America's preoccupation with the supernatural has deeper roots than the current vogue for the macabre might suggest. The classic tales selected for this definitive collection clearly show the formative influence of the myths and legends of England and Germany. Each tale is representative of its native source, whether it is the literary traditions of New England and the South, or the serio-comic folklore of the Frontier, the Negro, or the American Indian.
CONTENTS
Introduction
Folk Tales
Cotton Mather - Enchantments Encounter'd William Root Bliss - Old Deb And Other Old Colony Witches M. V. Ingram - General Andrew Jackson: The Great Soldier and Statesman's Visit to The Bell Witch Richard M. Dorson - The Cat-Witch Frederick Gottschalck - The Witch Dance On The Brocken Charles M. Skinner - The Leeds Devil Virginia Frazer Boyle - Stolen Fire Richard M. Dorson - Seeing The Devil In Three Shapes Samuel Adams Drake - Jonathan Moulton And The Devil Thomas Chandler Haliburton - Barney Oxman And The Devil Charles M. Skinner - The Death Waltz Richard Chase - The Haunted House Anon - The Ghost Charles M. Skinner - The Long Sleep Launcelot - The Legend Of The Pipe Anon - Coffined Alive
Popular Literature
Anon - The Castle Of Costanzo Anon - The Parricide Punished anon - The Wig And The Black Cat Miss Elizabeth P. Hall - The Witch E. E. - The Veil Mrs Volney E. Howard - The Midnight Voyage Of The Seagull Anon - The Sphinx Anon - Tale Of A Conjurer Anon - The Enchanter Faustus And Queen Elizabeth Anon - The Dream Anon - The Captive's Dream John Waters - The Wooden Legged Ghost I. P. A. - A Ghost Story Rudolph - The Village Doctor
The Literary Tradition
Nathaniel Hawthorne - Young Goodman Brown Washington Irving - The Legend Of Sleepy Hollow Edgar Allan Poe - The Black Cat Mark Twain - A Ghost Story Nathaniel Hawthorne - Rappaccini's Daughter Herman Melville - The Tartarus Of Maids Edgar Allan Poe - Ligeia Washington Irving - Rip Van Winkle Edgar Allan Poe - The Fall Of The House Of Usher Herman Melville - The Bell-Tower
Interesting but most of the actual stories are too centered on the romantic aspect. The best one is The Midnight Journey of the Seagull because it was one of the only ones to really embrace a sinister atmosphere without sounding like a bad imitation of Shakespeare. And one thought on Herman Melville, author of the most wildly overrated classic novel in history, and his two short stories in this. His knowledge of obscure adjectives was a source of great pride. It's easy to tell.