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Positive Obsession: The Life and Times of Octavia E. Butler
A magnificent cultural biography that charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work.
As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion.
In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs; they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.
Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”
As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion.
In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs; they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.
Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”
1 pages, Audio CD
First published August 19, 2025
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September 2, 2025
Sometimes biographers are accused of being too close to their subjects. In this case, Susana M. Morris seems too close to the works created by Octavia Butler, and not close enough to the artist herself.
Positive Obsession is a book that beautifully explains why you should read Octavia Butler. A 200-page case for support, if you will. Butler's novels and short stories are summarized, annotated, compared, and taught to the reader. Morris clearly loves teaching works like Kindred, the Patternist series, and the (recently best-selling!) Parable duology.
Because I also love Octavia Butler's books, this was a good read. I enjoyed the opportunity to appreciate and learn more about books I already like. However, it was disappointing how Octavia Butler herself was not very illuminated beyond what you could already read about her online.
Positive Obsession relies heavily on Butler’s diaries and doesn't elaborate on (or support / or question) what is written in them. Morris often over-lines her points, as if padding out a book report. For example, we hear why Butler researched Kindred in Maryland, we then see the research as it’s shown in the novel, and then Morris finishes the chapter by highlighting the importance of the primary research in Kindred. This biography has many sections that feel like they were originally bullet-pointed slides for college students. You know, you gotta tell 'em three times so they retain the knowledge, etc.
Morris also describes Octavia Butler as being neurodivergent, including one passage where she says Butler's multiple attempts at college courses suffered because her “neurodivergence could not be accommodated”. Butler describes struggling specifically due to dyslexia (also why she never learned to drive a car). I was interested in exploring more about how Butler succeeded as a prolific and successful writer with dyslexia. She must have developed so many strategies and workarounds to drive her success. How did she perceive the world differently, and how did this appear in her storytelling?
I also wanted to know real, functional stuff. What was Octavia Butler's writing process? She participated in so many workshops, worked with different publishing houses, and was long-term friends with other writers. We hear about Butler’s writing process in that she is very disciplined about the number of hours that she writes and the time she spends researching. But how did she actually write and edit? Her editors and their feedback is mentioned in a cursory fashion. How did she do her rewrites?
Throughout Positive Obsession, Morris talks about Octavia Butler's longing for romantic partnerships. More than once, Morris uses being “a 6-foot tall, dark skinned, somewhat androgynous woman” as an explanation for Butler's romantic difficulties. To me, it was not clear that Butler herself sourced her relationship problems to her physical appearance. It seemed that in her diaries she agonized about her difficulties talking to people, understanding their behaviour, and connecting with them.
Octavia Butler knew Harlan Ellison & Samuel R. Delaney quite well, was friends with Toni Bambera for decades, considered Vonda McIntyre and Joanna Russ contemporaries, admired Ursula K. LeGuin ... Where are the other perspectives on Octavia Butler? Perspectives on her work, specifically. Morris does tells us: "There's a common refrain from everyone I have talked to who ever met Octavia ... They all remark on her kindness, generosity and regal dignity." Nice, and no doubt all true, but in a biography this felt distancing. Morris is noting how people talk about the legend, not the person. I was surprised at how few contemporaries were interviewed or referenced in Positive Obsession.
Ultimately, this is a good book for sci-fi fans, but I think it would especially be appreciated by the weird and unusual girls in your life. Pass this book to young people who need to be reminded "that everyone has something that they can do better than they can do anything else. It’s up to them to find out what that something is.”
Positive Obsession is a book that beautifully explains why you should read Octavia Butler. A 200-page case for support, if you will. Butler's novels and short stories are summarized, annotated, compared, and taught to the reader. Morris clearly loves teaching works like Kindred, the Patternist series, and the (recently best-selling!) Parable duology.
Because I also love Octavia Butler's books, this was a good read. I enjoyed the opportunity to appreciate and learn more about books I already like. However, it was disappointing how Octavia Butler herself was not very illuminated beyond what you could already read about her online.
Positive Obsession relies heavily on Butler’s diaries and doesn't elaborate on (or support / or question) what is written in them. Morris often over-lines her points, as if padding out a book report. For example, we hear why Butler researched Kindred in Maryland, we then see the research as it’s shown in the novel, and then Morris finishes the chapter by highlighting the importance of the primary research in Kindred. This biography has many sections that feel like they were originally bullet-pointed slides for college students. You know, you gotta tell 'em three times so they retain the knowledge, etc.
Morris also describes Octavia Butler as being neurodivergent, including one passage where she says Butler's multiple attempts at college courses suffered because her “neurodivergence could not be accommodated”. Butler describes struggling specifically due to dyslexia (also why she never learned to drive a car). I was interested in exploring more about how Butler succeeded as a prolific and successful writer with dyslexia. She must have developed so many strategies and workarounds to drive her success. How did she perceive the world differently, and how did this appear in her storytelling?
I also wanted to know real, functional stuff. What was Octavia Butler's writing process? She participated in so many workshops, worked with different publishing houses, and was long-term friends with other writers. We hear about Butler’s writing process in that she is very disciplined about the number of hours that she writes and the time she spends researching. But how did she actually write and edit? Her editors and their feedback is mentioned in a cursory fashion. How did she do her rewrites?
Throughout Positive Obsession, Morris talks about Octavia Butler's longing for romantic partnerships. More than once, Morris uses being “a 6-foot tall, dark skinned, somewhat androgynous woman” as an explanation for Butler's romantic difficulties. To me, it was not clear that Butler herself sourced her relationship problems to her physical appearance. It seemed that in her diaries she agonized about her difficulties talking to people, understanding their behaviour, and connecting with them.
Octavia Butler knew Harlan Ellison & Samuel R. Delaney quite well, was friends with Toni Bambera for decades, considered Vonda McIntyre and Joanna Russ contemporaries, admired Ursula K. LeGuin ... Where are the other perspectives on Octavia Butler? Perspectives on her work, specifically. Morris does tells us: "There's a common refrain from everyone I have talked to who ever met Octavia ... They all remark on her kindness, generosity and regal dignity." Nice, and no doubt all true, but in a biography this felt distancing. Morris is noting how people talk about the legend, not the person. I was surprised at how few contemporaries were interviewed or referenced in Positive Obsession.
