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Detective Kosuke Kindaichi #7
La abeja reina
La tranquila vida de los habitantes de la isla de Gekkin da un vuelco tras la aparición de varias cartas que alertan de que la encantadora y bella Tomoko es, en realidad, la Abeja Reina, una mujer fatal con la habilidad de atraer y cautivar a todo el que se acerca a ella y de generar en su entorno tanta admiración como resentimiento. Un enigmático asesinato desata una serie de tensiones que, rápidamente, transforman la pacífica localidad en un avispero, plagado de rumores y sospechas.
Kosuke Kindaichi, un perspicaz y poco convencional detective, se enfrentará a este complejo caso en el que todas las personas cercanas a Tomoko, amantes despechados, amigas envidiosas y familiares con oscuros secretos, podrían ser el asesino.
A medida que profundice en la investigación, Kindaichi descubrirá un pasado mucho más complejo y perturbador de lo que esperaba. Esta muerte no solo es un crimen, sino el punto de partida de un juego psicológico en el que las pasiones y las obsesiones humanas alcanzarán su máximo esplendor.
Kosuke Kindaichi, un perspicaz y poco convencional detective, se enfrentará a este complejo caso en el que todas las personas cercanas a Tomoko, amantes despechados, amigas envidiosas y familiares con oscuros secretos, podrían ser el asesino.
A medida que profundice en la investigación, Kindaichi descubrirá un pasado mucho más complejo y perturbador de lo que esperaba. Esta muerte no solo es un crimen, sino el punto de partida de un juego psicológico en el que las pasiones y las obsesiones humanas alcanzarán su máximo esplendor.
344 pages, Paperback
First published October 15, 1973
5 people are currently reading
94 people want to read
About the author
Seishi Yokomizo
237 books773 followersSeishi Yokomizo (横溝 正史) was a novelist in Shōwa period Japan.
Yokomizo was born in the city of Kobe, Hyōgo (兵庫県 神戸市). He read detective stories as a boy and in 1921, while employed by the Daiichi Bank, published his first story in the popular magazine "Shin Seinen" (新青年[New Youth]). He graduated from Osaka Pharmaceutical College (currently part of Osaka University) with a degree in pharmacy, and initially intended to take over his family's drug store even though sceptical of the contemporary ahistorical attitude towards drugs. However, drawn by his interest in literature, and the encouragement of Edogawa Rampo (江戸川 乱歩), he went to Tokyo instead, where he was hired by the Hakubunkan publishing company in 1926. After serving as editor in chief of several magazines, he resigned in 1932 to devote himself full-time to writing.
Yokomizo was attracted to the literary genre of historical fiction, especially that of the historical detective novel. In July 1934, while resting in the mountains of Nagano to recuperate from tuberculosis, he completed his first novel "Onibi" (『鬼火』), which was published in 1935, although parts were immediately censored by the authorities. Undeterred, Yokomizo followed on his early success with a second novel Ningyo Sashichi torimonocho (1938–1939). However, during World War II, he faced difficulties in getting his works published due to the wartime conditions, and was in severe economic difficulties. The lack of Streptomycin and other antibiotics also meant that his tuberculosis could not be properly treated, and he joked with friends that it was a race to see whether he would die of disease or of starvation.
However, soon after the end of World War II, his works received wide recognition and he developed an enormous fan following. He published many works via Kodansha's Weekly Shōnen Magazine in serialized form, concentrating only on popular mystery novels, based on the orthodox western detective story format, starting with "Honjin Satsujin Jiken" (『本陣殺人事件』) and "Chōchō Satsujin Jinken" (『蝶々殺人事件』) (both in 1946). His works became the model for postwar Japanese mystery writing. He was also often called the "Japanese John Dickson Carr" after the writer whom he admired.
Yokomizo is most well known for creating the private detective character Kosuke Kindaichi (金田一 耕助). Many of his works have been made into movies.
Yokomizo died of colon cancer in 1981. His grave is at the Seishun-en cemetery in Kawasaki, Kanagawa (神奈川県 川崎市).
Yokomizo was born in the city of Kobe, Hyōgo (兵庫県 神戸市). He read detective stories as a boy and in 1921, while employed by the Daiichi Bank, published his first story in the popular magazine "Shin Seinen" (新青年[New Youth]). He graduated from Osaka Pharmaceutical College (currently part of Osaka University) with a degree in pharmacy, and initially intended to take over his family's drug store even though sceptical of the contemporary ahistorical attitude towards drugs. However, drawn by his interest in literature, and the encouragement of Edogawa Rampo (江戸川 乱歩), he went to Tokyo instead, where he was hired by the Hakubunkan publishing company in 1926. After serving as editor in chief of several magazines, he resigned in 1932 to devote himself full-time to writing.
