As coming from a diehard pro-second amendment hunting family (the stereotypical one that "clings to guns and religion") I am reading this to better understand the perspective of the pro gun control position. For better memory retention, I'm summarizing the chapters as I read:
Chapter one: Introduction. In brief, the author tells the condensed version of the crime, against a backdrop of the social forces of our American gun culture and the disenfranchisement of urban black youth. Next he points out how the dissemination of guns to consumers is largely untraced and untraceable under the current status quo. He lays out in brief the deeply polarizing nature of the gun control debate. As we know, this has only escalated since this book was written.
Chapter two: In this chapter the author reflects on the gun culture in the US and how this came to be. Initially, he explores his own biases in relation to the debate over guns; in an effort to be objective, he acquires a federal firearm dealer's license, attends gun shows, and takes a beginner course in self-defense shooting. The bulk of the middle portion of this chapter is devoted to statistics; ones on firearms related deaths, both intentional and accidental, statistics on guns and children, them as victims of mostly accidental shootings, them as the shooter, as well as statistics on access to firearms they or their parents own. He further writes of the arming of the nation in the 1960's due to the tumultuous, fearful nature of the times. The arms manufactures exploited this fear to sell more of their product. This marketing strategy has proved effective and has only continued since. Having saturated the male market, the newest demographic they target is women. This dovetailed nicely with feminism and the concepts of equality, liberation, and independence for women who no longer need to or even can depend on men for protection. Why do we place so much trust in guns to solve our problems? Erik answer his own question by exploring the place of the wild West in our national psyche. The West as most Americans perceive it to have been is largely the product of Hollywood, fiction writers, and Bill Cody. Did guns really tame the West? That version of history sells: books, movies, and entertainment in general. The glorification of gun violence as an tool in the struggle of good against evil continues to this day. A closing question, "In some measure our gun culture owes it's origins to the needs of an agrarian society and to the dangers and terrors of the frontier, but for us the central question must be why it has survived into an age in which only about 5 percent of the population makes it's living from farming and from which the frontier has long since gone"?
Chapter four: Erik is a storyteller. This very short chapter just build suspense; in it Nicholas taking his recently acquired weapon to school for the purpose of scaring Billy Cutter, his antagonist.
Chapter five: This chapter is about the gun: a Cobray M-11/9 and it's predecessor, the MAC 10. He shared the history of the weapon, specifically how it has been used, both in crime and in entertainment since it's development. It was originally a submachine gun designed for military use. Later, it was modified to make it semi automatic and legal for consumer purchase. It achieved widespread publicity in a 1974 movie starring John Wayne. This particular weapon was manufactured by numerous companies before finally being bought by S.W Daniel Inc. By this point it had lost it's semi automatic status due to the ease of modifying the mechanism to make it fully automatic. S.W Daniel then introduced the current M-11/9 version, which was harder to convert to auto. Erik then probes the history of S.W Daniel and their unethical and at times illegal business practices, particularly in regards to the sale on manufacture and silencers. Erik closes the chapter with his experienced with actually firing the gun at a shooting range.
Chapter six: Back to Nicholas again, he gives a blow by blow account of the events of the day of the shooting. The scene is in a modular unit apart from the main building. Two of Nicholas' teachers were in the room at the time. When they see him holding the weapon, their initial reaction is disbelief-that it's a toy or replica. His French teacher, Sam Marino confronts him and repeatedly asks Nicholas to hand it over. Nicholas refuses and keeps backing up until he's in a corner. With nowhere else to go, he aims his weapon...
Chapter seven: In this chapter the author reverses chronologically and tells the story of how a sixteen year old came to possess the firearm and ammunition. Nicholas has his second cousin go with him to the gun store and William ultimately purchases it for him. By inventing a story about a planned trip to a gun range, Nicholas gets his mother to buy ammo for him.
Chapter eight: This chapter is dedicated to discussing the particular dealer where Nicholas bought his weapon, Guns Unlimited. The author interviews the owner of the establishment who ran it with his father. Erik Larson goes into the business side of operating a gunshop, and the particular way of doing it in that part of Virginia. At that time Virginia had rather lax guns laws, at least compared to other states, so much so that interstate 95 became known as the Iron Road because of the arms trafficking to cities in the north. Erik then gives numerous stories of the criminal acquisition of weapons, both from Guns Unlimited and from other area gun shops. Guns Unlimited actually had a good working relationship with the ATF but numerous failures to keep guns out of the hands of criminals seem to be indicative of systemic problems in the way guns were sold and transfered, not criminal behavior on the part of the gun shops.
Chapter nine: The scene is switched back to the modular building behind the main school. I won't spoil the story for anyone. This chapter is indicative of Larson's talent; that of interleaving suspenseful, action packed chapters with ones of in-depth macro analysis.