Ultimately, this is a good book for sci-fi fans, but I think it would especially be appreciated by the weird and unusual girls in your life. Pass this book to young people who need to be reminded "that everyone has something that they can do better than they can do anything else. It’s up to them to find out what that something is.”
August 16, 2025
One of the first descriptors used to describe the science fiction author Octavia Butler, if you were introduced to her in the last few years, is the word: Prophet. Butler's books, specifically her Parable duology, which was published in the 1990s and set in the 2020s and beyond, eerily seem to predict our current moment. From the numerous environmental disasters caused by climate change, to the series of economic collapses, to the president who uses the slogan "Make America Great Again". However, Susana Morris, author of Positive Obsession, a new biography of Butler, argues that the author was not a prophet, but was a "surveyor of history and a deeply thoughtful intellectual".
The book begins with her childhood, where we learn that Butler wrote stories at a very young age. Some of her stories were the beginning plot points and themes to her books she would publish as an adult. Morris gives a thorough overview of her published works, including her many novels and short stories. This will hopefully entice readers unfamiliar with her works to pick up a few that interest them.
Positive Obsession reads as if Morris personally knew Butler, even though she never got a chance to meet her when she was alive. Morris's use of Butler's archival papers helps foster this feeling of familiarity with the author. You get to know Butler as a person in this book, and you will learn about her writing habits/routines, personal thoughts, successes, and challenges. Morris also reveals Butler's relationship with her other Black female literary peers and what those relationships meant to Butler.
At the end of this work, Morris argues that Butler, this possibly neurodivergent Black woman science fiction writer, has changed our world for the better through the stories she wrote and the questions they pose to their readers. Although Butler only lived until her late 50s in 2006, her legacy lives on. She has had a major impact on the current generation of Black sci-fi writers and on the many readers who, because of her works, can make and shape a world anew that all can benefit from.
Thanks to Amistad, Resist Booksellers, and Susana Morris for the ARC copy. This book will be released on August 19, 2025.
The book begins with her childhood, where we learn that Butler wrote stories at a very young age. Some of her stories were the beginning plot points and themes to her books she would publish as an adult. Morris gives a thorough overview of her published works, including her many novels and short stories. This will hopefully entice readers unfamiliar with her works to pick up a few that interest them.
Positive Obsession reads as if Morris personally knew Butler, even though she never got a chance to meet her when she was alive. Morris's use of Butler's archival papers helps foster this feeling of familiarity with the author. You get to know Butler as a person in this book, and you will learn about her writing habits/routines, personal thoughts, successes, and challenges. Morris also reveals Butler's relationship with her other Black female literary peers and what those relationships meant to Butler.
At the end of this work, Morris argues that Butler, this possibly neurodivergent Black woman science fiction writer, has changed our world for the better through the stories she wrote and the questions they pose to their readers. Although Butler only lived until her late 50s in 2006, her legacy lives on. She has had a major impact on the current generation of Black sci-fi writers and on the many readers who, because of her works, can make and shape a world anew that all can benefit from.
Thanks to Amistad, Resist Booksellers, and Susana Morris for the ARC copy. This book will be released on August 19, 2025.
August 20, 2025
Truly enjoyed this story that dove into the life of Octavia Butler! Hearing her journey & battles she had to endure as an African American woman & author was rewarding. She was already writing in a genre that was unorthodox for African American women, so that made her literary challenges that much harder. She was determined to pave the way & stayed true to herself despite the obstacles! Her fierce demeanor screamed “Who said black women can’t write Sci-fi.”
Her self accountability was refreshing, as she forced herself to write daily whether she felt like it or not. This story captures both the brilliance and determination that defined Butler’s career, while also weaving in the cultural, historical, and personal dilemmas that shaped her work. As well as the racial discrimination that she encountered in her business and personal life. Overall a solid read that fans of Octavia Butler and those that are simply interested in her will enjoy. Thank You Colored Pages Book Tours, Amistad & NetGalley for an advanced reader copy.
Her self accountability was refreshing, as she forced herself to write daily whether she felt like it or not. This story captures both the brilliance and determination that defined Butler’s career, while also weaving in the cultural, historical, and personal dilemmas that shaped her work. As well as the racial discrimination that she encountered in her business and personal life. Overall a solid read that fans of Octavia Butler and those that are simply interested in her will enjoy. Thank You Colored Pages Book Tours, Amistad & NetGalley for an advanced reader copy.
March 9, 2026
This was okay! This started off strong discussing Octavia's childhood and how she got her start, but I feel like it quickly devolved in later chapters into only discussing her work--sometimes it felt more like literary criticism than a biography of an author. As a fan who has read some books, I now feel like I know way more than I needed to about the plots of books I have not yet read, and not enough about Octavia's life, especially in her adult years. I would have loved to read more about her relationship with her mother after publishing, but that was kind of brushed aside.
September 14, 2025
I count myself among the many people saddened that Octavia Butler was taken from us so soon. I have read every book and almost every story (this book let me know about more that I missed.) Before going into Positive Obsession, I had some information about her life, but it was limited. I jumped at the chance to read a biography (and more) about Butler and the effect she had on the larger world.
Susana M. Morris created a stellar tribute with this book. She manages to navigate past all of the things, that can make biography and literary analysis a slog or impossible to read, with great skill. I will caution readers who have not read Octavia Butler's work to either do so before reading this book or skip over the sections where Morris gets into detail about plots of books and stories. The author has taught Butler as a college professor and it shows in her writing. Positive Obsession is highly readable and flows very well. It is not overly jargony or dry. The author's love, respect, and sheer excitement about Octavia Butler and her work shines through.
