Beksiński 2

by Zdzisław Beksiński, J. Auleytner (Editor)

Volume 2 comprises of Beksinski's 1970's drawings, and paintings from all of his creative periods. In addition, a computer-generated collages are also presented, which prove inside on how important to Beksinski was the use of a computer as an artistic tool, with all its possibilities. The introductions by a distinguished tenor Wieslaw Ochman, the artist's friend, and by Wieslaw Banach, the director of the Sanok History Museum in South-Eastern Poland. This volume is completed by archive photographs by Zdzislaw Beksinski from a private collections, none of them which haven't been published until now.

Genres: Art

143 pages, Hardcover

First published January 1, 2016

About the author

Beksinski was a renowned Polish painter, photographer, and sculptor who is best known as a fantasy artist. He executed his paintings and drawings either in what he called a 'Baroque' or a 'Gothic' manner. The first style is dominated by representation, with the best-known examples coming from his 'fantastic realism' period when he painted disturbing images of a surrealistic, nightmarish environment. The second style is more abstract, being dominated by form, and is typified by his later paintings. He was murdered in 2005.

Reviews

[Amelia Ūkas · Rating 5 out of 5]

Labai patiko! Įkvėpiantys darbai.

[Booka · Rating 3 out of 5]

Drugi z czterech tomów albumów ukazujacych twórczość Zdzisława Beksińskiego.

Tutaj we wstępie postać Beksińskiego przedstawia Wiesław Ochman, opowiadając o tym jaki jest jego charakter i nastawienie do własnego malarstwa. Dodatkowo tekst zdobią zdjęcia pochodzące z prywatnego archiwum artysty. Wprowadzenie do albumu napisał Wiesław Banach, krótko omawiając twórczość Beksińskiego.

Zbiór zawiera interesujące rysunki pochodzące z lat 70-tych oraz przepiękne dzieła malarskie, skąd - podobnie jak w przypadku pierwszego tomu - "wyłuskałam" kilka ulubionych, m.in.: AC75 (1975 rok, str. 52); AE75 (1975 rok, str. 55) i AE78 (1978 rok, str. 63).

Do gustu mniej przypadły mi jedynie grafiki komputerowe zamieszczone pod koniec albumu.

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