being fresh off bridgerton put me in the right mood to sart this one, which offer some familiar plot threads: Loretta, the daughter of a baron is looking to marry when her father introduces her to a duke. Instead Loretta is enthralled by the duke's rebellious sister, Charlotte, who likes to sleep with other women and enjoy painting on her off time. Charlotte is at odds with her brother, following the passing of their older brother, acting out and making herself a menace.
Like An Island Princess Starts a Scandal, The Duke's Sister and I engages with an historical, underground queer community, where Loretta has her gay awakening. I prefer this approach to most queer historical romances ignoring that most queer people back then had to navigate small tight-knit communities to protect themselves and find each other. This is a great ode to the people who came and lived before us.
I do regret a lack of chemistry and passion between the two leads, I ultimately found the romance too polished, lacking the emotional gut punch I'd expect of a romance. Charlotte thinks of herself as broken, unable to have this long-term relationship but besides her dialogues I did not feel this angst tearing her apart. Meanwhile, Loretta grows unbothered by the yoke of patriarchy and fatherly expectation in a way that feels historically questionable.
For a romance on the shorter end, it may have tried to encompass too much at the same time which left me with unfulfilled. There's a lot to chew on: Loretta discovering her sexuality and rejectign her father's expectations, Charlotte's complicated relationship with love, her love of painting, her grief fro one brother and her conflict with the other, her friendship with Nathaniel, the underground queer community, the place of women in art at the beginning of the 19th century all in 250 pages. And since it's a romance, the romance too with a third act that left me perplex.
I did however, really enjoy that initial misunderstanding/small conflict where Loretta felt mocked for not being smart or knowledgeable enough as opposed to Charlotte's brash, open attitude. It's a type of conflict that we don't get often but to my experience is very realsitic and not often discussed. It's even more relevant in this patriarchal 19th century setting, where Loretta navigates the expectation of being a proper lady which requires erasing yourself and when confronted with the sister of a duke, someone who already has more power than her and who looks like she's taunting her or bragging, it must really hit a nerve. It was to me, one of the most compelling part of this story, despite its other shortcomings.