Pip Fioretti burst onto the Australian crime fiction scene with her historical rural crime fiction debut Bone Lands. That book was set in 1911 in the sheep station region of far west New South Wales. It centred around Gus Hawkins, a serviceman returned from the Boer War with injuries and PTSD who is the only policeman in the tiny town of Calpa when three children of a local landowner are found dead. What set this book apart was Fioretti’s detailed rendering of the time and place – remote Australia in the time between Federation and the First World War – and its exploration of the mercantile truths that sit behind some of our firmly held myths. While it did not seem likely, Hawkins is back in a sequel, set in a different part of the state – Skull River.
Skull River opens with what can only be considered a terrible day for Hawkins. After deciding to stay with the police, Hawkins has been given a promotion and has ridden out to the town of Colley, 8 hours from the regional centre of Bathurst, where he is to oversee a number of small rural stations. But on his first day his partner is killed in an ambush and the police station is burnt down, killing a prisoner being kept inside. His PTSD well and truly triggered and fearing for his life, Hawkins calls for assistance. Once again, Hawkins has to push against the authorities to drive the investigation which is being manipulated by other agendas.
Bone Lands did not take long to firmly establish Hawkins as a fascinating character and left him with some additional issues, including a love interest locked up in an asylum. With all of that set up done, Skull River, set the not long after those events, cuts right to the chase. Hawkins appears fully formed and once again is a strong centre for this story. Intuitive, resourceful and handy with a gun (and his fists) but also damaged (both physically and mentally) by his time in the army. Hawkins does not suffer fools and has a strong sense of justice and so is perfect for what is essentially an Australian Western.
As with the previous book, Fioretti is careful to explore modern issues in a historic setting. Hawkins has some more liberal views but not to the extent that he feels like a man out of his time. It is more that his experiences have taught him to live and let live.
Skull River is a great follow up to what was a strong debut. A visceral crime novel set in a tough time that once again delivers a great sense of time and place. And with the future looking a little different for Gus Hawkins, it will be interesting to see where Fioretti seems to be taking him next.