The summary on the back of Phytosphere makes it a very compelling novel: what if aliens bent on destroying the Earth encapsulated it in a sphere that blocked out the Sun and gradually killed off all plant life on Earth? Add to it that the novel promised compelling characterization, and it feels like you might have another Spin on your hands.
Well, not quite. As it stands, comparing Scott Mackay to Robert Charles Wilson is unfair. To be frank, Mackay’s writing and characterization are not on par with Wilson’s. Ultimately, I was able to appreciate the novel once I got over comparing it to Wilson’s works, and it did offer up some strong pulse-pounding moments.
Phytosphere follows the lives of Gerry, his wife Glenda, and his brother Neil, as they come to grips with the Sun-blocking sphere deployed around the Earth. The novel starts on a weird note, as when the green material starts to be deployed, nobody in the novel is panicking about it. They’re all just looking at this insane astronomical turn of events as if it were a mere distraction, and go on about their personal lives. This is a maddening start to the novel that does disservice to its fantastic premise. It also served to render the main characters unsympathetic for caring more about their recovery from alcoholism, for instance, than about the imminent threat to Earth.
None of the characters in the novel start out sympathetic, but they do build up to it over the course of the story. Glenda, for instance, is plunged into the thick of the chaos that soon takes over Earth, and puts up a brave and desperate fight to protect her two children from hunger; the resulting trials end up changing her and her children in gut-wrenching ways. Neil, a brilliant physicist, is so arrogant as to think he can solve the Phytosphere problem in a matter of days; his fall from grace and ultimate realization of his misplaced confidence is tragic and terrifying.
But then there’s Gerry. Gerry is the “Designated Hero” of the novel; that is, he’s the good guy only because the writer wants us to think so. He’s a recovering alcoholic who fled to the Moon when his wedding started to fall apart, and the narrative telegraphs to us very early on that he will be the one to sort out this nasty mess. Only problem is, Gerry is on the Moon, and so is very far away from the chaos and the destruction. He spends his time fighting for the Moon to grant him resources, while giving very little thought about the fact his wife is down on Earth shooting neighbors to protect her dwindling food supply. Gerry whines that nobody listens to him, and yet, he does so little and is so uninspiring that you can’t blame the others for losing faith in him. And while his brother is trying to protect his family, he’s busy turning down the advances of a cute showgirl. See what he has to put up with?
If the story had only been about Glenda and Neil trying to survive in the chaos of the world, the story could have maintained a lot more traction. But it’s frustrating to know they are only there to hold out long enough for Gerry to figure it all out. His slow pace means at least half the Earth’s population dies, but hey, he still gets the hero’s welcome anyway.
Gerry is the product of the aforementioned inferior characterization. Many attempts are made to make Gerry the Designated Hero (he’s a recovering alcoholic, he loves his wife, he’s grown up in the shadow of his brother), and Neil the villain (he’s too sure of himself, he’s the one who won the Novel Prize.) There’s even moments that are infuriating in the way they go about doing this: in one instance, Neil thinks up a very clever way of delivering a virus to the Phytosphere; but rather than give him an ounce of intelligence, the writer prefered to have him figure it out using a “game theory” program, and have him claim the credit. Ultimately, the novel would have felt much stronger if the characters had simply been given a chance to be themselves, and not serve as protagonist and antagonist in some sort of moral fable.
Phytosphere is still a cool SF novel, and the tale of Glenda is ultimately pretty satisfying. The aliens are interesting in that they’re depicted as technologically superior, but having the crippling fault of being unable to comprehend basic human traits. The overall story is satisfying and compelling, but it could have clearly been much, much more, based on the strength of its premise.