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Reverence
Two ballerinas. Two fates. One stage.
It's the carefree '80s and Juliette Lucian-Sorel has it all. She's the greatest dancer to ever grace the floorboards of Palais Garnier, she's royalty to her adoring fans, and Paris is at her feet. Or so it seems . . .
Katarina Vyatka is defecting from behind the Iron Curtain, desperate to save herself and her career. Or so she claims . . .
What happens when the Princess of Paris rescues the brightest star in the history of Bolshoi? Will the Paris ballet stage be big enough for both of them? Sparks fly and rivals become lovers as they set their lives ablaze in a torrent of secrets, intrigue, and grands jetés!
Contains mature themes.
It's the carefree '80s and Juliette Lucian-Sorel has it all. She's the greatest dancer to ever grace the floorboards of Palais Garnier, she's royalty to her adoring fans, and Paris is at her feet. Or so it seems . . .
Katarina Vyatka is defecting from behind the Iron Curtain, desperate to save herself and her career. Or so she claims . . .
What happens when the Princess of Paris rescues the brightest star in the history of Bolshoi? Will the Paris ballet stage be big enough for both of them? Sparks fly and rivals become lovers as they set their lives ablaze in a torrent of secrets, intrigue, and grands jetés!
Contains mature themes.
Audible Audio
Published April 15, 2025
393 people are currently reading
5320 people want to read
About the author
Milena McKay
20 books1,528 followersMilena McKay is a Lambda Literary and Golden Crown Literary Society award-winning sapphic fiction author.
She is a cat whisperer who wears four-inch heels for work while secretly dreaming of her extensive Converse collection. Would live on blueberries and lattes if she could.
Milena can recite certain episodes of The West Wing by heart and quote “Pride and Prejudice” in her sleep. Her love for Cate Blanchett's Carol Aird knows no bounds.
www.milenamckay.com
She is a cat whisperer who wears four-inch heels for work while secretly dreaming of her extensive Converse collection. Would live on blueberries and lattes if she could.
Milena can recite certain episodes of The West Wing by heart and quote “Pride and Prejudice” in her sleep. Her love for Cate Blanchett's Carol Aird knows no bounds.
www.milenamckay.com
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Displaying 1 - 30 of 368 reviews
December 31, 2025
Sapphic ballerinas set in Paris in the 80s!!!! The Princess of Paris rescues the brightest star in the history of Bolshoi. Emotions and politics fuel this deeply dramatic story.
October 19, 2024
So, I want to start by saying, I’ve now read everything Milena McKay has published thus far and I am irrevocably a fan of hers. Minus A Whisper of Solace (where I’m certainly in the minority lol), I have loved her books- most notably These Thin Lines and The Headmistress. And while I adore her writing, something was missing for me this time.
3 Stars
“Drama is inherent to our world, amor.”
This story follows Juliette Lucian-Sorel as she navigates the cutthroat world of a ballerina at the top of her game. This was rife with intrigue, dramatics, and through it all a blossoming romance with the one woman who could rival her talent, Katarina Vyatka.
I think Juliette was an okay MC. I didn’t love her, but I didn’t hate her either and I think that’s partially why this faltered for me. Following her single POV throughout, I struggled to care. It felt hard to connect to her because while we’re told everyone loves her as the golden girl - the princess of Paris - I just didn’t feel it. I felt like we were told to believe this sentiment without really seeing it.
On the other hand, I did really like Katarina. She was intriguing, complicated, a force to be reckoned with and a total ice queen. Whew. I’m a big fan of the ice queen trope, so of course Katarina was great. I can admit, the mystery behind her character wouldn’t have been attained from having her POV, but I can’t help but wish we had gotten it anyway.
The progression of the romance didn’t work for me. There were small scenes to build up the tension between the two, but once they got together it just ended. Fast forward and they’re just comfortably in a relationship and we get to see none of it. While the romance was important to the story, it definitely took a backseat to the ballet plot. So, when shit hits the fan, and it does, I just didn’t feel the intense need to root for them like I wish I had.
This has miscommunication in spades- if that’s a trope you don’t like, I don’t think this would be for you. Juliette spends almost the entire book making assumptions and pushing things under the rug without tackling them. I could’ve screamed at how many times she could’ve spoken up and gotten the answers she needed, but instead she stayed silent and the story went on. And she wasn’t the only one to keep secrets where communication could’ve solved the problems in seconds.