Yokomizo was attracted to the literary genre of historical fiction, especially that of the historical detective novel. In July 1934, while resting in the mountains of Nagano to recuperate from tuberculosis, he completed his first novel "Onibi" (『鬼火』), which was published in 1935, although parts were immediately censored by the authorities. Undeterred, Yokomizo followed on his early success with a second novel Ningyo Sashichi torimonocho (1938–1939). However, during World War II, he faced difficulties in getting his works published due to the wartime conditions, and was in severe economic difficulties. The lack of Streptomycin and other antibiotics also meant that his tuberculosis could not be properly treated, and he joked with friends that it was a race to see whether he would die of disease or of starvation.
However, soon after the end of World War II, his works received wide recognition and he developed an enormous fan following. He published many works via Kodansha's Weekly Shōnen Magazine in serialized form, concentrating only on popular mystery novels, based on the orthodox western detective story format, starting with "Honjin Satsujin Jiken" (『本陣殺人事件』) and "Chōchō Satsujin Jinken" (『蝶々殺人事件』) (both in 1946). His works became the model for postwar Japanese mystery writing. He was also often called the "Japanese John Dickson Carr" after the writer whom he admired.
Yokomizo is most well known for creating the private detective character Kosuke Kindaichi (金田一 耕助). Many of his works have been made into movies.
Yokomizo died of colon cancer in 1981. His grave is at the Seishun-en cemetery in Kawasaki, Kanagawa (神奈川県 川崎市).
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Displaying 1 - 14 of 14 reviews
May 2, 2020
เหมือนเอาส่วนนั้นส่วนนี้ จากเล่มนั้นเล่มนี้(ของหนังสือชุดนี้) มาผสมกัน
April 7, 2014
I read this book at least a few times years ago, and during the progress of re-reading, I noticed quite a number of flaws in the plot and the characters, which I hadn't paid attention to before.
The Queen Bee isn't among the author's most adored novels and the plot is a bit weak comparing with the masterpiece such as The Inugami Clan by the same author. The plot twists are a bit forced and predictable, the romance is also forced and I do think the author had focused too much on the tension among characters (everyone is keeping secrets behind everyone's back, to a point that it becomes tiresome) whilst not enough of effort had been put into the murder mysteries. And sadly even though there're so many things going on with the characters and there are so many 'shocking revealing' and conflicts among them, still the story comes off too melodramatic. Once again, The Inugami Clan works a lot better than this book even with similar plots about the secrets and conflicts within a powerful, well respected family and the very twisted love-hate relationship among the family members.
To make things worse, I now noticed how the author repeated himself in this book for I kept seeing familiar elements from his previous novels coming into play in The Queen Bee, I also noticed how stupid the great Detective Kindaichi acted in this novel! No wonder the murderer had managed to get away for the longest of time and killed four men before Kindaicihi could figure out what's going on!
Here's the manga-version of Detective Kindaichi, but this is NOT Kindaichi Hajime, Detective Kindaichi's supposed 'grandson' from the Kindaichi Case Files manga series.
Don't get me wrong, Detective Kindaichi would always have a special place in my heart, and he used to be such a terrific detective in the other novels, so it's very unbecoming for him to come off looking stupid and let some of the obvious hints escape his notice! ARGH!
The Queen Bee isn't among the author's most adored novels and the plot is a bit weak comparing with the masterpiece such as The Inugami Clan by the same author. The plot twists are a bit forced and predictable, the romance is also forced and I do think the author had focused too much on the tension among characters (everyone is keeping secrets behind everyone's back, to a point that it becomes tiresome) whilst not enough of effort had been put into the murder mysteries. And sadly even though there're so many things going on with the characters and there are so many 'shocking revealing' and conflicts among them, still the story comes off too melodramatic. Once again, The Inugami Clan works a lot better than this book even with similar plots about the secrets and conflicts within a powerful, well respected family and the very twisted love-hate relationship among the family members.
To make things worse, I now noticed how the author repeated himself in this book for I kept seeing familiar elements from his previous novels coming into play in The Queen Bee, I also noticed how stupid the great Detective Kindaichi acted in this novel! No wonder the murderer had managed to get away for the longest of time and killed four men before Kindaicihi could figure out what's going on!
Here's the manga-version of Detective Kindaichi, but this is NOT Kindaichi Hajime, Detective Kindaichi's supposed 'grandson' from the Kindaichi Case Files manga series.
Don't get me wrong, Detective Kindaichi would always have a special place in my heart, and he used to be such a terrific detective in the other novels, so it's very unbecoming for him to come off looking stupid and let some of the obvious hints escape his notice! ARGH!
May 29, 2025
No me canso de leer los casos del detective Kosuke Kindaichi. Son un enganche absoluto.
Sin duda, mi investigador favorito de la literatura japonesa.
Sin duda, mi investigador favorito de la literatura japonesa.
