I've read many Jaime Clevenger books and this--is one of them. Wait, no. And this--isn't the worst. Better? Eh.
Before going deeper (Ha! But relatively speaking, I don't have much to say), let's deal with the phallus in the room.
A professional reviewer might say, "Jaime Clevenger writes exclusively in the Butch-Femme sub-genre of lesbian erotic fiction." I am not a professional. Well, at least in the sense that I am doing this for free. In any case, what this means for Clevenger is that the Butch character will be wearing a strap-on, they will walk around "packing" and the use of this strap-on will be viewed as the culmination of the couple's lovemaking. Yes, it's true. This has happened in every Clevenger book (I've read), and in every book they've had a lesbian couple achieve their highest orgasmic bliss engaging in heteronormative sex to the extent that both MCs refer to the strap-on as if it was a functioning part of the Butch's anatomy (E.g.: "I am going to come inside you"). Hey, whatever makes you happy, right? But it feels like it sends the message that it's not truly real lovemaking until phallic penetration is involved.
My biggest complaint with the book (apart from pulling a Jaime--that's what I call the strap-on fixation), is that the supporting characters of Matt and Lou/Lew/Lu (sorry, it was the audiobook) never received a comeuppance for being just awful--horrible--human beings. Lou/Lew/Lu only had one sequence to be terrible, but snatching the phone out of a virtual stranger's hand to "fix" their problem by yelling at the person on the other end without having heard any of the conversation is--well, who does that?
Let's ignore that Devyn's friends were trying to set her up less than a week after she broke up with the person she was in love with (Robbie, the other MC) and did it with a person that one of the friends thought wasn't right for Devyn--then immediately changed her mind for reasons. While Devyn did eventually ask WTF? in response to Lou/Lew/Lu's actions after it was over, she forgot how to use her hands or voice for a good ten seconds while Lou/Lew/Lu ripped into Robbie thinking it was Matt. Let even your best friend snatch the phone out of your hands and see if you forget how to speak in protest or snatch back. When the friends ask Lou/Lew/Lu what happened they and the reader only get an annoyed shrug. No satisfaction whatsoever.
If Lou/Lew/Lu was bad, Matt was a monster. I could tell from the start something was off with him because--well, he's a guy in a lesbian novel. The odds aren't looking good. Clevenger, to their credit, made Matt come across kinda skeevy even if he was Robbie's work buddy. What does he do? First, he tells Robbie that if they get caught switching, he'll take the blame. That's not how that situation would play out, especially when the job involves something like bank security. Second, he doesn't tell Devyn that he's given a stranger (to her) keys to their house and residency in their pool cottage. Third, we learn Matt cheated on Devyn repeatedly. Fourth, he squandered their shared earning supporting a mistress. Fifth, he comes to realize that "Devyn was the problem not him." Sixth, he tears down Devyn in front of Robbie. Seventh, when Robbie reveals her feelings about Devyn to him, he does his best to crush them.
Despite all this, nothing happens to him. Robbie is still technically friends with him and living on her boat. Jaime is not the only author that seems to avoid letting the horrible characters that populate their universe getting their just desserts--but this was too much. I don't know why they want to torment readers by depriving them of that satisfaction. If serving up HEAs, regardless of how improbable, is an unbreakable law, what is wrong with letting the readers believe there is justice in the world too?
As for the MCs, Robbie and Devyn--they're--fine. Their chemistry was mild at best. It seemed mostly one of convenience. The very fact that Jaime let them stay apart for six months suggests they weren't that connected.
This seeming lack of chemistry may be the result of a lack of conflict. Think of a novel as a blender. You pour in the ingredients of the story. If you just let it sit there, the stuff will float around. Eventually, some of it might actually mix together a little. However, when you pour it out (read it), it's not going to taste good. The introduction of quality conflict is like pressing "Puree" and then things start spinning around creating frothy goodness.
Every conflict in this story was cut off or ended quickly. I've already mentioned the lack of engagement with Lou/Lew/Lu and Matt. Here are more:
Devyn's horrible conservative anti-gay mom? One scene of any note, then Devyn escapes the luncheon and that's pretty much it.
Angel (the dog) has a medical emergency and--oh, no, just squirrel bones. It's fine. Move on.
Robbie and Matt secretly swap houses/jobs, the very catalyst and title of the story--in every sneaky swap story, having the swap get uncovered is the main plot point beyond whatever romance may happen. What Robbie and Matt did was probably illegal, and certainly unethical, given their IT duties, NDAs, and presumably clearance checks. The beginning sets it up as a possibility. Robbie gets called in. She is warned not to tell Devyn but she does! And--NOTHING happens. No consequences or real drama whatsoever.
Bob Marley sang, "No woman, no cry" but I'm here to tell you, "No conflict, no care".