Scaaaaaaaaandalous. I picked this one up because of its subject matter - roman a clef about Vivien Leigh and Laurence Olivier, and it did not disappoint. Michael Korda really has a gift, because Curtain reads like a good novel and feels like trash. The characters are oddly sympathetic, though I got really distracted trying to figure out who was who in Hollywood and British theatre circles, and it's obvious that the author actually knew something about these worlds. Contrast the scenes showing Robby/Olivier's obsession with makeup with, say, a book or four full of made-up shit about vampires, and it will strike you - ANYTHING can be written well. Sort of like how Fred Astaire said in his autobiography that there's even an artistic way to lift a garbage can. Curtain is sort of the literary equivalent of that.
Not really good review from other readers I can see. But for me, it's an okay reading. I love the scenes, the characters and the ending( the intro also). I can see why Felicia always on the nerves and why Robby still love her. I have to read other Korla's work.
Usually I like to read books that takes place in the 1920-50's, and I like to read about Hollywood during the sutudio system. I also ike to read about stage actors. This book was a disapointment. The characters are who are supposed to be Laurence Olivier, Vivien Leigh and Danny Kaye are typecasted. To many details about preparations in theatre work. I usually like Michael Korda´s books, but this was a disapointment.
For 20 years, as the world was swept into war, Felicia Lisle and Robert Vane (both British actors) played out a public love affair and separate stormy careers. Underneath it all was secret deals made and broken, Hollywood power plays, betrayals, sins, madness and murder. Okay.