What is hardcore? It means many things to many people, and they're all correct. It's best described as a feeling, an attitude, a way of life. Hardcore began as an apocalyptic vision of the 'phuture' that has since come to pass, and a do it yourself rave movement that never stopped or backed down. Hardcore is revolutionary and underground - and a mass marketed phenomenon that refuses to die, because hardcore will never die. Its symbols have been tattooed onto millions of bodies, and its relics passed down through generations. This book tracks those outsider youth who banded together en masse, as a crew, to party in protest, on ecstasy, in rage and escape, as a nighttime community, more family than family, who need this hard, loud, fast/slow, aggressive, noisy (occasionally silly) kickdrum and breakbeat music to connect with people, to survive the world, and get through the week. Either you're in, or you're out. And if you're in, you're in all the way, diehard and dancing to the death. Dance or Die!
Dance or Die promises to be "the first critical study on hardcore," but unfortunately, it falls short of this claim. The book is a collection of disjointed stories that lack focus and coherence. Each chapter meanders without clear statements or conclusions, making it difficult to grasp any substantial insights.
Contrary to the blurb's assertion, this work is neither critical nor a proper study. It fails to provide a meaningful context or explain the zeitgeist of the 90s, which is essential for understanding the hardcore scene. The book does not connect the dots between significant events and figures, leaving readers with a superficial understanding of the subject.
Moreover, the book does a disservice to the real heroes of the hardcore movement. Important facts are buried beneath anecdotes about second-line artists and minor happenings, overshadowing the contributions of key figures. This lack of depth and focus makes the book feel more like random blabbering than a serious study.
In summary, Dance or Die is a disappointing read that does not live up to its promises. It is too superficial and scattered to be considered a critical study, and it fails to do justice to the hardcore scene and its true pioneers.
As a hardcore lover I sometimes felt a bit confused by which styles were discussed in this book, what was super refreshing was to read about different places. Would have loved a bit more of a moment in which racism within hardcore would be explored. It had moments where there was a lot of summing up, I prefered the moments describing atmospheres and moments more then the sum up of names and moments.