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The Open Fields of England
The Open Fields of England describes the open-field system of agriculture that operated in Medieval England before the establishment of present-day farms surrounded by hedges or walls. The volume encompasses a wide range of primary data not previously assembled, to which are added the results of new research based upon a fifty-year study of open-field remains and their related documents. The whole of England is examined, describing eight different kinds of
field-system that have been identified, and relating them to their associated land-use and settlement. Details of field structure are explained, such as the demesne, the lord's land, and the tenants' holdings, as well as tenurial arrangements and farming methods.
Previous explanations of open-field origins and possible antecedents to medieval fields are discussed. Various types of archaeological and historical evidence relating to Saxon-period settlements and fields are presented, followed by the development of a new theory to explain the lay-out and planned nature of many field systems found in the central belt of England.
Of particular interest is the Gazetteer, which is organized by historic counties. Each county has a summary of its fields, including tabulated data and sources for future research, touching on the demesne, yardland size, work-service, assarts, and physical remains of ridge and furrow. The Gazetteer acts as a national hand-list of field systems, opening the subject up to further research and essential to scholars of medieval agriculture.
field-system that have been identified, and relating them to their associated land-use and settlement. Details of field structure are explained, such as the demesne, the lord's land, and the tenants' holdings, as well as tenurial arrangements and farming methods.
Previous explanations of open-field origins and possible antecedents to medieval fields are discussed. Various types of archaeological and historical evidence relating to Saxon-period settlements and fields are presented, followed by the development of a new theory to explain the lay-out and planned nature of many field systems found in the central belt of England.
Of particular interest is the Gazetteer, which is organized by historic counties. Each county has a summary of its fields, including tabulated data and sources for future research, touching on the demesne, yardland size, work-service, assarts, and physical remains of ridge and furrow. The Gazetteer acts as a national hand-list of field systems, opening the subject up to further research and essential to scholars of medieval agriculture.
400 pages, Kindle Edition
First published January 1, 2014
6 people want to read
About the author
David Hall
405 books8 followersAn awkward interview
'So here's your opportunity to promote yourself. Go sell yourself to the readers.'
'Umm...I'm not good at that chest pumping stuff. I'm British.'
'Okay. Well, you don't have to 'chest pump', just tell us a little about yourself. Who is David Hall?'
'He's British.'
'Yesss, you've mentioned that. Anything else?'
'Such as?'
'Well, like where do you live?'
'In Britain.'
'Hmm, you're not really helping the reader to get a sense of you as an author. Tell us about the types of stories that you like to write.'
'Oh that's easy. Anything. well, almost anything. Nothing gory, I don't have the stomach for it'
'Right. But you must have a preference for a genre.'
'Oh you mean like ticky boxes... I see... then in that case, I like to write romantic-comedy-suspense stories. Short stories. Yes, definitely romantic-comedy-suspense short stories.'
'Okay, now we're getting somewhere. So that latest book of yours...err...what's it called again?'
'Love Line.'
'Love Line. Of course. Why should readers buy Love Line? What are they missing out on?'
'They are missing out on a romantic-comedy-suspense story. Sorry, short story.'
'Right. But isn't it a bit odd a man writing in the romantic genre?'
'No stranger than you asking that question in 2015.'
'Alrighty then, is that the time? We really need to wrap this up. Anything else you want to say to your readers?'
'Yes. Love Line will make you laugh, probably reach for a glass of wine, and give you goose-bumps with a delightful twist. I am not responsible for you spilling your wine at that time. Thank you.'
'There, that wasn't too bad.'
'Hmmm.'
'So here's your opportunity to promote yourself. Go sell yourself to the readers.'
'Umm...I'm not good at that chest pumping stuff. I'm British.'
'Okay. Well, you don't have to 'chest pump', just tell us a little about yourself. Who is David Hall?'
'He's British.'
'Yesss, you've mentioned that. Anything else?'
'Such as?'
'Well, like where do you live?'
'In Britain.'
'Hmm, you're not really helping the reader to get a sense of you as an author. Tell us about the types of stories that you like to write.'
'Oh that's easy. Anything. well, almost anything. Nothing gory, I don't have the stomach for it'
'Right. But you must have a preference for a genre.'
'Oh you mean like ticky boxes... I see... then in that case, I like to write romantic-comedy-suspense stories. Short stories. Yes, definitely romantic-comedy-suspense short stories.'
'Okay, now we're getting somewhere. So that latest book of yours...err...what's it called again?'
'Love Line.'
'Love Line. Of course. Why should readers buy Love Line? What are they missing out on?'
'They are missing out on a romantic-comedy-suspense story. Sorry, short story.'
'Right. But isn't it a bit odd a man writing in the romantic genre?'
'No stranger than you asking that question in 2015.'
'Alrighty then, is that the time? We really need to wrap this up. Anything else you want to say to your readers?'
'Yes. Love Line will make you laugh, probably reach for a glass of wine, and give you goose-bumps with a delightful twist. I am not responsible for you spilling your wine at that time. Thank you.'
'There, that wasn't too bad.'
'Hmmm.'
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