This book is not entirely biography in the sense that it does not follow the format of "this happened then this happened" that can make bios dry for me. Morris includes a little of herself in this. She discusses her experiences with teaching and how much Butler has touched and influenced her despite the two of them never meeting in person. There is also literary analysis of each book and story that I would say is a bit more than average for a biography of a writer. I found this to be a good thing. By analyzing Butler's books, sharing personal anecdotes, and telling the history and culture that was surrounding Butler, Morris creates a clearer picture of Butler's life than many biographies manage. It is also simply well done. I felt transported back to when I had read each book. I was often in agreement or enlightened by Morris' assessments of what it all meant to both Octavia and the larger world. Reading this book felt like getting to know someone rather than only about someone.
Morris discusses race and gender in ways that are important and complex. She is able to speak about how Octavia Butler being a Black woman affected her work and life without reducing her to those attributes nor tokenizing her- things that many others unfortunately did. For instance, Octavia Butler was not the first "black woman science fiction author" to win the MacArthur Fellowship (aka Genius Grant.) She was the first science fiction author ever to receive the honor. Morris gives a snapshot of Butler as a highly skilled person in community of writers who is also affected by her own identities in the cultural and political climates of the time. It was interesting to learn more about Butler's political views which I am frankly surprised I did not know more about. I also have decided to reread the Parable series soon due to its bananas prediction of the future. I had forgotten that "Make America Great Again" was the slogan of authoritarianism in that book written long before our current fascist regime was in place. Despite Butler not seeing herself as a prophet, the predictions she made of the future are uncanny.
There is a great selection of photos in the center of the book taken throughout Butler's life. I also really enjoyed the design format in general of the hardcover. The cover is beautiful and the book feels "just right" in terms of size and so on. I usually don't end up with tons of page flags when I read biographies, but I marked so many sections of this book so that I could return later to stories I have not yet read, quotes from the author, and many standout facts I had no idea about. I highly recommend this book to anyone looking to know more about one of the most important fiction writers in history and especially to those of us who have desired something to fill the gap between Butler's final contributions and today.
This was also posted to my storygraph and blog.
Susana M. Morris created a stellar tribute with this book. She manages to navigate past all of the things, that can make biography and literary analysis a slog or impossible to read, with great skill. I will caution readers who have not read Octavia Butler's work to either do so before reading this book or skip over the sections where Morris gets into detail about plots of books and stories. The author has taught Butler as a college professor and it shows in her writing. Positive Obsession is highly readable and flows very well. It is not overly jargony or dry. The author's love, respect, and sheer excitement about Octavia Butler and her work shines through.
This book is not entirely biography in the sense that it does not follow the format of "this happened then this happened" that can make bios dry for me. Morris includes a little of herself in this. She discusses her experiences with teaching and how much Butler has touched and influenced her despite the two of them never meeting in person. There is also literary analysis of each book and story that I would say is a bit more than average for a biography of a writer. I found this to be a good thing. By analyzing Butler's books, sharing personal anecdotes, and telling the history and culture that was surrounding Butler, Morris creates a clearer picture of Butler's life than many biographies manage. It is also simply well done. I felt transported back to when I had read each book. I was often in agreement or enlightened by Morris' assessments of what it all meant to both Octavia and the larger world. Reading this book felt like getting to know someone rather than only about someone.
Morris discusses race and gender in ways that are important and complex. She is able to speak about how Octavia Butler being a Black woman affected her work and life without reducing her to those attributes nor tokenizing her- things that many others unfortunately did. For instance, Octavia Butler was not the first "black woman science fiction author" to win the MacArthur Fellowship (aka Genius Grant.) She was the first science fiction author ever to receive the honor. Morris gives a snapshot of Butler as a highly skilled person in community of writers who is also affected by her own identities in the cultural and political climates of the time. It was interesting to learn more about Butler's political views which I am frankly surprised I did not know more about. I also have decided to reread the Parable series soon due to its bananas prediction of the future. I had forgotten that "Make America Great Again" was the slogan of authoritarianism in that book written long before our current fascist regime was in place. Despite Butler not seeing herself as a prophet, the predictions she made of the future are uncanny.
There is a great selection of photos in the center of the book taken throughout Butler's life. I also really enjoyed the design format in general of the hardcover. The cover is beautiful and the book feels "just right" in terms of size and so on. I usually don't end up with tons of page flags when I read biographies, but I marked so many sections of this book so that I could return later to stories I have not yet read, quotes from the author, and many standout facts I had no idea about. I highly recommend this book to anyone looking to know more about one of the most important fiction writers in history and especially to those of us who have desired something to fill the gap between Butler's final contributions and today.
This was also posted to my storygraph and blog.
October 20, 2025
This is a wonderful exploration into the works of Octavia E. Butler, relying heavily on her personal diaries to give context to how her experiences of her life and the world around her informed her work. It is clear that Susana Morris really enjoys teaching Butler’s work, and the passion with which she discusses the texts and what the texts offer the world is infectious. I do wish she brought us close to Butler, though. What we have feels like a little more than a sketch of Butler’s life. Yes, we learn about her personal anxieties, obstacles, and triumphs, her work ethic and dedication, and about her understanding of the role of art, and her art, can play in the world. Even though there is heavy reliance of personal journals none of these points feel remarkably insightful, and where this text shines is when those personal details are put in a chronology that maps them onto Butler’s works.
Butler was a private person in many ways, as the book mentions. But she has living family, friends, and students and I would have really loved more discussion with them as a way of knowing Butler. The few times Morris quotes Butler’s friends it is always to say how kind and considerate and helpful Butler is, which I appreciate, but it doesn’t get me very far into knowing more about her as a person. Morris makes a point of repeating that Butler wrote nearly every day, that was a critical part of her relationship with writing, and there are numerous abandoned sketches and drafts of novels. What was her writing process actually like? What was her revision process like? I almost feel like I have more questions about Butler and her relationship with (her) art after finishing this book than when I started. This is also in part because some of the few personal details, such as her sociological preoccupations, her research processes, and so on, were repeated in every chapter without ever really adding much. It felt like constant underlining instead of revealing new information. Or, maybe more accurately, every chapter felt almost as if it was written in isolation, (which makes some sense, as they cover different periods of her artistic output), and as such the same points are made anew in each section.