December 23, 2025
Ladies and gentlemen, I will certainly attempt to write a review of Perahim by Constantin Virgil Gheorghiu. My goal for the end of this year is to reach 150 books in the Goodreads challenge. I am sorry that I couldn't finish reading Elfling by Corinna Turner, but I will try to finish this novel by the end of the year despite the Christmas, New Year's, and Christmas holidays. I don't know if I'll have time to post the review of A Drama in Livonia by Jules Verne, which is being translated into French and English, and I know that many reviews have been left unfinished: A Sport and a Passtime by James Salter (my first reading of this author), Don Clorato de Potasa by Edgar Neville (with a surrealist aesthetic similar to the Greguerias by Ramón Gómez de la Serna), Till death do us part,: A Dr. Fell mystery story by John Dickson Carr (a case of my favorite detective Gideon Fell) which is always very interesting and, very stimulating and, failures like The best horror stories II by Charles L. Grant I know left me for this year very good reviews behind, but my will was faster than my own energies. For next year—and I know I'm getting eight days ahead of the 2026 promises—I'd like to do a review of Away Days by Alvaro de Grado (first I'll read it, something I couldn't do due to my Christmas expenses) (the extended version), which is a collaboration with my admired mentor and great YouTuber, Quillo Barrios, whose Real Madrid YouTube channel I'll never tire of recommending. I'd also like to do a review of The Purple Ribbon by Alejandro Núñez Alonso who is considered by some media as the best Spanish novel writer that has ever existed and who has been compared to Robert Graves the acclaimed author of the duology of I, Claudius/Claudius the God a subscriber has asked me to and, another of my objectives is to write a review and, make a video of two dystopias for my Youtube channel. My friend Rafael, a member of the Catholic Tolkien Association in Spain, to which I belong and which is wisely guided by Father Bernardo, asked me to make a video about Brave New World by Aldous Huxley We also plan to make another video about 1984 by George Orwell and compare the two books. Next year, I also plan to finish the book that G.M. Baker sent me, which I promised to review. As Goodreads users can see, there's a lot of work to be done, and several projects are planned for the next cycle, God willing, and of course, we won't forget Professor Manuel Alfonseca and, post the review of his book that is pending and, the reviews that are pending of the sacred vestments of my friend Jaime Blanch Queral must also be posted and, it remains pending the plans of my friends José Baena Castel (whose wonderful novels are recommended) and, the same happens with my dear friends the sisters Marta Luján, Ana M. Luján (and their charming daughter who has just been met on my instagram account).
This review faces the same difficulty as the one I had with Jules Verne's *Drama in Livonia*: many things have been forgotten, and some errors may be made because my memory isn't as good as it used to be. However, it has one great advantage: like the classic novels of the Golden Age, this novel, following the Detection Club aesthetic, begins with a dramatis personae. A list of the characters, as most Detection Club writers do, is particularly thought of, especially the queen of crime Agatha Christie. The famous quote referring to the queen of mystery is well-known, but I don't know who uttered it: the great politician Sir Winston Churchill or the philosopher Bertrand Russell. This humble writer leans more towards the latter. It's pure Hispanophobia, but it's indicative of the great success that the Jane Austen of detective fiction, that “No woman had gained so much from crime since Lucrezia Borgia,” who apparently never poisoned anyone in her entire life, but Victor Hugo Lucrézia Borgia of Victor Hugo and the Renaissance writers weigh too heavily on the collective imagination. This dramatis personae is done with a playful purpose; the writer proposes a game to the reader: to figure out who the murderer is before the detective. Interesting Seishi Yokomizo. If it wasn't the