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Otherworlds: Mediterranean Lessons On Escaping History
What can survive the end of the world?
In Otherworlds, philosopher Federico Campagna constructs extraordinary stories and alternative histories of the Mediterranean, nexus of migrations and odysseys, ruins and romances, to depict a world in which the imagination is the only engine of survival.
Chapter by chapter, Campagna chronicles the existential challenges posed by history and the inventive and radical responses of people facing the ruin of their world. From the earliest myths with which the inhabitants of the kingdoms around the Mediterranean constructed a shared social reality, the stories of the Mediterranean are dominated by cataclysm and collapse in which fugitive fragments become the building blocks of resilience and renewal. Alexander the Great's cataclysmic conquests seed a cycle of existential romances; pagan philosophers fleeing the fall of Rome give rise to new visions of reality; translators across the Islamic world, Iberia and Italy use stories to bridge the gap between cultures at war and pirates, slaves, renegades and publishers expand the imaginative horizons of human possibility through modernity and beyond.
In Campagna's lyrical, novel and expansive work – part history, part philosophy, part love letter to a heritage of seasonal migration and searches for belonging – the challenges of disintegration and destruction are time and again met with the creation of new and radical realities. As rich and various as the philosophy, myths, literature and art of the Mediterranean itself, Otherworlds traces the tales of these attempts to reinvent the world – and reveals how, at the most dramatic and decisive junctures of Mediterranean history, it was the ability to set sail for these other worlds which prevailed
In Otherworlds, philosopher Federico Campagna constructs extraordinary stories and alternative histories of the Mediterranean, nexus of migrations and odysseys, ruins and romances, to depict a world in which the imagination is the only engine of survival.
Chapter by chapter, Campagna chronicles the existential challenges posed by history and the inventive and radical responses of people facing the ruin of their world. From the earliest myths with which the inhabitants of the kingdoms around the Mediterranean constructed a shared social reality, the stories of the Mediterranean are dominated by cataclysm and collapse in which fugitive fragments become the building blocks of resilience and renewal. Alexander the Great's cataclysmic conquests seed a cycle of existential romances; pagan philosophers fleeing the fall of Rome give rise to new visions of reality; translators across the Islamic world, Iberia and Italy use stories to bridge the gap between cultures at war and pirates, slaves, renegades and publishers expand the imaginative horizons of human possibility through modernity and beyond.
In Campagna's lyrical, novel and expansive work – part history, part philosophy, part love letter to a heritage of seasonal migration and searches for belonging – the challenges of disintegration and destruction are time and again met with the creation of new and radical realities. As rich and various as the philosophy, myths, literature and art of the Mediterranean itself, Otherworlds traces the tales of these attempts to reinvent the world – and reveals how, at the most dramatic and decisive junctures of Mediterranean history, it was the ability to set sail for these other worlds which prevailed
288 pages, Paperback
Published January 1, 2025
9 people are currently reading
124 people want to read
About the author
Federico Campagna
16 books179 followersFederico Campagna is an Italian philosopher based in London.
He is the author of 'Otherworlds: Mediterranean lessons on escaping history' (Bloomsbury, 2025), 'Prophetic Culture: recreation for adolescents' (Bloomsbury, 2021), and 'Technic and Magic: the reconstruction of reality' (Bloosmbury, 2018), ‘The Last Night: antiwork, atheism, adventure’, (Zero Books, 2013).
He is lecturer in World-building at The Architectural Association (London), Associate Fellow at the Warburg Institute (London), and lecturer in Intellectual History at ECAL (Lausanne).
He works as director of rights at the UK/US radical publisher Verso Books, as editorial consultant for philosophy and anthropology at the Italian publisher Einaudi, and is a co-founder and senior editor at the Italian philosophy publisher Timeo.
He is the author of 'Otherworlds: Mediterranean lessons on escaping history' (Bloomsbury, 2025), 'Prophetic Culture: recreation for adolescents' (Bloomsbury, 2021), and 'Technic and Magic: the reconstruction of reality' (Bloosmbury, 2018), ‘The Last Night: antiwork, atheism, adventure’, (Zero Books, 2013).
He is lecturer in World-building at The Architectural Association (London), Associate Fellow at the Warburg Institute (London), and lecturer in Intellectual History at ECAL (Lausanne).
He works as director of rights at the UK/US radical publisher Verso Books, as editorial consultant for philosophy and anthropology at the Italian publisher Einaudi, and is a co-founder and senior editor at the Italian philosophy publisher Timeo.
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November 23, 2025
Once I slipped into the rhythms of Campagna's mytho-poetic, philosophical, narrative-histories, the book started to work on me in a magical way, opening me up to new ways of being and seeing, and leaving me spinning with wonder. At one point it led to a mini-psychological crisis as I felt beliefs/ideas that I had been indoctrinated into as a youth (and that I had believed were long disabused) were effectively splintered, leading to a very troubled night. They don't ever truly disappear, but through this book, they are now fully in play with many other narratives, and I feel stronger for it. Perhaps my strongest gratitude is for the introduction near the end to the story of the amazing Adelphi press... I have to do a deep dive into their catalog. I'm not sure how others will react to this book, but I feel grateful for Lepht Hand podcast's interview with the author which led to my acquiring the book.
Displaying 1 of 1 review