Many thanks to NetGalley and Harper Audio for an advance copy of this audiobook.
Heist stories are invariably intriguing. When they set up revenge plot by the defrauded against the frauds themselves, it’s hard not to cheer on those carrying out the crime. It seems a case of natural justice over laws that always favour the unjust, as long as they’re rich. In this case, it’s hard to argue that the plotted revenge is undeserved.
The authors, who are new to me, announce their love of ‘big stories’ in their afterword. That is clear from the start. The avengers are two smart, capable, and undeniably wily women from different backgrounds. Alice Archer was born into a wealthy family that occupied the middle rungs of New York’s Gilded Age high society. Coraline (Cora) O’Malley came from a poor Kansas farm family whose increasing debt to the banks, at increasingly high interest rates, quickly swallowed her Irish father’s every asset as well as his will to live. Both young women, barely a decade apart in age, were left orphaned and obliged to fend for themselves from childhood. Although in very different ways, both became adept liars and con artists.
Their paths crossed when Cora accidentally learned of a high stakes swindle that Alice was planning, and managed to extort her way into a share. From their different vantage points, they could easily agree that the wealthy, greedy, ostentatious New York elite deserved the pay-back initially planned by Alice. Once Cora became involved, they quickly refined an already complex and sophisticated plan—so much so that I had difficulty staying with its swerves and curves. It didn’t matter to my enjoyment of the story, however, because the writing is first-rate and the characters, both good and evil, major and minor, are very well drawn. Likewise, as a historical fiction fan, I was impressed with the way they drew the Gilded Age setting. The extravagant dinners, theme parties and balls—including a really offensive ‘Servants’ Ball’ in which they wore expensive clothes and make-up designed to make them look poor, dirty and bedraggled—are drawn directly from the mid 1880s high society pages. Familiar names, like Vanderbilt, McAllister and Astor crop up. Caroline Astor is here, and, as she was in real life, she is the doyenne of all that was New York ‘society’ and therefore all that was not. What they do with her part in the story, as well as Ward McAllister’s, is brilliant.
The tiny European kingdom of Wurrtemberg that the swindlers purport to represent, its royal family, and its conflict with the rising German nation, are also historical. It’s incredible that the Duchess (Alice) and her niece (Cora) get away with an entirely made up version of German, but it is very funny.
My only complaint concerns the long time it takes to get all the many pieces in order, but that probably reflects the ‘long game’ nature of heists. Still, the developments aren’t taking place in real time: in novel time, they take about four months, but it feels much longer. When all systems are go, the story picks up speed enough to give it a rushed feel and abrupt climax. I loved the ending, though it’s a bit more fairy-tale than swindle story. The narrator, Megan Trout, does an excellent job with male and female voices and a variety of European and American regional accents.