first Gokumon-tō: The Island of Hell's Gate, it was one of the first reviews on Goodreads, and it gave me a lot of prestige and earned me the affection of the publisher Quaterni, with whom I share a common history. Many writers have been published by Quaterni, or they have personally introduced me to some great writers, with Miyuki Miyabe being the one I've enjoyed the most. I will never tire of recommending that gem of a fantasy novel called Brave Story. It's one of the best things I've ever read, and it's not easy for me to praise a contemporary novel, so what can be said about his Tokyo tetralogy? For me, The Devil's Whisper is the best crime novel I've ever read. Not to belittle gems like Shadow FamilyAll She Was Worth and Crossfire (the latter could have been written by the best Stephen King, Dean R. Koontz, or Clive Barker, about whom my cousin Hugin, Munin, and Galloglass speak wonders). Besides that, this publisher has introduced me to wonderful authors like Fūtarō Yamada with his The Ninjas of Kôga and Their Secret Code Ryōtarō Shiba The Castle of Owls. The War Against Nobunaga The Great Naval Battle and, Ryō Wada are on the list of the best historical novels ever read. To date, nothing has ever been read like the battles in the first part, since both parts are a single book that, for editorial reasons, was divided into two. Creepy: Chill by Yutaka Maekawa is among the best psychological thrillers ever written. The Thief by Fuminori Nakamura is a great novel with a powerful existential charge. How can we forget the savagery, brutality, and harshness of Shigurui. El torneo del castillo Sunpu by Norio Nanjo (the most brutal thing I've ever read, surpassing Battle Royale by Koushun Takami Another favorite of mine is the excellent humor novel The Strange Methods of Doctor Irabu by Hideo Okuda. How could I forget this iconic character and the incomparable exhibitionist nurse, Mayumi? Friends, that story from the aforementioned novel is among the best I've ever read. Summer in Ubume by Natsuhiko Kyogoku, with its fantastical touch, was also quite good. Many more authors could be cited, but these have been the most decisive in my journey with Quaterni. But if we disregard Miyuki Miyabe, the best of them all is undoubtedly Seishi Yokomizo, who initially began as a disciple of Edogawa Rampo, but in my humble opinion, Seishi Yokomizo finally achieved what Darth Vader longed for Star Wars: A New Hope. I personally had the opportunity to read both, and with the exception of *The Black Lizard* The Black Lizard (how could I forget the villainess's striptease at the beginning with her henchman watching), it also featured a fascinating battle between the villainess and the legendary detective Kogoro Akechi, who was very possibly parodied in the manga Détective Conan, Tome 1 by Gosho Aoyama as the protagonist's future father-in-law. In addition to revealing humanity, it's shown that the Black Lizard was a woman, and perhaps its conclusion is one of the most satisfying. The Strange Case of Panorama Island also had its morbid fascination with the harem of the same name as the title, which the protagonist built with ill-gotten and even more poorly spent money. The novel published by Quaterni, The Crimes of the Hunchback, also deserves a separate mention. Despite its classical aesthetic, it contained homosexuality and conjoined twins. This author, who adopted this pseudonym after the American author Edgar Allan Poe, has written remarkable works, but also a great deal of rubbish. In some stories, he even attacked Christianity, as he shared many of the prejudices that a segment of Japanese society held against this religion. I have, of course, mentioned the ones I liked. His disciple, Shishi Yokomizo, is much more consistent. I've read all the novels published by Quaterni. The best is Gokumon-tō: The Island of Hell's Gate, but it would be a mistake to dismiss masterpieces like Murder in the Honjin and Other Stories, where his detective Kosuke Kindaichi made his debut. In the first case, the author demonstrated his mastery of the detective novel, and the last case in that book is excellent. The Village of Eight Graves had a flaw that made me value it less: Kosuke Kindaichi ceded the spotlight to other characters and had less weight in the narrative than the main characters, but even so, it was a very worthwhile novel. The Devil Plays the Flute The penultimate one that has been read was perhaps too sordid and led to plots that fit better with Game of Thrones - A Song of Ice and Fire Vol. 1 of 2 by George R.R. Martin and the novels of V.C. Andrews