I did thoroughly enjoy this book, I hope my review doesn’t suggest otherwise, but it just wasn’t quite what I was hoping for it to be. This book really is a love letter to Butler, a praise to her through the exploration of her work, which is certainly what she wanted to be remembered for. It is more a story of Butler’s work through the lens of Butler’s life than it is about Butler herself. I finished this book with a much deeper appreciation for that work and for the dedication that fed that work. I did learn more about Octavia Butler than I knew going in; this book is well-researched and does put Butler in context for the reader. It is definitely worth reading, I am very glad I had the chance to, but it does leave space open for future biographical efforts that may be more intimate in their explorations of Butler as a human and an artist with her work helping tell that story, instead of the other way around.
(Rounded from 3.5)
Butler was a private person in many ways, as the book mentions. But she has living family, friends, and students and I would have really loved more discussion with them as a way of knowing Butler. The few times Morris quotes Butler’s friends it is always to say how kind and considerate and helpful Butler is, which I appreciate, but it doesn’t get me very far into knowing more about her as a person. Morris makes a point of repeating that Butler wrote nearly every day, that was a critical part of her relationship with writing, and there are numerous abandoned sketches and drafts of novels. What was her writing process actually like? What was her revision process like? I almost feel like I have more questions about Butler and her relationship with (her) art after finishing this book than when I started. This is also in part because some of the few personal details, such as her sociological preoccupations, her research processes, and so on, were repeated in every chapter without ever really adding much. It felt like constant underlining instead of revealing new information. Or, maybe more accurately, every chapter felt almost as if it was written in isolation, (which makes some sense, as they cover different periods of her artistic output), and as such the same points are made anew in each section.
I did thoroughly enjoy this book, I hope my review doesn’t suggest otherwise, but it just wasn’t quite what I was hoping for it to be. This book really is a love letter to Butler, a praise to her through the exploration of her work, which is certainly what she wanted to be remembered for. It is more a story of Butler’s work through the lens of Butler’s life than it is about Butler herself. I finished this book with a much deeper appreciation for that work and for the dedication that fed that work. I did learn more about Octavia Butler than I knew going in; this book is well-researched and does put Butler in context for the reader. It is definitely worth reading, I am very glad I had the chance to, but it does leave space open for future biographical efforts that may be more intimate in their explorations of Butler as a human and an artist with her work helping tell that story, instead of the other way around.
(Rounded from 3.5)
February 10, 2026
This was a very tough frustrating uninsightful read. It was repetitive and information is scattered throughout the books like an old hard drive that desperately needs to be defragmented. It’s already a short book, but it feels like the author talks about the same thing over and over again. Long unnecessary summaries of Octavia’s novels, light commentary, lists of Octavia’s contemporary authors and novels without expanding on those works and how they relate to Octavia, mentioning about how dating as a six foot tall androgynous woman was difficult, commentary about Reagan’s presidency. It also feels disconcerting that the book was written in a speculative voice as if Octavia Butler was a fiction character when discussing things that are objective facts.
April 14, 2026
Octavia E. Butler was an author as important as she was improbable. Her speculative fiction explored themes of colonialism, white supremacy, chattel slavery, humanity’s destructive penchant for violence and hierarchy, and what exactly it means to be human. Her books, such as Kindred, Parable of the Sower, and Parable of the Talents are among the most important and thought-provoking speculative fiction written in the 20th century. Butler produced this impressive work at a time when the SciFi and fantasy field was still mostly a boys club, and where Black faces were even rarer than female ones. Both she and her work are impressive, and worthy of a first rate biography.
Unfortunately, Positive Obsession: The Life and Times of Octavia E. Butler doesn’t manage to rise to the first rate level. It’s repetitive, a bit disjointed, and is short on both insight and information about the author. What it does do is delve into her work, summarizing plots, themes, and characters, and analyzing the motivations and inspirations for the various works. It also does a fair job of connecting Butler’s politics to her writing motivations.
This book can serve well as an introduction to Butler’s work. It just lacks depth in illuminating her life. It’s not a bad book, and I’m not sorry I read it, it’s just not as good as I’d hoped that it would be.
Unfortunately, Positive Obsession: The Life and Times of Octavia E. Butler doesn’t manage to rise to the first rate level. It’s repetitive, a bit disjointed, and is short on both insight and information about the author. What it does do is delve into her work, summarizing plots, themes, and characters, and analyzing the motivations and inspirations for the various works. It also does a fair job of connecting Butler’s politics to her writing motivations.
This book can serve well as an introduction to Butler’s work. It just lacks depth in illuminating her life. It’s not a bad book, and I’m not sorry I read it, it’s just not as good as I’d hoped that it would be.
March 7, 2026
Breathtaking !!! A life worth the chronology that is set forth in the beginning of this read. Her accomplishments are vast. The diligence, dedication, and hard work she put into her craft as a writer is a standard all writers should demand of themselves and others.
Octavia wrote science fiction with Black characters when there were no Black women in the genre. For that matter, there were very few white women in the genre as well. It was exclusively white male dominated. She bridged the gap and opened the door for others to enjoy and follow her through.
Her novels include Kindred , her best known novel set in the antebellum South, Patternist series ( Wild Seed, Mind of Mind, Clay's Ark, Survivor, and Patternmaster), Xenogenesis series ( Dawn, Adulthood Rites, and Imago), Parable series (Parable of the Sower and Parable of the Talents), and so many other short stories, essays, magazine articles, poems, and opinions.
Quote:
Octavia E. Butler Chronology
Finding Her Voice (1947 - 1969)
From Struggle to First Success (1970 - 1979)
Breaking Barriers (1980 - 1989)
Visionary Voice (1990 - 2006)
Living Legacy (2007 - Present)
The controlling images that Black women labor under often reduce them to being, in the worlds of Zora Neale Hurston, the mules of the world. Black women are symbols of both desire and disgust. Black women are both emulated and erased. Black women are the face of moral strength and the archetype of libidinal weakness. It is only until fairly recently, and only in fits and starts, that Black women have begun to be identified as intellectuals in lager public discourse.