Then the third act breakup hits. Yes, it’s there. And the lengthiest part of the miscommunication ensues. Surprisingly, this is where I realized the story really went downhill for me. The similarities to These Thin Lines seemed almost formulaic- I loved that book with a burning passion so seeing a very similar arc progression here made things predictable and it sort of saddened me.
Overall, I cannot stress how much I love Milena McKay and her writing- this one just didn’t hit the mark for me, but I’m sure it would for so many others. The care and research she put in for many of the topics covered in this story was obvious. I did really enjoy and feel immersed in the world of ballet that she created. So I would recommend giving this one a go or either of the others I referenced above. I will always recommend her books.
Also, the cover on this? It’s superbly beautiful and a perfect fit.
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌It’s release day so why not add another book to my CR 🤫 I’m so excited for this!!
Sapphic rival ballerinas you say? Written by Milena McKay? Absolutely.
October 12, 2024
What is it with this author? Yes I wait for her books like an addict but this one, surpassed anything I’ve ever read by her or by anyone else!
She’s always been brilliant with her characters but this time every single character was just phenomenal and played a role in the story. Nothing was rushed, everything was entertaining yet believable, I’ve learnt so much about ballet and felt like I was in paris with them :)
This was much more than a romance, it was so deep and tackled so many topics, but even the romance itself was out of this world! It was Magical, Artistic and heart breaking at the same time! Oh and did I mention her writing style ? Guess I did when I said Magical :)
I haven’t been writing reviews lately so I hope I’m portraying what I felt reading this book not what this book is about!
Like I mentioned before to Jude in the Stars my only issue with this author is the fact that she dosent write fast enough cuz I need more books from Milena for sure 😂
She’s always been brilliant with her characters but this time every single character was just phenomenal and played a role in the story. Nothing was rushed, everything was entertaining yet believable, I’ve learnt so much about ballet and felt like I was in paris with them :)
This was much more than a romance, it was so deep and tackled so many topics, but even the romance itself was out of this world! It was Magical, Artistic and heart breaking at the same time! Oh and did I mention her writing style ? Guess I did when I said Magical :)
I haven’t been writing reviews lately so I hope I’m portraying what I felt reading this book not what this book is about!
Like I mentioned before to Jude in the Stars my only issue with this author is the fact that she dosent write fast enough cuz I need more books from Milena for sure 😂
June 5, 2025
Edit: June 5th, 2025, audiobook review
As happens often when I review an audiobook after reading the book, I believed I wouldn’t have much to add. And as often, I was wrong. I figured I’d shared all my thoughts on Reverence when it first came out. How much I love Katarina, who has joined Neve Blackthorne at the top of my Favourite Ice Queens chart; the tenderness I have for Juliette; how delighted I was to get to read some of Helena Moore’s backstory; how mad I was—still am— that Mila was right to write a certain heartbreaking scene; Jenifer Prince‘s gorgeous cover; how Reverence made me care for ballet. I mean, this book is the only reason I’m considering watching the Étoile TV series. And of course, Milena McKay‘s beautiful writing, the angst, the drama, the unconditional love.
I really thought that was all I had to say, especially since, as I explained recently in a video, I’ve been struggling with focus for over a year now. But then, as I reread my original review, I was surprised to see that I didn’t even mention Paris as not just a setting. It could be because that review was already way too long. It could also be that I forgot. Who knows. Anyway, if you’ve read any of McKay’s books, you know she takes research seriously. And you probably also know that she loves Paris. As it turns out, her BFF—yours truly—is French, and we’ve spent many days strolling through the City of Lights, both for fun and for said research. We walked the path that takes Juliette and Katrina from the apartment on Rue de Rivoli to Place de l’Opéra and Palais Garnier. We had lunch in the Jardin des Tuileries. We had hot chocolate several times at Angelina, one of my favourite places in the entire universe, full of childhood memories, since enriched with visits as an adult, with my own child of course, and now with Mila too. I may have a complicated relationship with Paris, the city where I was born, where I grew up, where I worked for the longest time, where I met the love of my life, where we raised our child, where we got married, and which I couldn’t wait to leave a few years ago, but it is still and will always be “my” city, the most beautiful city in the world. And so, to see this city appreciated like this, to find this love shared in a book, a book by someone I love, is a truly special experience.