Chapter ten: This chapter traces the turbulous history of the ATF. First, the author applies for and receives his federal firearms license, describing that experience in detail. The ATF was created in 1791 as an enforcer of the tax on distilled spirits. In 1862, Congress created the Office of Internal Revenue and the ATF became an arm of the Treasury Department. The ATF's influence in American life really increased exponentially in 1919, with the passage of the Prohibition Act. Their primary role was not only pursing bootleggers but but also combating the gangsters in major cities like New York and Chicago. Because of the gangsters use of automatic weapons like the "tommy gun" machine guns became illegal for most Americans in 1934 and enforcement of that restriction fell to the ATF. With technological advances in firearms, Congress saw the sense in keeping military style weapons out of the hands of the general public. In 1938, they required the licensing of gun dealers; in the tumultuous 60's they passed the Gun Control Act increased record keeping requirements, banning the sale of guns to felons, and banning mail order firearms to individuals. Erik next talks about the power struggle between the NRA and the ATF which climaxed with the election of Reagan, who promised to shut down the ATF. The administration had to backpedal and the ATF survived, albeit in a more impotent form. There was a shift away from firearms regulation enforcement to narcotics enforcement. The remainder of the chapter is about ATF-dealer relations; the investigation of crooked dealers, the traces of firearms used in crimes to their respective sources. In summary, the ATF was mostly reactive instead of proactive in these type of investigations.
Chapter eleven: Back to the scene where Nicholas is pointing the gun as his nemesis, Billy Cutter. By sheer coincidence, or an act of God, the particular magazine clip that he is using is dysfunctional and jams. Hutch Matteson, the teacher of the classroom tackles Nicholas, thus ending his reign of terror.
Chapter twelve: In this chapter, the author further probes the modern gun culture in America. This seems irrevocably intertwined with homicide, or rather the homicide fantasy. Perhaps it would be more accurate to say that firearms and gun paraphernalia acquisition feed the fantasies of those that already have violent, psychopathic, tendencies rather than the other way around. However, those with a financial stake in the game, arms manufactures, distributors, and dealers, will continue to push their product by whatever means is most efficacious. He also spends a good portion of the chapter talking about how magazines and mail order organizations feed the fantasies of their clientels. One of these, Paladin Press is especially egregious in the content of the publications it offers. Books on how to build flamethrowers, land mines, how to construct booby traps, how to kill and torture are just a sampling. The author is NOT stereotypes gun owners as having anarchist or sadistic tendencies. However, there is a substantial subculture that thrives on this kind of subject material, particularly young men. Additionally, the entertainment industry has figured out that gratuitous violence drives viewership, and not just among young men. They deliver the genre that America wants. It seems there is in human nature, a fundamental love of violence that nearly all men have. Most are content with the fantasy world of violence that Hollywood creates; a few actually act out their fantasies in the real world with tragic results.
Chapter thirteen: This chapter is about the shooting's aftermath. The details emerged through eyewitness accounts and detective interviews with Nicholas. The state of Virginia quickly charged Nicholas and brought him to trial. He pleaded guilty and received a life sentence. The husband of one of the victims brought a negligence lawsuit against Guns Unlimited, the gun shop that sold the weapon. The plaintiff actually won, although the jury awarded him a smaller settlement than expected.
Chapter fourteen: This chapter is different than all the other ones, in it the author lays aside his previous level of objectivity and presents a much more personal view of the gun and violence problem in America and what to do about it. Nearly everyone with a sense of morality and a conscience will agree that the ubiquity of violence in America is alarming and destructive to any society. What will doubtless be most polarizing for most readers is the author's particular views on how to solve the problem. Erik lays out a hypothetical five point bill that would "fix" America's gun problems by restricting distribution, exerting a greater control of purchasing, and regulating the design of firearms. As he said himself, it don't have a slightest chance of every being implemented as law. In the afterword, he waxes optimistic, citing the Clinton administration's 1994 ban on nineteen assault weapons and the activation of the Brady law.
Hindsight is 20/20, and we know that the assault weapons ban has since expired and violence in America has gotten worse, not better. I personally don't see anything substantial changing anytime soon. While I don't agree with all the author's positions, the book as a whole does give me pause. None of us are immune to propaganda and marketing; this is true in matters of state, in the entertainment and fashion industries, the food industry, and really nearly every commodity that can be marketed to the general public. If a manufacturer has a product that appeals to man's basest urges-pride, lust, and murder-then marketing the product become so much easier. The real root problem undergirding violence in America has been both the entertainment industry and organizations like the NRA peddling violence as the answer to our problems. Greater gun control would reduce the scale and scope of shootings to be sure, but violence will always find an outlet. Our government may be deeply flawed, but the real problem is our culture.