The gift of tickets to the opera in Verona doesn’t exactly fill Dan with joy and anticipation – it might be girlfriend Anna’s cup of tea, but it’s not really his. But chance brings another reason to be in the area – a commission from elderly Bugatti driver Violetta Argento to investigate the death of her opera singer son Rodolfo in a freak driving accident. The police seem satisfied there were no suspicious circumstances – although there might be the possibility of suicide – but Violetta is convinced it was murder, and is quite certain it was the work of his gold-digger wife. The family are extremely wealthy – Rodolfo founded an Opera Academy near Verona, where Dan and Anna (and Oscar – dogs welcome!) have been invited to stay, and there’s also a nearby family business he ran together with two cousins.
When there’s an unexpected death, it makes sense to follow the money – but his widow is already independently wealthy, and his cousins didn’t benefit from his death although might have expected to do so. But there was an unexpected windfall for his agent – and, during Dan’s investigations, an estranged sister is found who will inherit everything should Violetta meet a similar fate. The relationship between Violetta and her son was an interesting one too – although elderly, she was very much his business partner and devoted supporter, refusing to believe the stories about his womanising or that he was capable of putting a foot wrong.
It soon becomes plain his car crash was no accident – and, as always, there are multiple suspects who might have had good reason to want him dead. As ever, Dan meticulously sifts through the evidence, wanting to reach his own conclusions – with the support, for once, of the local police – while Oscar, with a nod here and there or a paw on a lap, assists his deliberations. The Academy’s quite a setting, with opera singers in the making delivering impromptu concerts over sumptuous dinners – but Oscar only wants to join in if it’s a soprano, so he’s not too embarrassing. And he is just a little distracted – there’s a female Labrador in residence, a companion for their walks, and he’s rather keen on her.
As ever, the many suspects move into and out of the frame – although Dan’s fairly soon convinced that Violetta’s wrong about it being his wife. And there’s a particularly interesting concert at the Academy later in the book that finds all the suspects brought together for the occasion – a bit of a gift for a detective wanting to observe their interactions. And no, of course I didn’t unmask the guilty party before Dan and Oscar – but, as always, I had great fun trying.
The many touches of humour in the book are as perfectly judged as ever – Dan’s wry observations, Oscar’s often timely interventions – as well as the most wonderfully drawn characters and the vividly drawn setting, and a central mystery with all the complexity a seasoned crime reader would thoroughly appreciate. Sheer entertainment from beginning to end, so very cleverly constructed, and the most fantastic addition to this enjoyable series that always has me eagerly awaiting Dan and Oscar’s next adventure… I really loved it.