As always, listening to Abby Craden bring these characters to life was a joy. She excels with older women, especially aloof, reserved ones. I’m perpetually in awe of her ability to make each of McKay’s Ice Queens sound different. Katarina’s voice isn’t DeVor’s voice, which isn’t Magdalene’s or Neve’s or Sabine’s. In Reverence, Abby Craden’s Katarina and Juliette are perfection, and I loved them especially together, where the contrast works best, the voices weaving together yet distinguishable from each other at all times.
I also enjoyed Francesca’s voice very much. I have no idea whether the accent is accurate, all I know is that it works. Another favourite is Helena. I don’t think I’m the only one who has been hoping for more Dr Moore since A Whisper of Solace. The brilliant mind who, while at times unsettled by Neve, never gave up on her, never was fooled by her evasion tactics. To be honest, I still want more. I do hope that she, someday, finds love too.
I mentioned Paris above. Milena McKay has this maddening tendency (I say this with love) to set stories in France, and I know I’ve been harsh sometimes in previous reviews about accents, especially about French accents. My own in English is far from perfect, and I don’t expect narrators to master every intonation and pronunciation in languages that aren’t theirs. I really don’t mind American characters saying French words with their own inflexions, unless the author describes them as speaking impeccable French with no accent. It’s more delicate with French characters but they’re rarely MCs, and I care more about understanding them than about the accuracy of their speech pattern. And that the main issue, for me, a failed attempt at an accent makes it more difficult for me to understand what is being said. My advice, as a listener: when in doubt, keep it light. That said, since so much of Reverence takes place in Paris, and since the city itself plays such a big part, Mila asked me to record the French words and names so she could send them to Abby. It makes a big difference, the narration is a lot more fluid, especially for street names and such. And it makes it even easier for me to recommend this audiobook with a lot of enthusiasm.
Video review: https://www.instagram.com/p/DKKK5GkxyoX/
------------------------------------------------
Silence can hold tremendous power. Katarina Vyatka knows how to wield it like others wield swords. Like negative space, the void of it carves precise but seemingly unattainable shapes.
For the longest time, unattainable is exactly how Katarina feels to Juliette Lucian-Sorel, despite the latter being the Princess of Paris, the Prima Assoluta of the Paris Opera Ballet. Milena McKay is the author who made me love Ice Queens and Katarina is now sharing the title of Jude’s favourite Ice Queen with the one and only Neve Blackthorne. Like Neve, Katarina is such a complicated and mysterious character, Juliette, undeniably great in her own right, never stood a chance.
When the book opens, Juliette is twenty-five and she hasn’t come up against many hurdles yet. It’s the mid-1980s and she’s at the top, worshipped and respected. Despite her former girlfriend—someone I was extremely curious to get to know as a person—having gone back to the United States, Juliette is surrounded with love, from her best friend and colleague Gabriel, from Francesca, the director of Paris Opera Ballet who sometimes shares her bed, from the ballet lovers of the French capital, the President of the French Republic among them. The tumultuous times the company is going through have spared Juliette so far. Katarina, a decade or so older, is a completely different story. Born and raised in the Soviet Union, she’s seen the worst of humanity. And while she landed on her pointe shoes, it wasn’t unscathed.
Reverence is firmly rooted in the McK-Universe, so besides getting introduced to Katarina and Juliette, or other new characters such as Gabriel and Francesca, the reader crosses paths with some we’ve encountered before, some in passing, others more closely.
Some books grab you by the throat from the first sentence. Reverence is one of them. A few words are enough to set the tone, and in true McKay fashion, they announce beautiful drama: “Her first ever glimpse of Katarina Vyatka was one of cold eyes and bloody satin ribbons.” None of Milena McKay’s novels is “just a romance”. Not that there’s anything wrong with romances that are just that, but that’s not what her books are. They all contain an element or more of societal issues, whether it’s the patriarchy, homophobia, greed—be it for money or power… This one explores all these topics through the prism of the Cold War. As she explains in one of the two afterwords (if you think you’ve run out of tears by the end the story, one or the other will prove you wrong), the ordeals Katarina went through were for a large part inspired by the author’s grandmother’s life.