Octavia wrote science fiction with Black characters when there were no Black women in the genre. For that matter, there were very few white women in the genre as well. It was exclusively white male dominated. She bridged the gap and opened the door for others to enjoy and follow her through.
Her novels include Kindred , her best known novel set in the antebellum South, Patternist series ( Wild Seed, Mind of Mind, Clay's Ark, Survivor, and Patternmaster), Xenogenesis series ( Dawn, Adulthood Rites, and Imago), Parable series (Parable of the Sower and Parable of the Talents), and so many other short stories, essays, magazine articles, poems, and opinions.
Quote:
Octavia E. Butler Chronology
Finding Her Voice (1947 - 1969)
From Struggle to First Success (1970 - 1979)
Breaking Barriers (1980 - 1989)
Visionary Voice (1990 - 2006)
Living Legacy (2007 - Present)
The controlling images that Black women labor under often reduce them to being, in the worlds of Zora Neale Hurston, the mules of the world. Black women are symbols of both desire and disgust. Black women are both emulated and erased. Black women are the face of moral strength and the archetype of libidinal weakness. It is only until fairly recently, and only in fits and starts, that Black women have begun to be identified as intellectuals in lager public discourse.
November 6, 2025
Audiobook (9 hours) narrated by Karen Murray.
Publisher: HarperCollins (Amistad)
Karen Murray did an excellent narration job. While I do not believe that she has yet received any narration awards, I did see that she had been nominated, so I suspect that it will happen.
The audio is flawless.
Susana M. Morris does an excellent job of sharing a good balance of Octavia E. Butler's life, personality, history of her as an author, background on specific books including book inspiration, writing process and her mentorship of others.
If you are a fan of Octavia or have loved any of her work, this is a high recommend.
This book left me wanting more but not because I thought it was lacking, but it was so good that I want to dive into the works not mentioned and really I just cannot get enough information about Octavia. I don't fan girl about a lot of people, even those I admire, but if I was going to get all flustered and light headed around someone with excitement, it would be Octavia! I never met her and I miss her so much!
Big recommend!
Publisher: HarperCollins (Amistad)
Karen Murray did an excellent narration job. While I do not believe that she has yet received any narration awards, I did see that she had been nominated, so I suspect that it will happen.
The audio is flawless.
Susana M. Morris does an excellent job of sharing a good balance of Octavia E. Butler's life, personality, history of her as an author, background on specific books including book inspiration, writing process and her mentorship of others.
If you are a fan of Octavia or have loved any of her work, this is a high recommend.
This book left me wanting more but not because I thought it was lacking, but it was so good that I want to dive into the works not mentioned and really I just cannot get enough information about Octavia. I don't fan girl about a lot of people, even those I admire, but if I was going to get all flustered and light headed around someone with excitement, it would be Octavia! I never met her and I miss her so much!
Big recommend!
March 6, 2026
her story of growth I really enjoyed. however the endless book summaries really took away from the story flow.
September 16, 2025
This is a well-researched and very well-rounded biography of Octavia Butler. It puts her works into context – the context of the times she wrote them, and in context of her life and struggles.
Butler's work can be difficult to parse. There is often violence, bordering on horror, but it is always to serve a purpose. Her works are best viewed in the context of her objectives in creating them. This book does an excellent job of doing that.
Moving chronologically through her life, it addresses her early challenges and isolation. As she moves into writing her books, it tells what she was thinking at the time, and the outside events she was reacting to. One of the reasons the author can do this is that Octavia left copious notes about her process and what she was thinking.
She famously did not have a large output for a science fiction author, and the book explains how that came to be. She was somewhat of a perfectionist, reworking drafts constantly to achieve the effect she wanted. She also was an idea factory, as her notes show. During fallow periods of production she would nevertheless create thousands of pages of notes of possible story ideas and research possibilities. Sometimes she called this 'writer's block', since it kept her from completing novels, but she was still thinking and writing furiously, just not for publication.
Butler has received a lot of attention lately. Chi-Ming Yang's book 'H is for Horse' dives deeply into Octavia's childhood. While her early years are recounted here, they aren't dwelt upon, which makes the Yang book a useful complement to this one rather than a competitor.
Butler's work was varied; her most well known books are the more accessible 'Kindred' and the 'Parable' books, but her more sf-nal Patternist and Xenogenesis books might be closer to the topics she grappled with most in her writing life. This book does a good job of explaining those series, which can be shocking and difficult to understand for readers. The book also explains the origin and intent of some of her key short stories.
All in all, this is the best biography so far on Butler. It is not trying to be a formal critical review, but has sufficient critical content to satisfy the average reader. It would be a good read for those just beginning to read her (in order to understand her themes and intentions) and also for veteran fans, to gain more appreciation for what Butler struggled to achieve.
Butler's work can be difficult to parse. There is often violence, bordering on horror, but it is always to serve a purpose. Her works are best viewed in the context of her objectives in creating them. This book does an excellent job of doing that.
Moving chronologically through her life, it addresses her early challenges and isolation. As she moves into writing her books, it tells what she was thinking at the time, and the outside events she was reacting to. One of the reasons the author can do this is that Octavia left copious notes about her process and what she was thinking.
She famously did not have a large output for a science fiction author, and the book explains how that came to be. She was somewhat of a perfectionist, reworking drafts constantly to achieve the effect she wanted. She also was an idea factory, as her notes show. During fallow periods of production she would nevertheless create thousands of pages of notes of possible story ideas and research possibilities. Sometimes she called this 'writer's block', since it kept her from completing novels, but she was still thinking and writing furiously, just not for publication.
Butler has received a lot of attention lately. Chi-Ming Yang's book 'H is for Horse' dives deeply into Octavia's childhood. While her early years are recounted here, they aren't dwelt upon, which makes the Yang book a useful complement to this one rather than a competitor.