to be continued
This review faces the same difficulty as the one I had with Jules Verne's *Drama in Livonia*: many things have been forgotten, and some errors may be made because my memory isn't as good as it used to be. However, it has one great advantage: like the classic novels of the Golden Age, this novel, following the Detection Club aesthetic, begins with a dramatis personae. A list of the characters, as most Detection Club writers do, is particularly thought of, especially the queen of crime Agatha Christie. The famous quote referring to the queen of mystery is well-known, but I don't know who uttered it: the great politician Sir Winston Churchill or the philosopher Bertrand Russell. This humble writer leans more towards the latter. It's pure Hispanophobia, but it's indicative of the great success that the Jane Austen of detective fiction, that “No woman had gained so much from crime since Lucrezia Borgia,” who apparently never poisoned anyone in her entire life, but Victor Hugo Lucrézia Borgia of Victor Hugo and the Renaissance writers weigh too heavily on the collective imagination. This dramatis personae is done with a playful purpose; the writer proposes a game to the reader: to figure out who the murderer is before the detective. Interesting Seishi Yokomizo. If it wasn't the first Gokumon-tō: The Island of Hell's Gate, it was one of the first reviews on Goodreads, and it gave me a lot of prestige and earned me the affection of the publisher Quaterni, with whom I share a common history. Many writers have been published by Quaterni, or they have personally introduced me to some great writers, with Miyuki Miyabe being the one I've enjoyed the most. I will never tire of recommending that gem of a fantasy novel called Brave Story. It's one of the best things I've ever read, and it's not easy for me to praise a contemporary novel, so what can be said about his Tokyo tetralogy? For me, The Devil's Whisper is the best crime novel I've ever read. Not to belittle gems like Shadow FamilyAll She Was Worth and Crossfire (the latter could have been written by the best Stephen King, Dean R. Koontz, or Clive Barker, about whom my cousin Hugin, Munin, and Galloglass speak wonders). Besides that, this publisher has introduced me to wonderful authors like Fūtarō Yamada with his The Ninjas of Kôga and Their Secret Code Ryōtarō Shiba The Castle of Owls. The War Against Nobunaga The Great Naval Battle and, Ryō Wada are on the list of the best historical novels ever read. To date, nothing has ever been read like the battles in the first part, since both parts are a single book that, for editorial reasons, was divided into two. Creepy: Chill by Yutaka Maekawa is among the best psychological thrillers ever written. The Thief by Fuminori Nakamura is a great novel with a powerful existential charge. How can we forget the savagery, brutality, and harshness of Shigurui. El torneo del castillo Sunpu by Norio Nanjo (the most brutal thing I've ever read, surpassing Battle Royale by Koushun Takami Another favorite of mine is the excellent humor novel The Strange Methods of Doctor Irabu by Hideo Okuda. How could I forget this iconic character and the incomparable exhibitionist nurse, Mayumi? Friends, that story from the aforementioned novel is among the best I've ever read. Summer in Ubume by Natsuhiko Kyogoku, with its fantastical touch, was also quite good. Many more authors could be cited, but these have been the most decisive in my journey with Quaterni. But if we disregard Miyuki Miyabe, the best of them all is undoubtedly Seishi Yokomizo, who initially began as a disciple of Edogawa Rampo, but in my humble opinion, Seishi Yokomizo finally achieved what Darth Vader longed for Star Wars: A New Hope. I personally had the opportunity to read both, and