When Milena McKay started talking about her idea for “a ballet book”, I was like “yay, go for it, it’s exciting!” but to be honest, any idea that may lead to a McKay book is exciting. Ballet, to me, was just a setting before I read Reverence. Now I wish I could see Juliette and Katarina on stage. McKay writes ballet the way she writes everything, with exact, perfectly chosen words that pull the reader into the scene, on stage, in the wings, in the classrooms hidden in the bowels of Palais Garnier.
There are the words she chooses, and those she elects to skip, even though they’re technically needed, favouring the rhythm of the narration, a sense of what needs to be there and what does not. As I said, there’s power in silence, and negative space is an underrated art form in writing.
I could rave for hours about McKay’s unique style, but it’s only one reason Reverence (her first historical romance!) claimed my heart. With each release, the author delivers a new feast of angst and feelings, of—sometimes self-inflicted—torment, of betrayals and deceptions. I adore Juliette and Katarina and I could be mad at her for making me fall in love with her ballerinas just so she could then torture them—and her readers—but nothing she writes is gratuitous. Everything enriches the story. Everything contributes to the characters’ growth. The suffering and the joy alike.
In this book as in previous ones, McKay laces painful situations with hope and a sense of humour that brings relief when it’s most needed. Get ready to suffer, though. Have handkerchiefs on hand. Reverence broke me—several times. Yet in the end what stays with me is how strong and beautiful and resilient these women are.
Even though I was part of the alpha and beta teams, I was still swept away when I read Reverence a fourth time for this review and I’m looking forward to a fifth when the audiobook comes out.
Also, to my utmost delight, one of my favourite artists designed the cover and inside art. I love Jenifer Prince‘s world and her style fits this story and its characters superbly.
Video review: https://www.instagram.com/reel/DA3cPs...
I received a copy from the author and I am voluntarily leaving a review.
Read all my reviews on my website (and please get your books from the affiliation links!): Jude in the Stars
As happens often when I review an audiobook after reading the book, I believed I wouldn’t have much to add. And as often, I was wrong. I figured I’d shared all my thoughts on Reverence when it first came out. How much I love Katarina, who has joined Neve Blackthorne at the top of my Favourite Ice Queens chart; the tenderness I have for Juliette; how delighted I was to get to read some of Helena Moore’s backstory; how mad I was—still am— that Mila was right to write a certain heartbreaking scene; Jenifer Prince‘s gorgeous cover; how Reverence made me care for ballet. I mean, this book is the only reason I’m considering watching the Étoile TV series. And of course, Milena McKay‘s beautiful writing, the angst, the drama, the unconditional love.
I really thought that was all I had to say, especially since, as I explained recently in a video, I’ve been struggling with focus for over a year now. But then, as I reread my original review, I was surprised to see that I didn’t even mention Paris as not just a setting. It could be because that review was already way too long. It could also be that I forgot. Who knows. Anyway, if you’ve read any of McKay’s books, you know she takes research seriously. And you probably also know that she loves Paris. As it turns out, her BFF—yours truly—is French, and we’ve spent many days strolling through the City of Lights, both for fun and for said research. We walked the path that takes Juliette and Katrina from the apartment on Rue de Rivoli to Place de l’Opéra and Palais Garnier. We had lunch in the Jardin des Tuileries. We had hot chocolate several times at Angelina, one of my favourite places in the entire universe, full of childhood memories, since enriched with visits as an adult, with my own child of course, and now with Mila too. I may have a complicated relationship with Paris, the city where I was born, where I grew up, where I worked for the longest time, where I met the love of my life, where we raised our child, where we got married, and which I couldn’t wait to leave a few years ago, but it is still and will always be “my” city, the most beautiful city in the world. And so, to see this city appreciated like this, to find this love shared in a book, a book by someone I love, is a truly special experience.
As always, listening to Abby Craden bring these characters to life was a joy. She excels with older women, especially aloof, reserved ones. I’m perpetually in awe of her ability to make each of McKay’s Ice Queens sound different. Katarina’s voice isn’t DeVor’s voice, which isn’t Magdalene’s or Neve’s or Sabine’s. In Reverence, Abby Craden’s Katarina and Juliette are perfection, and I loved them especially together, where the contrast works best, the voices weaving together yet distinguishable from each other at all times.
