Retrograde collects five short stories and one novella written by a young Osamu Dazai and gorgeously translated by Leo Elizabeth Takada. This new translation is an admirable achievement that breathes fresh life into classic stories from the 1930s.
The collection’s novella, Das Gemeine, follows a 25yo student studying French literature who aspires to become a writer himself, but his foray into a literary lifestyle ends in a tragedy that may not have been entirely unintentional.
The five shorter stories in the collection read like something that the youthful narrator of Das Gemeine might actually have written. Each of these stories is only a few pages long, and their unguarded sincerity contributes to their charm.
My favorite of the stories, “Blossom-Leaves and the Spirit Whistle,” is about two sisters in love with an idealized version of a man who only exists on paper until the strength of their shared storytelling summons his ghost to appear under their window. This aesthetically luxurious story is classic Dazai, and I appreciate its clever touch of Todorovian fantasy.
In their “Translator’s Afterword,” Takada describes Dazai’s writing style as “a casual conversation with someone familiar,” and they explain that they want their translation to feel as if they’re “doing this just for you,” the reader. Takada gets the tone exactly right, rendering Dazai’s straightforward prose into an invitation to sympathize with the writer and his characters.
One Peace Books has put admirable love and care into the layout and typeset of this book, giving the words on the page exactly the room they need to breathe. Retrograde is a lovely object to hold in your hands, so much so that it might even spark the same enthusiasm for literature that Dazai so aptly captures in his early fiction.