WHEREVER YOU GO, THERE YOU’LL BE.
Nell Sullivan is a loser. A mouse. A square.
At the office of Rambert & Bertram, no one wants to be caught dead socializing with the social pariah. No, Nell is a loner. All she has is her dull wardrobe, her deep Brooklyn apartment, and her loyal younger brother, Barrett. But this is 1970s New York City, so when the Son of Sam killings reach their peak, the office girls at R&B lose their cool. Social lines dissipate, and Nell finds a way into the inner circle of pretty, popular girls she’d be stupid not to take. ⌨️
I have a goal this year to read every one of Ania Ahlborn’s books. She’s quickly become a favorite author of mine and her talent in portraying toxic, unhealthy familial relationships continues to astound me. The Pretty Ones was no exception. 📚
There is not too much I will say about this novella. It’s a little over 100 pages and contains the vibes of late 1970s New York City grime and terror. Halfway through the book, I predicted the twist. By the end, I was actually annoyed about the payoff. I know Ahlborn prefers ambiguous endings and I don’t mind them but with certain routes, I do like to be spoiled with information. I found myself discontent, believing the story to be shallow and exploitative until I read the Author’s Note and found that I could understand the purpose.
Not my favorite Ahlborn book however her writing is wonderful. I’m studious when it comes to prose, syntax, vocabulary, and I adore Ahlborn’s writing style. I think her characters are vivid and believable. I have a ton of excitment for what I will read from her next! 🔪