I also enjoyed Francesca’s voice very much. I have no idea whether the accent is accurate, all I know is that it works. Another favourite is Helena. I don’t think I’m the only one who has been hoping for more Dr Moore since A Whisper of Solace. The brilliant mind who, while at times unsettled by Neve, never gave up on her, never was fooled by her evasion tactics. To be honest, I still want more. I do hope that she, someday, finds love too.
I mentioned Paris above. Milena McKay has this maddening tendency (I say this with love) to set stories in France, and I know I’ve been harsh sometimes in previous reviews about accents, especially about French accents. My own in English is far from perfect, and I don’t expect narrators to master every intonation and pronunciation in languages that aren’t theirs. I really don’t mind American characters saying French words with their own inflexions, unless the author describes them as speaking impeccable French with no accent. It’s more delicate with French characters but they’re rarely MCs, and I care more about understanding them than about the accuracy of their speech pattern. And that the main issue, for me, a failed attempt at an accent makes it more difficult for me to understand what is being said. My advice, as a listener: when in doubt, keep it light. That said, since so much of Reverence takes place in Paris, and since the city itself plays such a big part, Mila asked me to record the French words and names so she could send them to Abby. It makes a big difference, the narration is a lot more fluid, especially for street names and such. And it makes it even easier for me to recommend this audiobook with a lot of enthusiasm.
Video review: https://www.instagram.com/p/DKKK5GkxyoX/
------------------------------------------------
Silence can hold tremendous power. Katarina Vyatka knows how to wield it like others wield swords. Like negative space, the void of it carves precise but seemingly unattainable shapes.
For the longest time, unattainable is exactly how Katarina feels to Juliette Lucian-Sorel, despite the latter being the Princess of Paris, the Prima Assoluta of the Paris Opera Ballet. Milena McKay is the author who made me love Ice Queens and Katarina is now sharing the title of Jude’s favourite Ice Queen with the one and only Neve Blackthorne. Like Neve, Katarina is such a complicated and mysterious character, Juliette, undeniably great in her own right, never stood a chance.
When the book opens, Juliette is twenty-five and she hasn’t come up against many hurdles yet. It’s the mid-1980s and she’s at the top, worshipped and respected. Despite her former girlfriend—someone I was extremely curious to get to know as a person—having gone back to the United States, Juliette is surrounded with love, from her best friend and colleague Gabriel, from Francesca, the director of Paris Opera Ballet who sometimes shares her bed, from the ballet lovers of the French capital, the President of the French Republic among them. The tumultuous times the company is going through have spared Juliette so far. Katarina, a decade or so older, is a completely different story. Born and raised in the Soviet Union, she’s seen the worst of humanity. And while she landed on her pointe shoes, it wasn’t unscathed.
Reverence is firmly rooted in the McK-Universe, so besides getting introduced to Katarina and Juliette, or other new characters such as Gabriel and Francesca, the reader crosses paths with some we’ve encountered before, some in passing, others more closely.
Some books grab you by the throat from the first sentence. Reverence is one of them. A few words are enough to set the tone, and in true McKay fashion, they announce beautiful drama: “Her first ever glimpse of Katarina Vyatka was one of cold eyes and bloody satin ribbons.” None of Milena McKay’s novels is “just a romance”. Not that there’s anything wrong with romances that are just that, but that’s not what her books are. They all contain an element or more of societal issues, whether it’s the patriarchy, homophobia, greed—be it for money or power… This one explores all these topics through the prism of the Cold War. As she explains in one of the two afterwords (if you think you’ve run out of tears by the end the story, one or the other will prove you wrong), the ordeals Katarina went through were for a large part inspired by the author’s grandmother’s life.
When Milena McKay started talking about her idea for “a ballet book”, I was like “yay, go for it, it’s exciting!” but to be honest, any idea that may lead to a McKay book is exciting. Ballet, to me, was just a setting before I read Reverence. Now I wish I could see Juliette and Katarina on stage. McKay writes ballet the way she writes everything, with exact, perfectly chosen words that pull the reader into the scene, on stage, in the wings, in the classrooms hidden in the bowels of Palais Garnier.
There are the words she chooses, and those she elects to skip, even though they’re technically needed, favouring the rhythm of the narration, a sense of what needs to be there and what does not. As I said, there’s power in silence, and negative space is an underrated art form in writing.
