“Along the roadside I write on a curled leaf. I write on a cardboard cleverly folded for toting the beer. I write on a sack flung in the sun. I write on a bluejay’s feather, the white edge that he’s left me, and I write on the air because it too is blank and invites words of despair.” — “Today I have one duty only, to ride a plane to Kansas City, first a plane to Washington over the Wilderness where blood was gladly shed, then on to St. Louis where the pioneers set out again – and home where my wife and I renew our love with each return. The dog is old now, but his love’s unwavering. If I had it to do again I’d treat him better, starting with the day we wrapped a clock up in a towel to comfort him with mimic of his mother’s heart. And treat her much better too, and myself sometimes. And the children who are gone now to the land of lovers and fast cars. But I do not have it to do over, no more than Oedipus or any man who plows a salt field.” — “There’s a hidden rural town, or slice of one, rusty barrels for burning trash, tires laid out for planters, firewood stacked, petunias round a stump. A blue shack endures behind a sleepy mongrel chained. Daffodils nod yellow heads and above me through the fog, airliners roar, barely miss the blinking tower, stave of five power lines on which one lonely note, a hunched-up crow, is etched on grey manuscript. A rabbit rests beneath a pine, and I too long to stay, hunker down, safe as he is. But war’s still on, our country torn by strife, and I must fly back through those toxic clouds of woe, fire not yet controlled, must ride through air to spy upon the land, see if green’s returned, if silvered rivers keep their gentle course.” — “Flaubert, holding a breast of marble, ‘apple-round, solid, abundant, detached from the other … the fecund maternity and the sweetness of the love which it invokes makes you almost swoon … How one would have lain up it, weeping! How one would have fallen on one’s knees before it, hands joined in worship.’ ‘You will never have a rival, never fear!... I will send you a list of things to bring me.’” — “Fame for you was bright as the white walls of Mykonos – and beyond, an archipelago of such islands beckoned, where the suns struck and the young gathered round, as if a god had docked, stepped off his boat, come to town, like Dante or Vergil. But idly you spoke to me, speech wandering as it does in the confessional. You spoke of love lost, bruised till it made song bloom and glow in the bitter air (and down through the patronizing years.) She clung to you still, like a leech or a scar, and you were kind to her, with money and a rusted-out car. It was Aristotle who told us friends must first be equals, that the great speaking when the lowly are listening is not friendship. But if I had known that chasm would be a wide wound never to heal, no bridge build ever, how could my face have achieved its farewell, there above my beggary, that lake, orchard full of a thousand rotten truths.” — Gold flesh against swart green of pines, this tableau of the bathers gleams and enthralls me. Between us lies water, my ripping ladder of vision, flung tope. On that distant dock, bodies lounge, display themselves as they did for Cézanne, pace as in the original stadium naked for Plato. For a while they shimmer, shiver, assume pose of pyramids, bear light only for lovers. The women slip into the water, brief kiss as face meets image. But a harshness darkens this pond near a battlefield, provokes early concert of cicadas. The swimmers climb out chilled, wrapped in weeds, men fretful for fighting, women bronzed slick, tensed to bear torches Raillery explodes like Sieg Heils They're seeking a tyrant to lead them. flame out through them, shape them to malice, set them marching toward hell. Blood moon rises through mist on this field scarred with trenches. and the night is lost for all use of love. On my knees I escape through the woods, echoing now. shushed mantra numb on my lips, and ahead, apples on trees are beginning to burn. We have been so innocent we have never. never seen this, kiss of the fire on the tree, as if sprung from earth. — “The assignation made, or so he conceived, he lay in the shadowed hammock, connubial in size and possibility. And swaying, he felt himself snared, given over body and soul. to this latest lady who soon, he was sure. would bend to him, slip into his net. Yet he lay hungry, expiring, his gills weary, an ignored catch between twin creaking masts. And the moon mocked him gleefully, and a chorus for those who are beautiful and beyond touch teased with distant voices, and he worked to think of her, how she was such a beauty, white as the inside of shell, coral as coral, and he thought of her light step rolling the world of her body. For all this he hungered and for her adulterous kiss. But only a spider came near, as if he lay in an inn of a distant land, or a cave, he who had no address, no home, who had burned all bridges, who had set out in fog. slander heavy on all harbors. In that net he lay sorrowing, and he thought of her playful, tigerish teeth. He admired her lies, how her eyes had promised. And he lay back to let the moon come into his arms now, and he knew the mantras of crickets concerned him. He had paid the price, and his heart knocked with delight, in its cage of bone.” — “By chance I glimpsed them, mid-morning lovers upstairs, over their fence of wire net, laundry afloat in the breeze, shirt like a great plum, brassiere bereft and hangdog on the line – I sighted along an inclined plane their dark shadow centered, devotions most tender, all of an instant vivid, like birds beyond their orchard of apples. Her shuddering hip and fall of soft breast broke me, not touching my face, nothing but an old dog my companion as we both kept walking as if by command, our pace unbroken though the front yard pulsed and glowed green and the sky flashed blue with their abandon, which bid me stay, be born of their love above that backyard of laundry, backlit shirt of my father, frayed curtain whipped inward.” — “Someone else can tell you about your life. You hadn’t noticed.
But the painter talks about your wife, her model,
her marvelous figure, which you had noticed, and her delicate ankles,
which you hadn’t, and the old friend recalls your son waddling
behind a duck in the park, calls you insensitive for forgetting,
and there was Arnie, who said he’d been so moved, hearing
your account, shortly after the fact of your first love
(both of you virgins near the sea) that he had wept, just hearing
such innocence. But by that time you had grown too crass
to care about your own life. It was his tears
that made you feel anything at all. That night you wept anew,
full of beer and your stale corruption, and dreamed of your son
again, waddling in diapers, chasing with his stick
that white duck, as in a wall-painting of Pompeii. You had a life
another tells you and you at last, in tears, agree.”