CONTENT WARNINGS: Graphic S.a./r*pe on page, Graphic Violence on page, body/face horror, Misogny, Fatphobia, blood, Gore, death, mourning, teeth loss, infertility mentioned, gun use, funerals.
I was thrilled to find another Indigenous author out there that I hadn’t read before, and was even happier that this author was a horror writer. My libraries don’t carry Goingback’s work for some reason, so I searched Scribd/Everand to find anything I could get…. And found this novel. And I didn’t enjoy it that much.
The plot is kind of lame, the writing is pretty B-movie script-like, and the characters are pretty one dimensional. The ‘funny’ lines weren’t funny to me, the ‘romance’ is shoehorned into the storyline awkwardly and trite, and the over-the-top hentai-inspired monster descriptions seem to be written as gross as possible, just to shock us readers.
The monster flat out s.a./r*pes a couple women ON PAGE with no warning (and no content warnings at the beginning of the novel, either), and that’s not even the worst part.
I was not the only reviewer here on goodreads to have been just taken out of the story by all the fatphobia and misogyny included in this novel. And the graphic s.a./r*pe. Add in all the face/body horror, the graphic violence, death of a main character, mourning, loss, infertility talked about, teeth loss, funerals, etc, and it was all just too much for me. I did not enjoy myself while listening to this novel, and was stressed out instead of relaxed and enjoying it.
This was my first Goingback novel, and I am not impressed. I’m going to have to think about trying any more of his other works in the future, because right now I am just not certain I want to. Considering the writer is part Cherokee, part Choctaw, I was hoping that there would be some really interesting native influences on the storytelling that would help distinguish this story from any other, but that ain’t happening in this novel. And after finishing this mess, I really (AGAIN) have to wonder why t.f. Male authors feel the need to further their plots with the r*pe of their female characters. What is going on in their brains that make them think this is something that readers enjoy…. I get why Goingback had the monster do this, don’t get me wrong. (And don’t @me, because I ain’t playin). But it all could have been handled way more delicately, so it didn’t seem quite so much like torture porn to me. Idk, I wouldn’t feel quite so strongly about that particular issue if Goingback hadn’t also added in all that lovely misogyny, fatphobia, etc, etc. What am I trying to say? Idk, but I wish I knew the author personally, so I could tell if he were an sexist asshole or not.
Another reviewer here on goodreads stated that this is Goingback’s 7th novel, and not his first. Ouch….. If I were you, I would skip it. It’s forgettable.
So Heath Kizzier is the narrator of the audiobook version of this novel, and he was ok. He read the story for the most part, instead of narrating it. He also mispronounced quite a few words, most of which he should have known (I’m guessing?). The worst of which were ‘macabre’, ‘quarry’, and ‘cavalry’.
Instead of using the word ‘cavalry’ correctly in a sentence, he instead used the word ‘Calvary’ which is a completely different word all together - and it totally changed the meaning of the sentence. So when you say ‘the cavalry is finally here’ (or however the sentence went), and instead you use the word Calvary, this is a problem - because Calvary means “ open-air representation of the crucifixion of Jesus.” Then Kizzier tried to say ‘humid feeling air’ and instead said, ‘human feeling air’, and I don’t think that was correct either. This might have been dyslexia, who knows? I’m just pointing these errors out. (I have dyslexia, and I can barely speak correctly on a good day. So I would never be able to narrate a novel like these professionals do).
You may think all this is nit picking, but I don’t. Literally 90% of the novels I consume are audiobooks, and maybe more. So I have become quite good at catching things like this. I wish the editors of these audiobooks were able to catch things like this before the audiobook went out for publication, because it makes Books In Motion the publisher, look bad. And I, for one, would LOVE for there to be tons of different various audiobook publishers, so Audible would really get a run for their money… and maybe bring their prices down. More audiobooks for people who need them is a good thing!
Anyway, I’m sorry Mr. Kizzier. Please do better next time.
I’m just glad this audiobook was only 8 hours long. Any longer, and I would have gone outside to scream or something. Ugh.
Does this novel deserve one star? Two? Idk, but I will think about it for a while.