The Rhythms of English Poetry

by Derek Attridge

Examines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry.

Genres: Poetry, Literary Criticism

410 pages, Paperback

First published January 1, 1982

About the author

Derek Attridge is a South African-born British literary scholar celebrated for his influential contributions to English literature, particularly in literary theory, poetic form, modernist fiction, and South African writing. He is especially noted for his work on James Joyce and J.M. Coetzee, and for his landmark study The Singularity of Literature, which won the European Society for the Study of English Book Award and has been translated into multiple languages. Across his career, Attridge has explored the ethical, rhythmic, and linguistic dimensions of literature, always emphasizing the transformative potential of reading.
He has authored or edited over thirty books and published scores of essays in journals and collections. His major works include The Rhythms of English Poetry, which challenged traditional approaches to poetic meter; Joyce Effects and How to Read Joyce, key texts for modernist studies; and J.M. Coetzee and the Ethics of Reading, which has become a foundational text in Coetzee scholarship. His book The Experience of Poetry traces the reception of poetry from Homer to Shakespeare, while Forms of Modernist Fiction offers an ambitious study of the modernist novel, earning recognition as a Choice Outstanding Academic Title.
Attridge has held numerous prestigious fellowships, including those from the Guggenheim Foundation, the Leverhulme Trust, and research centers in the US, Europe, and South Africa. He has also held visiting professorships in universities across four continents. He is Emeritus Professor of English and Related Literature at the University of York and a Fellow of the British Academy.
His editorial work includes influential volumes such as The Cambridge Companion to James Joyce, Acts of Literature (featuring essays by Jacques Derrida), and The Cambridge History of South African Literature. His writing is known for its clarity, depth, and ability to bridge close reading with philosophical inquiry, establishing him as a key figure in the fields of poetics, modernism, and literary ethics.

Reviews

[Swell Versed · Rating 4 out of 5]

This book is a pre-cursor to the more detailed coverage of this subject in Derek Attridge's later book, Poetic Rhythm. Compared to this later book, I found this book to be a slightly easier read, as it was less dense in terms of content and I was able to focus on just absorbing the examples of how this beat-based scansion can be applied to different kinds of poetic lines (rhyming, metrical, free verse, etc).