with the exception of *The Black Lizard* The Black Lizard (how could I forget the villainess's striptease at the beginning with her henchman watching), it also featured a fascinating battle between the villainess and the legendary detective Kogoro Akechi, who was very possibly parodied in the manga Détective Conan, Tome 1 by Gosho Aoyama as the protagonist's future father-in-law. In addition to revealing humanity, it's shown that the Black Lizard was a woman, and perhaps its conclusion is one of the most satisfying. The Strange Case of Panorama Island also had its morbid fascination with the harem of the same name as the title, which the protagonist built with ill-gotten and even more poorly spent money. The novel published by Quaterni, The Crimes of the Hunchback, also deserves a separate mention. Despite its classical aesthetic, it contained homosexuality and conjoined twins. This author, who adopted this pseudonym after the American author Edgar Allan Poe, has written remarkable works, but also a great deal of rubbish. In some stories, he even attacked Christianity, as he shared many of the prejudices that a segment of Japanese society held against this religion. I have, of course, mentioned the ones I liked. His disciple, Shishi Yokomizo, is much more consistent. I've read all the novels published by Quaterni. The best is Gokumon-tō: The Island of Hell's Gate, but it would be a mistake to dismiss masterpieces like Murder in the Honjin and Other Stories, where his detective Kosuke Kindaichi made his debut. In the first case, the author demonstrated his mastery of the detective novel, and the last case in that book is excellent. The Village of Eight Graves had a flaw that made me value it less: Kosuke Kindaichi ceded the spotlight to other characters and had less weight in the narrative than the main characters, but even so, it was a very worthwhile novel. The Devil Plays the Flute The penultimate one that has been read was perhaps too sordid and led to plots that fit better with Game of Thrones - A Song of Ice and Fire Vol. 1 of 2 by George R.R. Martin and the novels of V.C. Andrews
to be continued
December 10, 2019
สำหรับเล่มนี้ ถ้าเรียงลำดับตามไทม์ไลน์ จะเป็นคดีที่ 19 ของคินดะอิจิ
ซึ่งเกิดขึ้นในปี 1951 เราก็อ่านเรียงตามไทมืไลน์มาเรื่อยๆนั่นแหละ
เล่มก่อนหน้านี้ก็ คฤหาสน์เขาวงกต
สำหรับลำดับคร่าวๆก็ประมาณนี้
ปี 1949
Autumn
15. แผลรูปหน้าคน (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 13)
October 18 - December 15
16. ฆาตกรรมในตระกูลอินุงามิ (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 1)
November 5 – 8
17. กา (Talent 1 คินดะอิจิยอดนักสืบ เล่มที่ 28)
ปี 1950
October 18th - 20th, November 25
18. คฤหาสน์เขาวงกต (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 10)
ปี1951
Early May, 17th - 31th, 6th June – Middle
19. ผึ้งนางพญา (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 14)
คดีที่ชื่อผึ้งนางพญานี่คือได้ยินมานานละ ก่อนจะอ่านก็เห็นคนพูดถึงในพันทิป
บ้าง เลยเอามามโนเองว่ามันน่าจะสนุกมากๆ คดีน่าจะซับซ้อนสุดๆ แต่ความจริง
ไม่ใช่แบบนั้นเลย
มันไม่เชิงว่าคดีนี้มันไม่สนุกหรอก แต่เราคิดว่ามันค่อนข้างธรรมดา ถ้าเป็นตอนสั้นๆ
ซัก 80-150 หน้า เราก็คงจะพออะลุ่มอล่วยได้ พอมาเป็นเรื่องยาว 300 หน้า เราเลย
คาดหวังว่าปมหรือคดีมันน่าจะทำได้ดีกว่านี้ อย่างที่เคยบอก อาจจะเป็นเพราะเราคาดหวัง
ด้วยแหละ เลยรู้สึกผิดหวังนิดๆ
สำหรับตัวคดี มันก็ซับซ้อนในระดับนึงนะ แต่คดีก่อนหน้า(คฤหาสน์เขาวงกต) มันผูกปม
ไว้ดีมากกก พอมาเป็นเล่มนี้มันเลยดูดรอปลงไปเยอะ ส่วนทริคในการฆาตกรรมก็ไม่ได้
มีอะไรมาก ไม่ได้แปลกหรือยากอะไรเลย
สรุป
ถ้าไม่ได้คาดหวังอะไรเลย อ่านแบบหัวโล่งๆ เล่มนี้ก็ถือว่าทำหน้าที่เป็นนิยายสืบสวนที่สนุก
ในระดับนึงนะ ถึงคดีและปมมันจะดูดรอปลงไปบ้าง แต่เทียบกับนิยายเล่มอื่นๆ เล่มนี้ก็ไม่ได้แย่อะ
/เตรียมอ่านคดีถัดไปซึ่งก็คือ คดีที่ 20 ชื่อตอน โรงละครผีสิง เล่ม 28 ที่เกิดคดีในปี 1952
ซึ่งเกิดขึ้นในปี 1951 เราก็อ่านเรียงตามไทมืไลน์มาเรื่อยๆนั่นแหละ
เล่มก่อนหน้านี้ก็ คฤหาสน์เขาวงกต
สำหรับลำดับคร่าวๆก็ประมาณนี้
ปี 1949
Autumn
15. แผลรูปหน้าคน (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 13)
October 18 - December 15
16. ฆาตกรรมในตระกูลอินุงามิ (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 1)
November 5 – 8
17. กา (Talent 1 คินดะอิจิยอดนักสืบ เล่มที่ 28)
ปี 1950
October 18th - 20th, November 25
