I truly can’t recall how I first heard about this case, being a young Millennial and not being alive when the shooting occurred. From what I do remember, I just kind of stumbled on bits on at a time and could never quite put the pieces of the puzzle together. Which was incredibly strange to me, because how, in an American society now characterized by mass shootings (especially relating to schools), can so much of the general public remain blissfully ignorant of this shooting?
I suppose you could answer that question with "well, just two people were killed, and they weren’t children". Nowadays, it’s so commonplace that the amount of coverage in the shooting is directly correlated with the body count - the higher the number, the more it is relentlessly reported on. Even if it may not make headlines in today's insane world, it still seems as though it would be embedded into psyche of those who were alive when it occurred (considering it really set the precedent for random acts of mass violence against innocent schoolchildren - even if none were killed, this was the first known incident of anything like this ever occurring in America).
So, I believe I started to become interested in the case when I heard something about the phrase “I Don’t Like Mondays” being some type of pop-culture reference. I had never heard the song by the Boomtown Rats, so it wasn’t that. I just knew it was a phrase that had something to do with pop culture, but no idea just how its meaning truly was. It took me a long time, even searching through Google, to find much, if any, information.
As Hunt reported in the book, so much of the information was contradictory, as well as misreported. When starting this book, my knowledge was limited to the fact that it was a phrase uttered by a 16-year-old female school shooter, who opened fire on elementary students walking to school in the morning. That was literally all I knew, that she'd opened fire on the kids from a window in her house, and when asked her motive, she'd responded with eerie calmness, "I don't like Mondays. Do you? I thought this would be a fun way to liven things up." As far as the deaths, I had no idea. Not very much info for such a horrific crime that would become prescient of American culture in the next few decades - with Columbine really setting the tone for the frequency and high body count, but Spencer being the first to do this for no apparent reason other than boredom and her own entertainment.
I was really excited to read this book and finally get all of the details I was unable to find on the Internet before. I do appreciate Hunt using the amazing resources and connections to publish a full account of this story (his father was editor-in-chief of the San Diego Tribune at the time the crime occurred - the same newspaper that had first broke the story, as well as the newspaper who'd had the reporter that first established contact – and started a conversation – with Brenda Spencer). However, it was very unnecessarily bogged down into too many details. I wanted information, but the entire police dispatches? That was of no relevance and didn't need to be included in the book.
I'm talking about reading pages upon pages of police dispatches that literally read like this:
Police Dispatch Radio
Dispatcher – “42 z is behind the suspect house. The house behind has been evacuated, and he’s been trying to watch the rear of the house…. 42 z are you still at the rear of the house?”
42Z – “I can have a view of the whole back of the house (inaudible) and I let you know if anything moves but I just can’t keep my head poked over the roof.”
Dispatcher – “42 zee is on Lake Ariana behind the house.”
42Z – “42 zee, also this would be a good spot for a SWAT officer if we could get one over here.”
Dispatcher – “Yeah, 42 zees.”
42Z – “Can someone get a shot back over here until we get a SWAT guy up here?”
Dispatcher – “Can someone get shotgun back to them? They’re behind the house… on Lake Ariana.”
120J – “Shaun, I’m a SWAT officer, and I have a shotgun.”
42Z – “Above patrol unit 479, it’s the house right beside it.”
120J – “Where’s the area on Ariana, directly behind the house that needs a shotgun?”
There's just no good reason for its inclusion. It’s not demonstrating police ineptitude. It’s not furthering the story or reporting on Brenda’s mind state. It’s just talking about safety protocols, ambulances, sniper positions. All important to the story, yes, but could be summed up in a few paragraphs. Then, if people really cared to read that much into the details, the full police dispatch summary could be worked into the book's appendix rather than into chapters as if it was a natural part of the storyline. It just didn't mesh or flow well whatsoever. Also, many things were repeated over and over and it could have been a lot shorter. For instance, we learn over and over again how Brenda was a loner, how she had no female friends, how she liked to brag and exaggerate stories about shoplifting, fighting, taking drugs, shooting guns, etc., etc. A teenage narcissist looking for attention... there's a new one!
I feel it was a bit odd that Hunt befriended Spencer during the writing of the book. Even though it didn't seem to bias the author too much, it is quite hard to ignore the fact that the author is pen pals with the killer, having intimate correspondence with one another over a lengthy period of time. That's going to make it very difficult to maintain neutrality in your reporting, no matter how hard you try. As I said, while perhaps there weren't examples of overt bias, unfortunately, at times, it did seem to creep in (at least in my opinion). It seemed like he really felt she had served her time and should be granted parole.
First, he reports on how the police found no drugs or alcohol in her system, and how the reporter and the police negotiator (both of whom spoke with her long enough to notice) told of how she spoke with “complete calmness. Not irrational, not mad, not hysterical. There was no slurring of her speech. She wasn’t high or drunk.”
The official line on this seems to remain for quite some time after she's apprehended. Until all of a sudden, Spencer realizes - "oh shit! This isn't a petty theft crime. I actually killed people. I was truly being a naïve 16-year-old when I thought I'd just go home soon after, same as when I'd been busted for shoplifting." Then suddenly, her story seems to change. She has "foggy memories." She doesn't recall any of the conversation nor ever claiming to want to shoot children as a way to "liven up the day."
