*Spoilers*
Our protagonists passionately set up a queer-friendly whisky distillery by….covering up the murder of a gay couple????
I loved the premise of this book and felt it had some rich description of Scotland and our culture without becoming stereotypical or gimmicky. Hence, 2 stars.
The author clearly has a passion for whisky and knew the book they were wanting to write. However the mystery itself never gets going. They find the bodies, one night they find some other stuff, it quickly becomes clear one of only two possible characters is the killer, it’s the one you think it is. Most of this book felt like it was more about the distillery and the main characters’ marriage and honestly wouldn’t have been that different without the murder at all.
Additionally, as a woman with ADHD myself, I found myself increasingly frustrated at the representation of it in this book, as Eilidh is chronically allergic to any form of accountability throughout. Desecrating corpses, covering up a murder, feeling ‘gleeful’ when she finds her wife having a literal mental breakdown after already cheating on her - I kept questioning whether I was really supposed to root for this protagonist, and the excuse always seemed to be that she’s impulsive/impatient/dare I say ‘quirky’ because of her ADHD and “can’t help it.”
Finally, the literary device of the protagonist chapters being written in first person followed by the killer’s chapters written in second person was jarring. It felt as if Eilidh, the previous speaker, was now just addressing me, the reader, except it’s not me, is it. To add insult to injury, the author forgets this at least once and flips to first person when in the killer’s perspective and then back again during that final conversation between killer and protagonists where all is revealed, which was confusing and required me to go back and reread the passage to make sense of it again, somewhat taking me out of the big denouement.
I wanted to love this book but unfortunately felt it amounted to a one-dimensional mystery, some problematic representation of women with ADHD, and all the surface-level corporate pride activity (neon labels, drag nights) with all the hypocritical greed underlying it that we see in real life, where our main characters excuse themselves for covering the murder of a gay couple for their own gains because, and I quote, “she didn’t murder them because they were gay.”