4.5 stars! Like other readers, I only found out about this book because I'm a huge fan of Lucy Parker, Pierson's other alias. Artistic License is an early effort though it definitely has glimmers of Parker's wit and strong characterizations in her more recent books.
I really like the theme of life as an introvert in this story, almost more than any other aspect. It's such an unusual topic in romance writing, and as an introvert I completely relate to the heroine's reserve and strong need for lots of solitary time in her life. Sophy is an artist who finds creativity in solitude. She's not a hermit and she's not really that shy but she is a true introvert in that she requires lots of time away from people. She uses that time to reflect, to create, and to observe others. Her strong observation skills, in fact, propel some of the story's initial plot forward because at the very start of the novel, Sophy is sketching in a museum, happily observing others around her, and more specifically the fascinating face of a security guard on duty, when all hell breaks lose. A stranger with a grenade suddenly appears on the scene and chaos ensues. Sophy is mildly injured after being knocked to the ground by the security guard, but thanks to her keen observational skills, she is able to identify the bomber's accomplice. (I will add quickly that this scene felt a little jarring and out of place overall in a book that is relatively quiet, in the best sense of the word.) Sophy had been operating under the illusion that she was sketching inconspicuously, but that was not the case, as the security guard had been quietly observing her while she was sketching him. Using Sophy's accident as an excuse to see her again, he visits her in the hospital and with her abandoned sketchbook in hand.
Though Sophy is mortified that Mick viewed her sketches before returning her art, it does provide her with an opportunity to reveal to him that she finds him a wonderful object to portray. Mick's skepticism leads to one of the other major themes of the book, which is his apparent unattractiveness. I could not ever visual him well but I think part of that speaks more to how he is represented through Sophy's eyes. She sees character and strength and integrity when she looks at him, and so we never really learn the color of his hair or eyes or any specific facial features. Alternatively, there are some conventionally beautiful people in this book, such as Mick's best buddy, but Sophy finds them uninteresting to look at because all of their features are blandly symmetrical. Beauty really is in the eye of the beholder in this novel, and it's a wonderful message that plays out in numerous small and wonderful scenes. I love that Mick gets Sophy too and understands her reluctance to share too much of her life with him even while craving a life together. They work it out and it's very believable, just as is Sophy's attraction to a man mocked for his looks. I also appreciate that they talk to each other and work through the obstacles that could have separated them. For instance, Mick has been mocked all his life for his looks, but one lovely conversation in which Sophy tells him that she loves looking at him convinces him to set aside his anxieties with her.
There were a couple of small things that stopped this book just short of a complete five-star read for me. The suspense elements never really worked well, as I was always keen to get back to Sophy and Mick's courtship. Also, the book is a little on the short side and I wouldn't have minded a little more time with these two wonderful characters. Plus, it's set in New Zealand, which I loved as a setting.