Seemingly, once it dawns on her that the community fears her, and signs a petition to keep a cold-blooded murderer off their streets, she miraculously appears to develop a conscience (apparently she couldn't from the moment of her arrest because she spent a couple weeks coming down from all the drugs or something...LOL, sure). Suddenly she's very sorry for the crimes she committed, the pain she caused, and how she "knows it won't bring the loved ones back that she killed."
I'm not saying that killers NEVER feel sorry for their crimes, but not only does it seem especially unlikely when it's a mass shooting or a serial killer, it becomes even less believable when the killer only professes to this "guilt" once they realize the severity of their crime, how much prison sucks, and take note of how killers who don't show remorse don't get paroled. Yet it took her years to "show remorse" at her parole hearings, which really leaves you in almost complete doubt as to her intentions and lack of a conscience.
The author even uses an entire chapter to entertain the fact that she may have had some extremely rare form of epilepsy. Experts on neurological disorders spoke out against this defense, saying even if she indeed had this rare form of epilepsy, they had a thousand patients undergoing clinical trials who had never been triggered into extreme violence, then claiming to not remember any of it. It wasn't that it wasn't worth mentioning, but given it was no legitimate defense for her actions, there shouldn't have been more than a couple sentences devoted to it at most. An entire chapter was excessive, and rather than telling a story, it seemed to be more of an argument (even if not phrased as such) for why she committed the crime, and subsequently, why she should receive parole.
The excuses just start piling up. Her dad sexually abused her, along with her older brother. Her dad, older brother, and older sister both physically and verbally abused her. She apparently repressed these memories for a decade or more, but once she saw just how much more lenient the parole board was on minors who had committed murder after a lifetime of abuse, she seems to have taken that story and run with it. Never mind the fact that no friends or family ever claimed or suspected that he sexually abused her.
Was him marrying her cellmate, Sheila, a full year younger than her, then having a child with her - totally pedophilic and repulsive? Yes, obviously. Did he seem to not know how the hell to be a single dad to a teenage girl? Absolutely. The guy clearly wasn't winning any father of the year awards. But she not only visited regularly with her father after she was initially apprehended, she continued to even AFTER the allegations of sexual abuse were made against him, somehow being able to "work things out with one another." Okay... surely if that were true, that would not be advised by any sane psychologist.
As I previously mentioned, it seems as though after what happened between her father and her cellmate, as well as viewing how other girls who'd committed heinous crimes as well were freed after exposing their sexual abuse – Spencer may have just found that this could be a very convenient time to mention her own "sufferings."
Apparently, he “apologized”, but he never made any direct statement of acknowledgement of sexual abuse. Also, when asked by a British news channel (that was taping a documentary on the shooting) if he’d ever sexually abused her, he had empathetically denied it, and seemed horrified by the accusations.
It's just... "interesting" that she never mentioned this immediately following her arrest. It was the same situation as with the “remorse” she supposedly felt over her crimes – neither of these two claims were mentioned until she'd been denied parole several times by that point, and she had to try a different tack in the parole eligibility hearings later on if she ever expected to gain her freedom back.
If the claims really were true, I’d feel absolutely terrible. I just don’t see any evidence that supports them. Zero. None. Nada. Again, the timing is just too terribly convenient when looking for sympathy from the parole board in order to grant her an early release.
Oh, two more crazy explanations. One was that she just “blacked out” and didn’t remember the shooting whatsoever. None of it. I don’t know for sure, but I don’t think she was high during this version of events (I think it had more to do with her shockingly rare supposed epilepsy). Then another explanation was that she was “so high out of her mind on PCP and so wasted from alcohol that she didn’t remember doing any of it until she finally came down from the drug.”
There's a lot more I could say about this, but I've already gone on long enough. There's simply too many holes in her story. And if she truly was "blackout drunk" during the events, why would the reporter and negotiator say otherwise? And I don't care how fast her metabolism is, if she downs three-quarters of a bottle of Southern Comfort and is apprehended and drug tested within a couple hours, there is going to me SOME alcohol that shows up in her system.
I believe the reality of it all was simple, and her first motive offered was her true motive: she was bored. She saw this as a game. She has no remorse or sympathy for the children she injured and traumatized that day, nor does she feel any guilt over the two adults she killed and the families they left behind, either.
I’m happy I know all of the details now, but it was a terrifically boring story. Classic girl-needs-attention, wants to appear to be a badass, wants to “make the news” (as she tells her friend), has no qualms about shooting innocent kids to achieve this goal. Then, as I mentioned, when she realized she wasn’t just going to get a slap on the wrist for all this, she suddenly pivots and cries sexual abuse, heavy drug use, epilepsy, regret!
This story was reprehensible but nevertheless, these stories do need to be told. It just didn’t need to be as detailed as it was. Heavily detailed books are only good when the person or the circumstances are interesting. There was nothing interesting or remarkable about Brenda Spencer.