Butler's work was varied; her most well known books are the more accessible 'Kindred' and the 'Parable' books, but her more sf-nal Patternist and Xenogenesis books might be closer to the topics she grappled with most in her writing life. This book does a good job of explaining those series, which can be shocking and difficult to understand for readers. The book also explains the origin and intent of some of her key short stories.
All in all, this is the best biography so far on Butler. It is not trying to be a formal critical review, but has sufficient critical content to satisfy the average reader. It would be a good read for those just beginning to read her (in order to understand her themes and intentions) and also for veteran fans, to gain more appreciation for what Butler struggled to achieve.
April 1, 2026
I enormously admire Octavia Butler, but this biography just doesn't do her justice. Much of it reads like it was written by a fan rather than by a serious biographer or scholar. There's a lack of depth and specificity in the narrative and in the analysis, and Morris just doesn't make particularly sophisticated or nuanced use of the rich archival materials at her disposal. As a life and works biography, it's good enough, readable enough, but not rich enough. And the absence of an index annoyed me.
Read
August 25, 2025What a gorgeous homage to an absolute icon. Octavia Estelle, you will always be famous.
March 2, 2026
I encountered Octavia E. Butler in my late teens through Parable of the Sower. As a kid living in the greater Toronto suburbs, she absolutely blew my mind.
If you've never read it, Parable was written in the 90s and is set in 2024. It gives us a burning Los Angeles, widespread climate change, gated communities, a Republican president who wants to make America great again, and economic instability. It is a world of shock, fear, and bug out bags, but also hope.
I read Lauren Oya Olamina's story with my heart in my throat, and then devoured everything else Butler had published. I was devastated when I learned that she had passed away on February 24, 2006.
It's tempting to call Butler a prophet or a visionary. What she truly was, as Susana M. Morris's excellent biography makes clear, was a student of history who was very good at tracking patterns.
Morris' book tracks the major currents of Butler's life, from her working class beginnings to her determination to write herself into the world. She struggled with financial insecurity for much of her adult life, took unsatisfying jobs that nevertheless paid the bills and let her write, and navigated writer's block off and on across her career.
She also envisioned and manifested the global smashing success and wide-ranging impact of her work, and was named a genius with a MacArthur Fellowship in 1995.
The wider world caught up to the power of Butler's genius in 2020 when Parable hit the NYT Bestseller list for the first time. As we approach the 20th anniversary of her death (two days from when I type this), my abiding feeling is sorrow that she didn't live long enough to see all her dreams fully realized.
Butler would be 79 this year if we hadn't been robbed of her elder years. What would she have finished in that time? Would we have seen Books 3 to 6 of the Parable series? I'd like to think so.
All these years later, the abiding feeling I'm left with is appreciation, love and awe for all she did finish in her time earth side. I'm grateful that Morris' book exists to carry stories and history about Octavia the person and writer forward for future generations of Sci-fi fans.
If you've never read it, Parable was written in the 90s and is set in 2024. It gives us a burning Los Angeles, widespread climate change, gated communities, a Republican president who wants to make America great again, and economic instability. It is a world of shock, fear, and bug out bags, but also hope.
I read Lauren Oya Olamina's story with my heart in my throat, and then devoured everything else Butler had published. I was devastated when I learned that she had passed away on February 24, 2006.
It's tempting to call Butler a prophet or a visionary. What she truly was, as Susana M. Morris's excellent biography makes clear, was a student of history who was very good at tracking patterns.
Morris' book tracks the major currents of Butler's life, from her working class beginnings to her determination to write herself into the world. She struggled with financial insecurity for much of her adult life, took unsatisfying jobs that nevertheless paid the bills and let her write, and navigated writer's block off and on across her career.
She also envisioned and manifested the global smashing success and wide-ranging impact of her work, and was named a genius with a MacArthur Fellowship in 1995.
The wider world caught up to the power of Butler's genius in 2020 when Parable hit the NYT Bestseller list for the first time. As we approach the 20th anniversary of her death (two days from when I type this), my abiding feeling is sorrow that she didn't live long enough to see all her dreams fully realized.
Butler would be 79 this year if we hadn't been robbed of her elder years. What would she have finished in that time? Would we have seen Books 3 to 6 of the Parable series? I'd like to think so.
All these years later, the abiding feeling I'm left with is appreciation, love and awe for all she did finish in her time earth side. I'm grateful that Morris' book exists to carry stories and history about Octavia the person and writer forward for future generations of Sci-fi fans.
April 1, 2026
Really well done author biography. I only picked this up because of the Goodreads challenge; I didn’t know much about Octavia Butler before this. After listening to this audiobook, I’m not only inspired by the life that Octavia led but inspired to read Kindred and Parable of the Sower. I feel like readers of her work would have a deeper appreciation of this biography. However, I do not believe that reading her work beforehand is a requirement to enjoy this biography. I particularly enjoyed the historical context that the author wove in to help the reader better understand the underlying motivations behind some of Octavia’s work as well as the commentary on how applicable her perspective was on current events.
March 25, 2026
So, I haven't read any of Octavia E. Butler's books but I'm super interested and excited to dive in now. She would be so upset with the state of America today.
December 12, 2025
a truly remarkable woman.
March 29, 2026
I love Octavia Butler and this text further added to my appreciation of her work.
March 12, 2026
While I did enjoy this book, it felt more like a look at the works of Butler, and less of her life itself. I'm not saying Morris NEVER touched on Butler's life, but that really didn't feel like the focus.
March 30, 2026
Susana M. Morris’s “Positive Obsession: The Life and Times of Octavia E. Butler” offers an in-depth look at the life of a brilliant, lonely, and ultimately successful writer. This well-researched and beautifully written biography draws from Butler’s personal journals, her books and essays, interviews, and other sources to give a complete picture of Butler’s inspirations and opinions. Morris connects this web of information into a cohesive text for us to comprehend Butler’s work. This biography and its insightful literary critiques will help you explore not only Butler’s life but also her work.
