ASSIGNMENT IN TOMORROW is a regular collection of sci-fi short stories, edited by Frederick Pohl and released in 1953; pretty much all of the stories date from the previous year. It's generally a mixed collection with a few stories above average, some below, and most hitting the average mark. To begin with, Theodore Sturgeon's MR. COSTELLO, HERO offers a different kind of outer space villain, far removed from comic book simplicity, and thus works a treat. The next one, Jerome Bixby's ANGELS IN THE JETS is even better, a fantastic little story about an alien planet with air that induces madness in those who breathe it; the treatment is wonderfully written and the ending particularly poignant. THE ADVENTURER, by C.M. Kornbluth, is a slice of political satire with a futuristic totalitarian setting; it will raise few eyebrows when read in the modern Trump era.
SUBTERFUGE is by the legendary Ray Bradbury and sees him trying his hand at a quirky, oddly humorous twist-in-the-tale type story, a la Robert Bloch; it's effective enough. Lester del Rey's HELEN O'LOY is an early robotic story of a human and robot's romance, oddly touching in its own unique way. 5,271,009 sees Alfred Bester tackling the weighty subject of alternate realities, but I found it unreadable due to the obtuse writing style which really put me off. THE BIG TRIP UP YONDER sees Kurt Vonnegut, Jr. in his usual darkly funny territory as an invention banishes death, causing family strife; a big subject explored small scale. James H. Schmitz's WE DON'T WANT ANY TROUBLE is one of those old 'interview with an alien' type stories with a few good twists on the formulaic. Jack Williamson's THE PEDDLER'S NOSE is another unusual one, almost fantasy in its setting, with some nice darkly comic touches, while Algis Budrys' THE FRIGHTENED TREE starts out as an interstellar detective investigating a counterfeit gang and ends up being something entirely different, in a good way.
A MATTER OF FORM is by H.L. Gold and reaches novella length. A mad scientist is doing brain transplants, naturally, leaving one character with his mind inhabiting a dog's body. It sounds ridiculous but is handled rather well, with oodles of suspense. Richard Wilson's BACK TO JULIE is a short one about a president hunting for truth gas, but I found it rather insubstantial. Peter Phillips contributes SHE WHO LAUGHS..., which is a brief haunted house effort with a sci-fi twist, while Fletcher Pratt's OFFICIAL RECORD is another one about invaders of an alien planet finding themselves outwitted by the unusual inhabitants. Of the last two stories, Fredric Brown's HALL OF MIRRORS offers a clever spin on a different kind of time travel and immortality, while Philip Jose Farmer's MOTHER is a bizarre fable about a crash survivor finding himself trapped inside a giant sentient slug. As you do.