Ooooof. I may have spoken too soon when I said 2024 would be the year of amazing romances because this one, similar to the last few I’ve read, was just not it. At this point I am 0/6 for my most recent romance reads, all 2024 titles.
It truly has me side eyeing authors, pubs, and editors who seem to have taken the grumpy x sunshine trope to the brink and expect us to eat it up when these characters become caricatures and embodiments of the most extreme and literal elements of the grumpy x sunshine trope instead of a character that you could see parts of yourself in or be friends with.
While HEAs are common if not guaranteed in most romances, they typically strive to give readers a HEA that feels achievable, hard won, realistic in some sense. Like it’s a true snapshot of the love story that will endure past the pages of the book and quite literally, be happy, ever after! Yet lately, and this book is no exception, these endings honestly fail to sell me on that HEA, it’s not even a ‘happy for now’ moment. I truly do not think Molly and Seth will make it past a year. Hell Jeramy and Sarah Ann from LIB would out last these two.
Molly and Seth felt like such a toxic, vapid, shallow, unnecessary romance with two characters that frankly come together in the most patently cringe of ways. Molly is meant to be the grumpy, bitchy, yet alluring lead, yet she’s essentially that chihuahua with a coyote spike vest on. She doesnt just push people away or run away from emotion, she categorically emotionally evicerates Seth, she essentially tazzes him time and again emotionally and then gets sad and cries when he in fact pulls back. She doesn’t just draw blood, she cuts arteries in her wake and then sells us on this sad narrative that using her words is so hard. But here’s the thing, she IS NOT in fact socially awkward or inept, her very job DEPENDS on her social skills and schmoozing. Maybe it’s not true emotion or vulnerability, but still, she’s plenty capable of communication, she just chooses to bury her head in the sand in the wake of each nuclear bomb she sets off. It was so ‘woe is me’ it was laughable and truly hard to care or root for her.
She’s genuinely just mean and why would I want her to get away with that? Putting the romance aside, how are we even supposed to care about her when she flat out states she writes rom com screenplays as a cash grab? She doesnt believe in love, she doesnt even want it. She makes a mockery of the true emotion and magic behind the genre, reducing it to its profitability so I was often quite pumped to see her shit screenplays fail. Why would audiences want to see a love story from someone who reduces their intellect and interest to dollars and doesn’t actually believe in lasting relationships at all? We have enough cynicism around us, we want romcoms for the escape and joy and celebration that love (in any form, many forms) can in fact win and survive.
As for Seth….well honestly he’s a very weird cocktail of Stockholm syndrome and golden retriever. His tit for tat with Molly is less ‘spicy tension’ foreplay and banter and more of an exercise in gaslighting, manipulation, and emotional abuse. The way Molly gives Seth — and readers, whiplash, is abusive. This isn’t about having Seth break past her defense mechanisms, at some point you just have to let that person go and be toxic and self destructive because it is not your job to fix them. She admits several times how happy it makes her to know Seth still carries a torch for her, even when she shuts him down unequivocally and brutally, just to then wonder why he doesn’t reach out and take her scraps. It was like seeing Seth get whipped and going for seconds, nothing about it was enjoyable to read and the fact that Seth was so attracted to this was concerning.
Add to this some fade to black scenes and truly embarrassing phone sex, and this was a complete hot mess.
I’m not sure when it become the new “it” thing to try and sell us on “damaged” and “messy” characters that instead of feeling more like real life people with real life experiences and trauma, are more akin to psychopaths, egomaniacs, and unhinged entitled villains. If you’re going to do the whole messy / imperfect characters thing, I need more than some bitter parental divorce when you were in high school, I need more than a character being a raging bitch and expecting people to look past that for no other reason other than just ~innately~ knowing the person has baggage.
While divorce certainly can be traumatic and damaging, it’s also quite common, and as a millennial, I can tell you I saw plenty of it growing up and somehow we’re surviving! Honestly often times parents divorcing was the highlight because it immediately deescalated a tenuous and stressful home life. Again, this isn’t to say divorce isn’t a big deal, but that can’t be the thing that’s shaping all these characters backstories and their inability to communicate or accept healthy love and affection or support. Authors need to dig deeper into the whys of their characters, these parental breakups are not always the seismic, life altering events they make them out to be and its feeling quite lazy that they can’t seem to draw from other types of experiences or emotions to build emotional arcs for their characters.
Anyway, part rant at several recent romances I have read, part review of this one poor romance in particular.