This novel is a journey! Mostly stylized as a memoir, this felt like a dark, deep character study more than anything else. What happens when all the systems that are supposed to be in place to support and protect youth not only fail them but actively harm them? The Satanic panic in the 1980s was very real, and it did ruin many lives and traumatize countless others. Without being sensationalist, this story looks at how traumatic events like that are more than just a headline for those who live with them. It is painful, sometimes graphic, and feels authentic and honest. Some reviews highlight this as a thriller, which I suppose isn’t wrong, but it feels more like footage from a car accident in slow motion. The interior perspective clues us in right away that things aren’t great, and probably won’t get better.
I don’t know if I’m doing this story justice, here. I really, really enjoyed the writing style. The dialogue all felt genuine, the prose direct and to the point, and compelling. Since finishing it I have been contemplating what was gained and lost from the memoir-style of writing, and I do think I would have enjoyed it more without that edifice, if we didn’t have the occasional jumps into the future, but I’m not sure. It feels like the structure, which isn’t particularly novel, is doing some of the heavy lifting, and there might be more interesting character growth to witness if this style wasn’t used. But having said that, I think the conventions of the format were well-employed. It was really hard to put down and the chapters all ended with just the right amount of tension that I really had to just keep going but never felt like I was being manipulated. It is weird to talk about world-building, since this is set in the real world, among real life events, but it is still appropriate, I think, because the author has done a great job of situating this story in placer and time. The semi-rural New England setting, the relationships with sibling, parents, and classmates, all the little bits and pieces, they really are great. They help this story feel real, and that makes the stakes, the danger, feel that much more immediate.
Ultimately, the central character and her story is tragic, regardless of any personal growth or catharsis that may or may not come by the end. Although a very specific story rooted in a very specific cultural event, this type of trauma and violence is still felt by queer youth today, and that touchstone with contemporary reality really made me invested in the characters. I found the primary character really engaging, the story stirred all sorts of emotions from frustration and rage to fear, concern, and overwhelming empathy, and the writing strong and perfectly matched with the subject matter and story. Some parts in the beginning were a little drawn out for me, and I am still on the fence about how this story might have hit without the memoir-style format to fall back on, but those are minor quibbles. I really enjoyed this book—I tore through it, and it not provoked genuine emotion but also forced me to investigate my own ideas of morality and justice. I haven’t read the author’s other work, but as far as an adult-fiction debut goes this is amazing, and it makes me excited to see what else she will do.
I want to thank the author, the publisher Harper Perennial, and NetGalley, who provided a complimentary eARC for review. I am leaving this review voluntarily.