I could rave for hours about McKay’s unique style, but it’s only one reason Reverence (her first historical romance!) claimed my heart. With each release, the author delivers a new feast of angst and feelings, of—sometimes self-inflicted—torment, of betrayals and deceptions. I adore Juliette and Katarina and I could be mad at her for making me fall in love with her ballerinas just so she could then torture them—and her readers—but nothing she writes is gratuitous. Everything enriches the story. Everything contributes to the characters’ growth. The suffering and the joy alike.
In this book as in previous ones, McKay laces painful situations with hope and a sense of humour that brings relief when it’s most needed. Get ready to suffer, though. Have handkerchiefs on hand. Reverence broke me—several times. Yet in the end what stays with me is how strong and beautiful and resilient these women are.
Even though I was part of the alpha and beta teams, I was still swept away when I read Reverence a fourth time for this review and I’m looking forward to a fifth when the audiobook comes out.
Also, to my utmost delight, one of my favourite artists designed the cover and inside art. I love Jenifer Prince‘s world and her style fits this story and its characters superbly.
Video review: https://www.instagram.com/reel/DA3cPs...
I received a copy from the author and I am voluntarily leaving a review.
Read all my reviews on my website (and please get your books from the affiliation links!): Jude in the Stars
October 13, 2024
5 ⭐️
“Her first ever glimpse of Katarina Vyatka was one of cold eyes and bloody satin ribbons.”
Wow, what an introduction to the latest book by Milena McKay, which is another amazing and gripping story by this author.
The story is not just about ballet, it feels like the most beautiful ballet performance ever danced. I felt like I was sitting in the auditorium of the Paris Opera and I let myself be enchanted and carried away by the story. I cheered, suffered, cried, laughed, and rejoiced with Juliette and Katarina - and fell in love with them.
This story has it all: friendship, competition, success, sabotage, laughter, tears, attraction, loss, pain and love. It is told in Milena's incomparable, outstanding, and powerful style, full of emotion, beauty, and intensity. A kaleidoscope of emotions awaits you.
When Juliette Lucian-Sorel, the ballet princess of Paris, met Katarina Vyatka, the Empress of Moscow, it was with a bang. And she knew immediately that “this woman would leave bruises”. But she had no idea how right she was.
Katarina shrouded in an aura of mystery, is the fascinating, complex, sometimes cold and emotionless, but incredibly good and exceptional dancer from Russia who shows that silence can be powerful, until under Juliette's scrutinizing gaze she shows more emotion than she would like. Their relationship is complicated, emotional, and a wild rollercoaster ride.
The characters are multi-faceted, with many rough edges, who make mistakes and sometimes react too emotionally, which in turn makes them very human. They have grown up in two completely different worlds and yet they have more in common than just ballet.
All the supporting characters, mainly Gabriel, Francesca, and Helena, are very complex personalities and add a lot to the depth of this fascinating story from the world of ballet.
This book is a must-read even if you are not a ballet fan, I wasn't until a few days ago and now I really want to see their performance of Swan Lake. I admire Milena's unique way with words, which captivates me every time.
“She was certain that whichever divinity had created this woman, they must’ve had a really good day all those thirty-something years ago. In fact, when they were done putting the final touches on that ethereal face, said divinity must’ve wanted to show off, imprinting the decisively unfair dimples on those chiseled features.”
Milena, you are an amazing writer. Each time, you take me on a new journey into a new world and never let me go until the end. Thank you.
ARC provided by the author in exchange for an honest review
“Her first ever glimpse of Katarina Vyatka was one of cold eyes and bloody satin ribbons.”
Wow, what an introduction to the latest book by Milena McKay, which is another amazing and gripping story by this author.
The story is not just about ballet, it feels like the most beautiful ballet performance ever danced. I felt like I was sitting in the auditorium of the Paris Opera and I let myself be enchanted and carried away by the story. I cheered, suffered, cried, laughed, and rejoiced with Juliette and Katarina - and fell in love with them.
This story has it all: friendship, competition, success, sabotage, laughter, tears, attraction, loss, pain and love. It is told in Milena's incomparable, outstanding, and powerful style, full of emotion, beauty, and intensity. A kaleidoscope of emotions awaits you.