Morris made a key aspect of Butler's vision clear: that humans have a desire to dominate others, a theme Butler explores repeatedly in her work. Humans feel most comfortable within a hierarchy. They naturally form tribal systems, accepting a chain of command that identifies others as more important or powerful than those below. In Parable of the Sower, the main character Lauren counteracts this tendency by championing action over hierarchy. Organized religion is the ultimate hierarchy because it places one force above all to be recognized and served. The force deserves reverence, say the powerful, because it gives us life, protects us, and can take life away. Without the force, they continue, we would be nothing. Lauren subverts this system by making God not a thing but an action, repeating "God is change." Her words suggest that working together is the sacred principle. A member of the group striking out against another is an act against God, and the group will fail. Butler sees this as well in U.S. politics. The same principle extends to democracy: when citizens don't actively defend the rights of all, democracy will fail.
It's time I read Kindred.
Morris made a key aspect of Butler's vision clear: that humans have a desire to dominate others, a theme Butler explores repeatedly in her work. Humans feel most comfortable within a hierarchy. They naturally form tribal systems, accepting a chain of command that identifies others as more important or powerful than those below. In Parable of the Sower, the main character Lauren counteracts this tendency by championing action over hierarchy. Organized religion is the ultimate hierarchy because it places one force above all to be recognized and served. The force deserves reverence, say the powerful, because it gives us life, protects us, and can take life away. Without the force, they continue, we would be nothing. Lauren subverts this system by making God not a thing but an action, repeating "God is change." Her words suggest that working together is the sacred principle. A member of the group striking out against another is an act against God, and the group will fail. Butler sees this as well in U.S. politics. The same principle extends to democracy: when citizens don't actively defend the rights of all, democracy will fail.
It's time I read Kindred.
March 12, 2026
Positive Obsession gave me a fuller understanding of Octavia E. Butler than I realized I was missing.
I went into this almost blind to Butler's timeline and career. Like many readers, I knew the titles — especially Kindred — but I hadn't fully grasped the scope of what she accomplished. Being a woman in science fiction was already difficult. Being a Black woman in that space, when nearly all professional writers in the field were white men, was nearly insurmountable. The fact that Butler not only entered that arena but reshaped it cannot be overstated.
What Susana M. Morris does so beautifully here is situate Butler within the cultural and political forces that shaped her — Civil Rights, Black Power, feminism, Reagan-era conservatism — while also giving us the private Butler. The diaries. The pep talks to herself. The insecurities. The fierce, almost painful self-discipline. Learning more about what might now be understood as neurodivergence only deepened the portrait. There were moments when my heart ached for her — for the doubt she carried, for the sheer force of will required to keep going. I found myself wanting to reach back in time and give her spirit a warm hug.
I also appreciated Morris's own presence in the narrative — the personal connections of what Butler meant to her as a scholar and reader gave the book texture and warmth without ever tipping into hagiography.
Listening to this biography forced me to revisit my complicated relationship with Butler's fiction. For a long time I've felt that her books should be for me — time travel, history, moral tension — and yet I've struggled to feel fully immersed. As Morris dug into Butler's priorities — systems, coercion, survival — I began to understand that what I experience as emotional distance may be deliberate and precise. That realization doesn't erase the friction, but it does reframe it. I don't have to love Butler's novels to deeply admire what she built. And after this book, that admiration feels fuller, stronger, and far more informed.
I went into this almost blind to Butler's timeline and career. Like many readers, I knew the titles — especially Kindred — but I hadn't fully grasped the scope of what she accomplished. Being a woman in science fiction was already difficult. Being a Black woman in that space, when nearly all professional writers in the field were white men, was nearly insurmountable. The fact that Butler not only entered that arena but reshaped it cannot be overstated.
What Susana M. Morris does so beautifully here is situate Butler within the cultural and political forces that shaped her — Civil Rights, Black Power, feminism, Reagan-era conservatism — while also giving us the private Butler. The diaries. The pep talks to herself. The insecurities. The fierce, almost painful self-discipline. Learning more about what might now be understood as neurodivergence only deepened the portrait. There were moments when my heart ached for her — for the doubt she carried, for the sheer force of will required to keep going. I found myself wanting to reach back in time and give her spirit a warm hug.
I also appreciated Morris's own presence in the narrative — the personal connections of what Butler meant to her as a scholar and reader gave the book texture and warmth without ever tipping into hagiography.
Listening to this biography forced me to revisit my complicated relationship with Butler's fiction. For a long time I've felt that her books should be for me — time travel, history, moral tension — and yet I've struggled to feel fully immersed. As Morris dug into Butler's priorities — systems, coercion, survival — I began to understand that what I experience as emotional distance may be deliberate and precise. That realization doesn't erase the friction, but it does reframe it. I don't have to love Butler's novels to deeply admire what she built. And after this book, that admiration feels fuller, stronger, and far more informed.
January 27, 2026
This book was such a refreshing read. Morris expertly balances biography and literary analysis in an accessible and engaging fashion. Morris says “this is not THE Octavia E. Butler story, but A story of Octavia E. Butler.” This allows Morris to hold space for multiple narratives existing that explore Butler’s life and works. As a newish reader of Butler—I’ve only read Kindred— Positive Obsession helped me understand who Octavia Estelle was and what her intentions were for her works. That understanding helped me follow the discussion of her works, the starts and stops of her writing journey during her career, and the intentionality with her subject matter. What’s clear is that Morris’ book can be used as an entry point for beginner Butler readers, and it would work as an excellent companion text to any of her fiction works. Octavia Butler may not have been an oracle or a prophet, but she gave us texts that the world needs now. Positive Obsession is a testament to the fact that Morris also understands that we need more scholarly exploration into Butler’s works. Highly recommend!
March 5, 2026
eu gostei bastante desse livro; geralmente tenho problemas com o estilo da não-ficção estadunidense, mas não tem jeito: Octavia Butler é rainha demais. Quando a gente pega o gás e a autora faz as relações do período de vida + momento social + o livro que ela escreve no momento, as coisas ficam muito boas. Terminei com vontade de ler oq não li e reler o q já tinha lido.
March 19, 2026
I picked this up knowing little about Octavia Butler other than she was a pioneer of scifi. It felt correct to learn about her life from a written biography, not an article or Wikipedia page.
