Visionary creator Peach Momoko's reimagination of mutantkind in the Ultimate Universe enters its second year!
Chaos erupts as former Children of the Atom rise up against the society that used and abused them just as tension between Armor and Maystorm comes to a head in an explosive confrontation! And when the Shadow King returns — more powerful than ever — will Armor be the first to fall? Witness how Hisako’s journey through her inner darkness wreaks havoc on her fellow mutants — and reality itself!
It’s a huge bummer that such scrumptious art and designs are dedicated to telling such a blah story. I thought the first volume was setting up for a really focused story about recovering from ostracism and survivors guilt, but volume 2 and on has felt really uneven and scattershot. Still makes me wanna draw tho, and anything that does that is still mostly good in my book. Besides, it’s not like the story is offensive or anything, just not very effective.
Momoko finally sticks the landing here with amazing artwork, a balance of her robust cast, a good smattering of X-character riffs, and a multi-tiered narrative. This feels like her first really complete volume, as we come up to the end of the series (as PM intended).
I feel like I’m reading a bit grumpy right now, so what might normally be a rounded up 2.5 is feeling like it dropped down this time. This volume in particular never really gets anywhere — it had a few small action beats but otherwise spins a lot of wheels to just have all the characters be together again? But not all of them? But most of them? And then looking ahead, issue #19 is actually the one that feels like an “ending” to the current Children of the Atom storyline, so that being left off here just feels like a poor decision for the purposes of storytelling. It’s also been too many issues now with Maester and Akihiro and Kageyama and NO sense of progression or end goals or reveals beyond “Shadow King wants Armor.” The isolation of this story from the rest of the Ultimate line has gone from feeling like a thoughtful choice to ultimately creating a detached, underserved story. I’m all about the isolation and loneliness factor, but the ball needs to pick up momentum at some point.
Love the art in this series so much! Peach Momoko’s art is incredible!
Story can be a little confusing, but I partially wonder if it’s just with so many characters it would be easier to read when all the books are out! Definitely a stronger series for the Ultimate line, and worth reading for the jaw dropping art alone.
2.5 Sad to see that me reading this immediately after finishing volume 2 didn’t help since there’s a time skip.
I’m happy we have a clear objective now, but the volume still read very choppy to me, and I don’t understand what the ending with Hisako is supposed to signify.
I don't have it in me for a long review, but this was excellent. I still can't understand how people can not like Momoko's art, it's amazing. The final confrontation in the hospital room was epic, this definitely reads like a slow build horror manga. I'm wondering if Mori is this teams Wolverine with her advanced regeneration.
I really enjoy this run- top notch character work and wonderful artwork. This new group of mutants obviously has some parallels to the main X cast but they all feel uniquely their own. For children they feel real- prone to fear or anger and not the kind of default HERO so many comics rely on. This is not to say they’re not heroic but you can just feel their moments of doubt and dread when approaching some nightmarish monster like The Maester.
Read this book! I have hopes it’ll be published in a nice hardcover that will look great on my shelf. Having just read a book on the Aum cult, which infamously released sarin gas on the Tokyo subway, I can see some similarities with the apocalyptic visions both cults share.
"Y'all are poking your noses around in the Children of the Atom? A word of advice... don't. They're not as harmless as you think." - someone resembling Rogue to Nico and Mori.
Honestly, I'm not even sure what was happening, for the most part as I don't remember much from the last volume. The girls were searching for Hisako who appears to have been captured, and corrupted, by the Children of the Atom. Somewhere toward the end, the whole story took a hard left turn at Wierdsville and slid right off the map. The Maester is still a creepy cartoon-dracula who just gets creepier. Anyway, looking forward to a conclusion that I can understand. This wasn't bad. I just think some culturally specific plot devices were utterly lost on me. Still good. Three stars.
Not bad, and a good continuation of what came before, but I think this was the first time it felt like this was more of Peach's ideas than an X-Men book. Ultimate X-Men's always been a bit unconventional, especially compared to the other books of the Ultimate line, but it's always felt very X-Men-y to me until now.
This problem gets rectified in the final few issues of the volume, but I think losing Hisako as the POV character proved that the other characters can't really hold the spotlight themselves and work better as an ensemble around her.
I think this might be it for me. I liked the weirdness at first, but it's just gotten too weird and doesn't seem to have any connection to the rest of the Marvel Universe, Ultimate or otherwise. Plus, this time the art is often quite slapdash and messy--pressure on Momoko to keep to a schedule? The story just doesn't really make much sense and too many of the characters are difficult to keep separate--they all blur together after awhile. I also didn't like that the Lexicon sections basically became an excuse for Peach to list her favorite foods (for instance) or other non-pressing stuff.
I really wanted to enjoy this more than I did, but this volume (like several other reviewers have said) was a real mess. The art is still absolutely fantastic – those manga-inspired, dreamy panels are gorgeous.
But there's just too much going on: plot developments that happen between panels, way too many characters to keep track of (especially with all the Japanese names I struggle to remember), and pacing that never slows down enough.
Hopefully the next volume will dial it back a bit and focus more on character building, because I really want to love this series.
I like this series a lot. There isn't anything else like it Marvel has ever published and it even stands out on its own in the Ultimate reboot. I like that Peach Momoko is introducing readers into a culture they may not be familiar with and even has explainers at the end of each issue for cultural references the reader may have tripped up on in each issue. What would also help is a line up page with the character names and powers. I love that this series exists but I just need a little help keeping the characters straight.
I honestly don't know why I'm still reading this. It's terrible. There's way too many characters and when they wear full face masks you can't keep track of who's who. The story meanders. It doesn't feel like it's set on the same world as the other Ultimate titles at all. Even the art isn't very good here which is what Momoko is known for. It's often sloppy and I couldn't even tell what was happening at times.
A reminder to share your love of those around you! You never know how much it could mean to them.
Another creative stunner here that has new characters coming in, moments of empathy and laughter among epic inevstigations and fights, and never forgetting the heart of the story!
Im excited for a lot of the development for the Runaways characters, the older characters, and Tatsu!
Im in love with the expressions drawn for Kanon!
Feels like a lot happened to propel towards a finale here!
J’adore l’ambiance assez unique qui ressort de ce comics, à la croisée des chemins entre les Marvel classiques et le génial Naoki Urasawa. Mais n’est pas Urasawa qui veut. Ici, dur de suivre l’histoire qui croûle sous le nombre de personnages. Cependant, il y a un vrai univers visuel (même si imparfait) et une vraie volonté de faire différemment et d’avoir des personnages sensibles. A suivre
Still difficult to tell our heroes apart, and the art really suffers in the end of the volume. Finally there is some movement to integrate this to the rest of the Ultimate Universe, but I feel like there is too much distance to still navigate.
The story in issue 13 was not good but the artwork is amazing. Absolutely loved the cover of issue 16. Read as individual comics on Marvel Unlimited, ratings below:
What even is going on in this book? There are so many characters to keep track of that all do very little in the story that it becomes confusing and hard to follow.
Big fan of the weird art, will have to look up writer/illustrator other work. Also the very slow gradual building of a very strange version of the team.