I don't usually read sci-fi. Or dystopian. I'm more of a happy reader, looking for rainbows and unicorns. What made me read (and love, and put the author on my top favorite authors list) "E" were the first paragraphs that the author, Kate Wrath, posted on her website. The power and the beauty of the dark, poetic language won me over, reminding me of some of my favorite poets. And once you start reading this book, trust me, you cannot stop.
The storyline is constructed around three main themes: hope and the loss of it, character destruction and rebuilding, and the battle between good and evil. Actually, I would rephrase the last one as "the battle between evil and less evil", because we are talking about a world where nothing is good or innocent, and one has to choose between worse and the worst.
The main plot revolves around the main character and what she has to do to survive. I think the main fights take place in her heart and mind, not in the outside world. On the outside, though, there are events and struggles that create an endless web of sub-plots. A simple accident (getting a piece of glass stuck in Eden's foot) creates a whole side-story that lasts through chapters. Characters rise and die, taking their stories with them. The beginning of one sub-plot sometimes resolves the other, but in general, there are two or three going on at the same time.
The novel is written in first person, present tense, from the main character's point of view. That gives you the chance to discover the world that she is dumped in together with her, as you start on the same level: neither you, nor the character knows what that world is like in the beginning.
Kate Wrath's characters are alive. You see them, feel them, bond with them and discover their world through their eyes. The main character is "reborn", nameless, in a hopeless world. She has no memories, no past, no future. Later on, she names herself Eden. Since the story is written from her point of view, the reader bonds with her deeply; you end up liking what she likes and hating what she hates. Eden is a complex character that learns, discovers, adapts and evolves very fast. Think of a new-born child forced to become a grown-up in a matter of days. What I like is that, even if her memories were erased, her sense of morality remained intact. She always tries to do the right thing, in this world where being correct lessens your chances of survival. This also leads to inner struggles, when she has to choose a side to fight on or choose among friends. The author pays the same attention to secondary characters: Apollon, Jonas, Miranda, Neveah, and my favorite, Oscar (which make up her new family); and Matt, the "god" of the Outpost, a very controversial character that you hate and love in the same time. All these characters have depths that I have rarely seen in a sci-fi writing.
As you would expect from a sci-fi/dystopian novel, the setting is crucial to the events that take place and to character development. What renders "E" different from other books in the same genre is the lack of direct description, the lack of dwelling on the subject. Everything happens in Outpost Three, but that is all you will know about it. You do not find out where it is situated, in what year, how big or small it is, and you do not need to, because it is not essential to the storyline. It is the dark atmosphere that the author creates that lets you in what the Outpost is all about. She does not describe the rags that people are wearing, but tells you that the leading groups have fewer holes in their clothing; she does not try to tell you what hunger feels like, but that "even the mold tastes good". Kate Wrath creates a world where being pretty is a curse, where you sell yourself for a crust of moldy bread, where the only way to "get rich" is to strip a corpse of its belongings, where menace comes in many shapes and from many sides, "the bottom of humanity's barrel".
Modern poetry are the words that define Kate Wrath's style. I can't even begin to tell you how much I love it. Fragmented sentences; rich, descriptive vocabulary; attention to details and, especially, to feelings; dialogue as a main source of characterization – these are just a few things that describe this author's style. She lets the train of thought go, makes you think what the character thinks, and the thoughts come into your head not through words, but through this poetic language that enables it. A language that speaks to your subconscious, demanding to let go and embrace your feelings, and be part of this grim universe.
I will give you only one example: "Tepid air. Tepid metal. The inability to move. Limbs pressing outward, ineffective. My ribcage curled in on itself. No room to breathe. The back of my skull smashed against the box. Neck and spine aching. Heavy limbs. Not enough space. Not enough air. Suffocating. Dying." Get the drift?
Obviously, I recommend this book to sci-fi and dystopian readers, poetry lovers, readers in search of a good thriller or a good book in general. But I warn you: this book is not for the weak hearted.