Unfortunately, this biography is very bad.
What this work most resembles is a high school book report stretched out to novel length. It's full of padding, repetition, and unnecessary detours. It contains very little insight, opting instead for thin, lightweight commentary that suggests minimal research.
Its strangest quality is how it wanders aimlessly between events and subjects, often backtracking and repeating itself in the process. This makes it impossible to form a coherent, informative timeline of Octavia Butler's life and career, and that is the bare minimum I ask from a biography.
Here's an example of what I mean about the repetition. Below are a handful of sentences about one of Butler's books, Kindred"
Any one of these would make a fine introduction to a section dedicated to Kindred, but instead we get *all* of them, and not even at all at once, but instead peppered throughout the book, often in unrelated paragraphs. It's almost like she left her own notes and rough drafts in the final copy of the book by mistake.
If the content of the book was stronger I could perhaps overlook it, but there's very little meat on these bones. The bulk of the book is made up of plot summarizes and literary analysis of selected books by Butler, which I did not expect or want. We're told very little about Butler's life after she found success, and that is tremendously disappointing.
Who is the intended audience? It's far too superficial for people with a strong knowledge of Butler, yet those unfamiliar with her work would be put-off by the summarization and analysis of books they might not have read. It makes for an odd Venn diagram.
Overall, this is a very amateur book that fails at its one job. I can't recommend this to anyone.
Unfortunately, this biography is very bad.
What this work most resembles is a high school book report stretched out to novel length. It's full of padding, repetition, and unnecessary detours. It contains very little insight, opting instead for thin, lightweight commentary that suggests minimal research.
Its strangest quality is how it wanders aimlessly between events and subjects, often backtracking and repeating itself in the process. This makes it impossible to form a coherent, informative timeline of Octavia Butler's life and career, and that is the bare minimum I ask from a biography.
Here's an example of what I mean about the repetition. Below are a handful of sentences about one of Butler's books, Kindred"
Take for instance Butler’s path to writing her most read work, Kindred
In that moment the seeds for what would become Kindred were born
Octavia still kept at her craft, (...) beginning what would become the Patternist series and Kindred
The Patternist series was the beginning of both Octavia’s vocation and her career as a writer. She was very prolific during the 1970s, publishing the first three of the Patternist novels before publishing her most well-known novel, Kindred, at the end of the decade
While Octavia published the first three novels in the Patternist series, another longstanding idea sparked by an unsettling conversation with a friend rattled around her head. It would become her magnum opus and bestselling novel to date, Kindred.
The question was how to get her generation, especially middle-class Blacks like her classmate, and the ones that followed to have their own epiphanies. The answer to that question would eventually become Kindred.
The year 1976 was also when she decided in earnest to write the book that would become Kindred, a novel that would offer the historical reckoning the nation was loathe to accept.
This emphasis on feeling what it was to be enslaved and Black would become the core of Kindred.
Kindred tells the story of Dana, a Black woman writer living in 1976.
Kindred is Octavia’s bestselling, most well-known, and most often-cited novel.
When readers say they are familiar with her work, they are usually thinking of Kindred.
Any one of these would make a fine introduction to a section dedicated to Kindred, but instead we get *all* of them, and not even at all at once, but instead peppered throughout the book, often in unrelated paragraphs. It's almost like she left her own notes and rough drafts in the final copy of the book by mistake.
If the content of the book was stronger I could perhaps overlook it, but there's very little meat on these bones. The bulk of the book is made up of plot summarizes and literary analysis of selected books by Butler, which I did not expect or want. We're told very little about Butler's life after she found success, and that is tremendously disappointing.
Who is the intended audience? It's far too superficial for people with a strong knowledge of Butler, yet those unfamiliar with her work would be put-off by the summarization and analysis of books they might not have read. It makes for an odd Venn diagram.
Overall, this is a very amateur book that fails at its one job. I can't recommend this to anyone.
April 15, 2026
An excellent biography of Octavia Butler. I got a good picture of her, her life and a few of her important novels. She has truly made a great contribution and I admire her greatly
March 2, 2026
now i wanna read octavia butler
March 13, 2026
3.5/5.0
July 24, 2025
I was fortunate enough to attend an author reading and pick up a copy of this book before publication. I was impressed by Susana Morris’ erudite yet down to earth style which comes through in her writing. My respect and appreciation for Butler’s ouvre and life is greatly deepened by this biography. I love the “just right” amount of information culled from her journals balanced with a cultural and scholarly approach to her work. I’m inspired to read the remaining books of Butler’s that I have yet to enjoy.
October 30, 2025
I’m ashamed to admit that it wasn’t until recently that I read my first Octavia Butler book. As I was reading Parable of the Sower (my first) I chose to read Positive Obsession in tandem. I’m glad I did. I needed to take little breaks while reading Parable, and it just made the most sense to me to read her biography.
I enjoyed learning about her writing process and inspiration for each book in her catalogue. You can tell the author is a fan of hers and took great care in writing about her. Positive Obsession is geared more towards avid readers of Butler’s work. There are full discussions of her books that include spoilers if you aren’t familiar with them. However, that didn’t bother me. Science Fiction has always been one of the harder genres for me to read so knowing ahead of time will probably help me when I do read them. Whether you’re a lifelong fan or someone new, Positive Obsession is a carefully crafted book about the iconic author.
Thanks to Amistad Books and NetGalley for the gifted e-copy in exchange for an honest review.
I enjoyed learning about her writing process and inspiration for each book in her catalogue. You can tell the author is a fan of hers and took great care in writing about her. Positive Obsession is geared more towards avid readers of Butler’s work. There are full discussions of her books that include spoilers if you aren’t familiar with them. However, that didn’t bother me. Science Fiction has always been one of the harder genres for me to read so knowing ahead of time will probably help me when I do read them. Whether you’re a lifelong fan or someone new, Positive Obsession is a carefully crafted book about the iconic author.
Thanks to Amistad Books and NetGalley for the gifted e-copy in exchange for an honest review.
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