“Helen pulled out a packet of Wills Wild Woodbine.”
James Herriott was a veterinarian, in Yorkshire, in the 30s, 40s and 50s, who despite the quirky nature of both his furry patients and their owners, loved his job and dearly loved the town in which he chose to ply his trade. Fingal Flaherty O’Reilly and Barry Laverty are family physicians, in the fictional Northern Ireland Ulster village Ballybucklebo, in the 1960s. Anyone who reads Patrick Taylor’s much loved IRISH COUNTRY DOCTOR series and doesn’t spot the similarities or feel the same overwhelming joy and warmth as they experienced when they read ALL CREATURES GREAT AND SMALL simply isn’t paying attention. And the single passing reference to Woodbine cigarettes, for example, brought back a flood of memories of Tristan’s antics, Siegfried’s ne’er-do-well younger brother who just couldn’t seem to do anything right! That said, I rush to add that I make the comparison only to let potential new readers know just how beguiling and heartwarming Taylor’s series is. New readers need not waste a microsecond’s thought on the possibility that the series is derivative in any way. It stands very proudly on its own merits, thank you very much!
In an IRISH COUNTRY WEDDING, Fingal O’Reilly (almost 30 years a widower) heads to the altar with Kitty O'Hallorhan, the best friend and lover who he didn’t have the good sense to make his wife when he met her the first time around. Barry Laverty, O’Reilly’s young colleague just beginning his life’s work as a GP, also struggles with his love of young Sue Nolan, a very outspoken feminist and political activist who is doing her best to eliminate the discrimination faced at every turn by Catholics in the Northern Ireland hotbed of loyalist Anglicanism. Like ALL CREATURES GREAT AND SMALL, although there is the over-arching story line of O’Reilly’s and Laverty’s lives and professional growth, loves, successes and failures, there is a string of anecdotal “incidents” that tell of the life of a small-town country doctor in 1960s Ireland and their close personal relationship with their patients – an ectopic pregnancy, a young boy’s broken arm, a middle-aged woman’s varicose veins that results in a mean-spirited termination from her employment in a clothing factory, a strangulated bowel – you get the idea! Then there is also the institutionalized misogynistic resistance encountered by young women who would presume to entertain the idea of entering the field of professional medical practice!
AN IRISH COUNTRY WEDDING is #7 in a series that now extends to a successful 14 titles and shows no sign of slowing down or losing its legs (woot-woot and thumbs up to a Canadian author!). Highly recommended.
Paul Weiss