Rosalie is poor and orphaned, and has been invited to a three week house party by a mysterious dowager duchess who was friends with her mother (so she says). The house party is to audition ladies to marry the duke, but that's not why she's there. She's there to be mutually attracted to the duke's brother James (uptight, does all the duke work on the estate for wastrel brother), Jame's bestie Burke, the illegitimate roué who was reared in the house as a sort of son (no blood relation), and their other bestie Tom, a navy man who needs a wife to earn his next rank promotion. Well, in theory she's there for Many Secret Dowager Duchess Reasons, but in practice it's for clocking mutual hotness with these three different and complementary men. "'A lady can never have too many beautiful things.' [...] She realized she wasn't only talking about flowers." Yes, subtle. We get it.
Suffocatingly dull, the action takes place over the course of a house party for the vast most part, there's no setting change. No plot apart from three men are attracted to the same woman, she's attracted to them too. Some teensy side plots and mysteries that are quickly cleared up and don't have any narrative weight. One character faces a major life choice, and one friend thinks he should do A, one thinks he should do B, either choice works. Where are the stakes? Where is the tension? Even by the time an outside force decides to meddle and stir things up, it feels like both manufactured drama and out of the blue.
Everything we can say sometimes when we criticize romance popped its head in here. Wallpaper Romance: This was firmly England Times. One of our heroes is in the navy but no specific battles to anchor (yep, intended) us in time. It's Regency but only because the author has labeled it such, nothing in the way the characters act or anything they do backs that up. Who cares, not the author. Not Like Other Girls: We hear from everyone from the Dowager Duchess on down to the lowest servant how Rosalie is more beautiful, more engaging, more sincere than any other lady at the house party, and that every man present is entranced. "Miss Harrow was...odd. No, that wasn't the right word. Curious? Unique. Special. He smiled. Yes, that word would do nicely." Telling v. Showing: Rath asserts there is a connection between Rosalie and each of the men, but the reader doesn't feel it. Rosalie might have "caught a glimpse of the Mr. Burke behind the mask - kind and gentle, longing to belong." but the characters certainly don't act on it or show any kind of character arc about it.
Speaking of connection between the men, this is marketed as a "why choose" but no one makes any choices at all until 72% in, and with the exception of one incident, everything else is one-on-one and mostly kisses only. The three men are never involved at the same time, there's one scene of 2:1 but they stay well short of home plate. Rosalie insists she'll never marry because her father was a terrible husband, and that the men come to her only on her terms or no commitment, just fun. And then she gets super upset when other women are anywhere around them.
This book felt like a long story being told by a toddler. "And then this happened, and then this happened, and then we thought this because of this." and so on. There is no earthly reason this book should have been 472 pages (according to my kindle). And there is TRULY no reason for this to NOT end on an HEA, but instead end on a cliff hanger and be coupled with book two at 580 pages (or whatever, I'm close). I can't believe this isn't mentioned in the author's note or promotional blurbs. If this were 340 pages, I might think ok, new to me author, she's trying something new with historicals with the why choose, good to read one. But asking us to read over a thousand pages? No thanks, book one was enough. (A more kind book friend called the author a "maximalist" which is a nice way to put it). 1.5 stars and I highly recommend not reading it.