18. คฤหาสน์เขาวงกต (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 10)
ปี1951
Early May, 17th - 31th, 6th June – Middle
19. ผึ้งนางพญา (Bliss คินดะอิจิยอดนักสืบ เล่มที่ 14)
คดีที่ชื่อผึ้งนางพญานี่คือได้ยินมานานละ ก่อนจะอ่านก็เห็นคนพูดถึงในพันทิป
บ้าง เลยเอามามโนเองว่ามันน่าจะสนุกมากๆ คดีน่าจะซับซ้อนสุดๆ แต่ความจริง
ไม่ใช่แบบนั้นเลย
มันไม่เชิงว่าคดีนี้มันไม่สนุกหรอก แต่เราคิดว่ามันค่อนข้างธรรมดา ถ้าเป็นตอนสั้นๆ
ซัก 80-150 หน้า เราก็คงจะพออะลุ่มอล่วยได้ พอมาเป็นเรื่องยาว 300 หน้า เราเลย
คาดหวังว่าปมหรือคดีมันน่าจะทำได้ดีกว่านี้ อย่างที่เคยบอก อาจจะเป็นเพราะเราคาดหวัง
ด้วยแหละ เลยรู้สึกผิดหวังนิดๆ
สำหรับตัวคดี มันก็ซับซ้อนในระดับนึงนะ แต่คดีก่อนหน้า(คฤหาสน์เขาวงกต) มันผูกปม
ไว้ดีมากกก พอมาเป็นเล่มนี้มันเลยดูดรอปลงไปเยอะ ส่วนทริคในการฆาตกรรมก็ไม่ได้
มีอะไรมาก ไม่ได้แปลกหรือยากอะไรเลย
สรุป
ถ้าไม่ได้คาดหวังอะไรเลย อ่านแบบหัวโล่งๆ เล่มนี้ก็ถือว่าทำหน้าที่เป็นนิยายสืบสวนที่สนุก
ในระดับนึงนะ ถึงคดีและปมมันจะดูดรอปลงไปบ้าง แต่เทียบกับนิยายเล่มอื่นๆ เล่มนี้ก็ไม่ได้แย่อะ
/เตรียมอ่านคดีถัดไปซึ่งก็คือ คดีที่ 20 ชื่อตอน โรงละครผีสิง เล่ม 28 ที่เกิดคดีในปี 1952
December 13, 2023
เป็นเรื่องที่ก้ำกึ่งระหว่างสามดาวกับสี่ดาวมาก เพราะบางอย่างมันก็ดีบางอย่างมันก็เฉยๆ แต่ก็ปัดๆ ให้แล้วกันเพื่อเห็นแก่ช่วงท้ายของเรื่อง
คือแม้อ่านจบก็ยังงงอะไรผึ้งนางพญาอะไร น่าจะชื่อคดีพิณวงเดือนมากกว่า เพราะแทบไม่มีอะไรในเรื่องที่สื่อถึงผึ้งนางพญาเลย ช่วงแรกจะเป็นการแนะนำตัวเอกของเรื่องสามคนอย่าง โทโมโกะนางเอก เร็นทาโร่พระเอก (จริงๆ ควรเรียกตัวเอกชายตัวเอกหญิงมากกว่า) และคินดะอิจิ ตอนแรกก็กังวลว่าเรื่องหลักๆ จะดำเนินโดยพระนางของเรื่อง เหมือนคดีเจดีย์สามเศียร เพราะผมไม่ค่อยซื้อตัวละครชายหญิงของอาจาร์ยแกเลย เข้าใจว่าเรื่องมันเก่าแล้ว แต่จารย์แกชอบเขียนให้ผู้หญิงชอบผู้ชายเลวตลอดเลย อย่างกับละครไทยสมัยก่อนอย่างไรอย่างนั้น (ยกเว้นคดีแปดหลุมศพอันนั้นผมชอบ) แต่โชคดีที่พอมีศพแรก โฟกัสทั้งหมดก็กลับมาอยู่ที่คินดะอิจิอีกครั้ง
ที่จริงทริกในคดีก็ไม่ได้หวือหวาอะไร คนร้ายก็ไม่ได้คาดเดายากมากเพราะจารย์แกคอยใบ้อยู่ตลอด แถมตัวละครในเรื่องก็เห็นแก่ตัวมาก ถ้ายอมเล่าเรื่องทั้งหมดให้คินดะอิจิฟังแต่แรกก็จบละ นี่ต้องรอให้มีคนตายตั้งเยอะกว่าจะยอมบอก แต่กระนั้นที่ต้องชมเลยคือเล่มนี้จารย์แกก็พยายามล็อกหลบเต็มที่ ให้คนร้ายคอยอยู่ในจุดที่น่าสงสัยน้อยที่สุด จนผมอดที่จะไขว้เขวบ้างไม่ได้ แต่ที่เป็นไฮไลท์เลยคือช่วงท้ายของเรื่อง ตอนที่ปมทั้งหมดถูกขวมดและเฉลยความสัมพันธ์ของตัวละคร นั่นคือสิ่งที่คดีนี้ทำได้ดีกว่าคดีอื่นๆ ครับ เพราะคดีนี้ข้องเกี่ยวกับคดีในอดีตและคดีในปัจจุบัน ตอนที่เฉลยและขวมดปมทั้งหมดเข้าหาก��นก็ทำได้ดีและเนียนกริ๊บ (เปรียบกับบางคดีที่จารย์แกก็แอบแถๆ หน่อย 5555) คดีนี้อาจไม่ใช่คดีที่ดีมากมายนัก แต่เรื่องความสัมพันธ์ตัวละครในตอนจบก็อดที่จะปัดขึ้นมาเป็นสี่ดาวให้ไม่ได้ครับ
คือแม้อ่านจบก็ยังงงอะไรผึ้งนางพญาอะไร น่าจะชื่อคดีพิณวงเดือนมากกว่า เพราะแทบไม่มีอะไรในเรื่องที่สื่อถึงผึ้งนางพญาเลย ช่วงแรกจะเป็นการแนะนำตัวเอกของเรื่องสามคนอย่าง โทโมโกะนางเอก เร็นทาโร่พระเอก (จริงๆ ควรเรียกตัวเอกชายตัวเอกหญิงมากกว่า) และคินดะอิจิ ตอนแรกก็กังวลว่าเรื่องหลักๆ จะดำเนินโดยพระนางของเรื่อง เหมือนคดีเจดีย์สามเศียร เพราะผมไม่ค่อยซื้อตัวละครชายหญิงของอาจาร์ยแกเลย เข้าใจว่าเรื่องมันเก่าแล้ว แต่จารย์แกชอบเขียนให้ผู้หญิงชอบผู้ชายเลวตลอดเลย อย่างกับละครไทยสมัยก่อนอย่างไรอย่างนั้น (ยกเว้นคดีแปดหลุมศพอันนั้นผมชอบ) แต่โชคดีที่พอมีศพแรก โฟกัสทั้งหมดก็กลับมาอยู่ที่คินดะอิจิอีกครั้ง
ที่จริงทริกในคดีก็ไม่ได้หวือหวาอะไร คนร้ายก็ไม่ได้คาดเดายากมากเพราะจารย์แกคอยใบ้อยู่ตลอด แถมตัวละครในเรื่องก็เห็นแก่ตัวมาก ถ้ายอมเล่าเรื่องทั้งหมดให้คินดะอิจิฟังแต่แรกก็จบละ นี่ต้องรอให้มีคนตายตั้งเยอะกว่าจะยอมบอก แต่กระนั้นที่ต้องชมเลยคือเล่มนี้จารย์แกก็พยายามล็อกหลบเต็มที่ ให้คนร้ายคอยอยู่ในจุดที่น่าสงสัยน้อยที่สุด จนผมอดที่จะไขว้เขวบ้างไม่ได้ แต่ที่เป็นไฮไลท์เลยคือช่วงท้ายของเรื่อง ตอนที่ปมทั้งหมดถูกขวมดและเฉลยความสัมพันธ์ของตัวละคร นั่นคือสิ่งที่คดีนี้ทำได้ดีกว่าคดีอื่นๆ ครับ เพราะคดีนี้ข้องเกี่ยวกับคดีในอดีตและคดีในปัจจุบัน ตอนที่เฉลยและขวมดปมทั้งหมดเข้าหาก��นก็ทำได้ดีและเนียนกริ๊บ (เปรียบกับบางคดีที่จารย์แกก็แอบแถๆ หน่อย 5555) คดีนี้อาจไม่ใช่คดีที่ดีมากมายนัก แต่เรื่องความสัมพันธ์ตัวละครในตอนจบก็อดที่จะปัดขึ้นมาเป็นสี่ดาวให้ไม่ได้ครับ
June 11, 2025
One of the most enjoyable and entertaining reads I've had in months. Yokomizo's way of narrating is very easy to follow and thanks to that makes this book very enjoyable to read, plus the portrayal of the characters, the places and the culture behind the story are well detailed, making it even more interesting to read.