When Juliette Lucian-Sorel, the ballet princess of Paris, met Katarina Vyatka, the Empress of Moscow, it was with a bang. And she knew immediately that “this woman would leave bruises”. But she had no idea how right she was.
Katarina shrouded in an aura of mystery, is the fascinating, complex, sometimes cold and emotionless, but incredibly good and exceptional dancer from Russia who shows that silence can be powerful, until under Juliette's scrutinizing gaze she shows more emotion than she would like. Their relationship is complicated, emotional, and a wild rollercoaster ride.
The characters are multi-faceted, with many rough edges, who make mistakes and sometimes react too emotionally, which in turn makes them very human. They have grown up in two completely different worlds and yet they have more in common than just ballet.
All the supporting characters, mainly Gabriel, Francesca, and Helena, are very complex personalities and add a lot to the depth of this fascinating story from the world of ballet.
This book is a must-read even if you are not a ballet fan, I wasn't until a few days ago and now I really want to see their performance of Swan Lake. I admire Milena's unique way with words, which captivates me every time.
“She was certain that whichever divinity had created this woman, they must’ve had a really good day all those thirty-something years ago. In fact, when they were done putting the final touches on that ethereal face, said divinity must’ve wanted to show off, imprinting the decisively unfair dimples on those chiseled features.”
Milena, you are an amazing writer. Each time, you take me on a new journey into a new world and never let me go until the end. Thank you.
ARC provided by the author in exchange for an honest review
October 6, 2024
Well, I didn’t know I was into ballet but here we are. I couldn’t get enough of this book and kept looking up the different positions and movements. Juliette was such a likable character from the start and Katarina kept you wanting to know more about her. The two of them together were a force to be reckoned with. And the angst… Milena McKay knocked it out of the park once again. Was so sad the closer I got to 100% because I didn’t want this one to end, but it was oh so satisfying.
Thank you to the author for the arc in exchange for an honest review.
Thank you to the author for the arc in exchange for an honest review.
October 9, 2024
Juliette Lucian-Sorel is the Princess of Paris, the top notch ballerina in the Paris Opera Ballet company. She rules and she knows it along with her best friend and male lead, Gabriel. She’s smarting a bit because her ex left for New York and she’s still feeling some hurt. Then Katarina Vyatka comes to town with the Bolshoi Ballet from Moscow. Of course, she’s their exquisite Empress so the meeting of the primas is a tremendous happening in an already bejeweled city. I’m guessing it’s around 1985 from the book’s descriptions of the Soviet Union, the KGB, and some other references. In desperation, Katarina asks Juliette for help in defecting, then moves into Juliette’s apartment, and joins the Paris Company.
Anguish. That’s the word that comes to mind. Beautiful heart-shattering anguish. Juliette and Katarina know the heights of artistic brilliance and live their lives with the same intensity. Love, friendships, dancing are equal in joy and tragedy. It’s a gorgeous book to read but not easy at times because Juliette bleeds on the pages. The drama and angst are dialed up to the nth degree but there’s so much beauty in the language and the way the author portrays Paris in colors and tones, the stage, the apartment, and even the streets is breathtaking.
I very much enjoyed Reverence. Read the book if you love artistry in your stories, a fantastic cast of characters, two unforgettable mains, highs and lows that tweak your heart, ballet, and Paris. Remember to read the author’s Afterwords. Powerful stuff.
Thank you to the author for an arc in exchange for an honest review.
Anguish. That’s the word that comes to mind. Beautiful heart-shattering anguish. Juliette and Katarina know the heights of artistic brilliance and live their lives with the same intensity. Love, friendships, dancing are equal in joy and tragedy. It’s a gorgeous book to read but not easy at times because Juliette bleeds on the pages. The drama and angst are dialed up to the nth degree but there’s so much beauty in the language and the way the author portrays Paris in colors and tones, the stage, the apartment, and even the streets is breathtaking.
I very much enjoyed Reverence. Read the book if you love artistry in your stories, a fantastic cast of characters, two unforgettable mains, highs and lows that tweak your heart, ballet, and Paris. Remember to read the author’s Afterwords. Powerful stuff.
Thank you to the author for an arc in exchange for an honest review.
