Finalist for the Governor General's Award for Drama. Monster , a one-man play, begins in the total darkness of a movie theatre. After a long silence, someone in the audience rudely shushes his neighbour, and the show begins. Daniel MacIvor transforms himself into a series of characters whose lives seem eerily related. There's the young boy who tells the story of the neighbour lad who hacked up his father in the basement. There are alcoholic Al and whiny Janine, the lovers who quarrel, make up, and decide to marry after seeing a movie about a lad who?well, same thing. There's the ex-drunk who dreamed up the movie, but got no credit because he was said to have stolen the idea from a famous unfinished film, a claim that so angered him that he went back on the sauce. And there's the movie maker who made that incomplete epic.
Daniel MacIvor was born in Cape Breton, Nova Scotia in 1962. He is a stalwart of the Canadian theatre scene, having written and directed numerous award-winning productions including See Bob Run, Wild Abandon, 2-2-Tango, This Is A Play, The Soldier Dreams, You Are Here, How It Works, A Beautiful View, Communion, Bingo! and his work has been translated into French, Portuguese, Spanish, Czech, German and Japanese. From 1987 to 2007 with Sherrie Johnson he ran da da kamera, a respected international touring company which brought his work to Australia, the UK and extensively throughout the US and Canada. With long time collaborator Daniel Brooks, he created the solo performances House, Here Lies Henry, Monster, Cul-de-sac and This is What Happens Next.
Daniel won a GLAAD Award and a Village Voice Obie Award in 2002 for his play In On It, which was presented at PS 122 in New York. His play Marion Bridge received its off-Broadway premiere in New York in October of 2005. In 2006, Daniel received the Governor General’s Literary Award for Drama for his collection of plays I Still Love You. In 2007, his play His Greatness won the Jessie Richardson Award for Best New Play in Vancouver. In 2008, he was awarded the prestigious Siminovitch prize in Theatre.
Also a filmmaker, Daniel has written and directed the feature films Past Perfect, Wilby Wonderful and the short films Permission and Until I Hear From You, and he is the writer of the feature films Trigger, Marion Bridge and co-writer (with Amnon Buchbinder) of Whole New Thing.
Currently, Daniel divides his time between Toronto and Avondale, Nova Scotia and he is playwright in residence at Tarragon Theatre in Toronto.
Okay, I am conflicted about this play. There is one particularly great monologue in this, and some interesting ideas for sure, but the transitions between characters by "adam" seems forced and contrived (it is meant to be performed by one actor). The structure is also lacking and some characters and stories are much more interesting than others and the time is frequently spent on the wrong ones.