Talking about the plot and the story, it is quite relaxing to follow, it seems as if you were watching a series on Netflix, it has moments of intrigue and suspense (although not very strong) and personally the development of the story goes at a pretty good pace (neither too fast nor too slow).
Personally the ending didn't surprise me much, but I think it is coherent with the story itself and it is explained in a very detailed way, so I'm satisfied. I would read another book by this author again, more for how entertaining and enjoyable his writing style is rather than for the complexity of the plot
Talking about the plot and the story, it is quite relaxing to follow, it seems as if you were watching a series on Netflix, it has moments of intrigue and suspense (although not very strong) and personally the development of the story goes at a pretty good pace (neither too fast nor too slow).
Personally the ending didn't surprise me much, but I think it is coherent with the story itself and it is explained in a very detailed way, so I'm satisfied. I would read another book by this author again, more for how entertaining and enjoyable his writing style is rather than for the complexity of the plot
May 14, 2025
Sólido 4 y pico.
Mi único problema ha sido el lío de nombres, porque hay MUCHOS personajes, pero doy gracias por la guía de nombres del principio y la pequeña descripción de cada uno de ellos.
Aunque las descripciones sean un poco exageradas a veces, tampoco son desagradables o babosas y las tiene para mujeres y para hombres.
Ha sido un buen libro de misterio, intriga y asesinatos. Me ha hecho mucha gracia que varios personajes trabajan juntos sin saberlo para destrozarle la vida a la pobre Tomoko, porque hablar las cosas en esa época estaba sobrevalorado.
En general muy entretenido, no me importaría leerme algún libro más del detective (a veces) más denso de Japón jajaja.
Mi único problema ha sido el lío de nombres, porque hay MUCHOS personajes, pero doy gracias por la guía de nombres del principio y la pequeña descripción de cada uno de ellos.
Aunque las descripciones sean un poco exageradas a veces, tampoco son desagradables o babosas y las tiene para mujeres y para hombres.
Ha sido un buen libro de misterio, intriga y asesinatos. Me ha hecho mucha gracia que varios personajes trabajan juntos sin saberlo para destrozarle la vida a la pobre Tomoko, porque hablar las cosas en esa época estaba sobrevalorado.
En general muy entretenido, no me importaría leerme algún libro más del detective (a veces) más denso de Japón jajaja.
December 11, 2017
I'm still confused. I'm not really sure was there something about the Royal Family allegory underlying that I don't know enough to get it. Or it's just so scattering I don't get it.
What it is though, is the first mystery novel that still confused me even right before the solution. And I'm not sure it's positive or negative because I'm still confused???
What it is though, is the first mystery novel that still confused me even right before the solution. And I'm not sure it's positive or negative because I'm still confused???
June 16, 2023
บอกไม่ถูกเหมือนกันนะ จะว่าชอบก็ไม่ถึงกับชอบ จะว่าไม่ชอบก็ไม่ถึงขนาดนั้น แต่ยอมรับเลยว่า ตอนเฉลยตัวคนร้ายทำผมเห๊ยเลยว่า เป็นม*งจริงๆเหรอ ม*งทำไปเพื่ออะไร ทำไปทำเ*ียอะไร พูดแบบอาจารย์แดง 555555+ เป็นตอนที่พระเอกวิ่งไล่ตามนางเอก มีเรื่องรักๆเข้ามาเกี่ยวอีกแล้ว
May 2, 2024
เป็นเล่มที่ผูกความสัมพันธ์ของตัวละครได้ค่อนข้างดีเลยทีเดียว
เเถมนานๆทีจะเห็นคินดะอิจิถูกหมายเอาชีวิตอย่างเฉพาะเจาะจง
ปริศนาอาจจะไม่เท่าไหร่เเต่พาร์ทของตัวละครทำได้ดีน่าสนใจ
เเถมนานๆทีจะเห็นคินดะอิจิถูกหมายเอาชีวิตอย่างเฉพาะเจาะจง
ปริศนาอาจจะไม่เท่าไหร่เเต่พาร์ทของตัวละครทำได้ดีน่าสนใจ
This entire review has been hidden because of spoilers.
March 23, 2015
เหมือนขึ้นลิฟต์ แต่ต้องลงบันได
January 24, 2016
典型的金田一耕助探案風格，這回的連續謀殺案沒有特別難解，密室詭計也比想像中簡單，小說中有部分情節和角色形象令我聯想到之前讀過的另一本同系列作品《三首塔》，只是異色感沒那麼重。但華麗而充滿懸念的氣氛，以及複雜糾結的身世祕密還是讓這本書有一定可讀性。唯一可惜的地方是身處命案風暴中心的大道寺智子個性前後不一，沒有好好鋪陳、交代這名角色個性突然改變的原因。
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