a static composition. I see the epic narrative of a young wanderer alone in the mountains, the primordial monk before the myth, the pagan spirit of Christmas that compels us to drag pine trees into our homes, so they might smell of something indescribably necessary, and deliriously good.