April 18, 2025
SIGH I was so looking forward to this one, and it truly pains me to say I was disappointed, especially because I adore Milena McKay’s work. Her writing remains undeniably beautiful, and I’ll always admire the way she crafts her prose.
But the story itself? It felt chaotic and disjointed. I struggled to feel the chemistry between Juliette and Katarina. It flickered in places but never fully ignited for me. Everything between them moved so quickly, only to be dragged out by what felt like an unnecessary and deeply frustrating time jump.
And yes… another massive time jump, just like in These Thin Lines, driven by the dreaded miscommunication trope, except this one felt even more extreme. Seven fucking years?! Why?! It left me more exasperated than emotionally moved.
I wanted to love this. I expected to love this. But ultimately, I walked away feeling disconnected and unsatisfied.
That said, I’m still a devoted fan of Milena’s work and will be first in line for whatever she releases next.
But the story itself? It felt chaotic and disjointed. I struggled to feel the chemistry between Juliette and Katarina. It flickered in places but never fully ignited for me. Everything between them moved so quickly, only to be dragged out by what felt like an unnecessary and deeply frustrating time jump.
And yes… another massive time jump, just like in These Thin Lines, driven by the dreaded miscommunication trope, except this one felt even more extreme. Seven fucking years?! Why?! It left me more exasperated than emotionally moved.
I wanted to love this. I expected to love this. But ultimately, I walked away feeling disconnected and unsatisfied.
That said, I’m still a devoted fan of Milena’s work and will be first in line for whatever she releases next.
October 14, 2024
Reverence by Milena McKay is nothing short of breathtaking—a beautifully crafted, emotionally charged story that weaves its way into your soul and leaves you forever changed. McKay’s writing is heart-wrenchingly beautiful, filled with raw emotion, intricate character development, and a Paris that feels so real, it aches. I’ve never been to Paris, and yet after reading this book, I feel like I’ve walked its streets and breathed its history. That’s how powerful McKay’s prose is—she brings the city to life and makes it an integral part of this stunning romance.
The story follows two unforgettable ballerinas, Juliette Lucian-Sorel and Katarina Vyatka. Juliette, the dazzling Princess of Paris, has everything—fame, fortune, and the adoration of her fans. Katarina, on the other hand, escaping the suffocating Iron Curtain, is desperate for freedom, and will do anything to get it. What happens when these two meet on the same stage? Sparks fly, tensions rise, and their rivalry evolves into a passionate love story full of angst, betrayal, and an undeniable connection. McKay has crafted another brilliant Ice Queen in Katarina, and watching her walls crumble is both heart-wrenching and deeply satisfying.
The cast of characters is unforgettable, each one leaving their own mark on the story. From the highs of ballet success to the lows of heartbreak and betrayal, Reverence is an emotional rollercoaster that had my heart bruised and battered but in true McKay fashion -beautifully soothed. Buy the tissues with lotion—trust me, you’ll need them. This book grips you from the first page and doesn’t let go until long after the final bow. McKay hits every emotion on the spectrum—joy, sorrow, competitiveness, love, tragedy, and more. It’s as if you’re spinning an emotional wheel, and whatever it lands on, McKay delivers with precision and depth.
The plot is executed to perfection, keeping you on the edge of your seat. And of course, there’s love and angst—compelling, gripping, and all-consuming. The steamy scenes are few but powerful, adding to the intensity of Juliette and Katarina’s relationship. McKay also does a phenomenal job of connecting this book to her other works, giving a sense of familiarity while still creating a brand new world that stands on its own.
Do NOT skip the Afterwords. It’s vital to understanding the passion and intention behind McKay’s writing, and it adds another layer of appreciation for the beautiful words she’s given us. Her storytelling is a true work of art, and I’m in awe of her ability to create such emotionally complex and gripping narratives.
Reverence is an absolute masterpiece—a book filled with love, friendships, dancing, joy, tragedy, and the rawness of life. I am completely floored by McKay’s talent, and I’m so incredibly happy to have found her work. This book isn’t just a romance—it’s a journey, a ballet of emotions, and an unforgettable experience. Truly, a work of art. This review doesn't begin to do it justice but it's the best I've got after such an incredible reading experience.
The story follows two unforgettable ballerinas, Juliette Lucian-Sorel and Katarina Vyatka. Juliette, the dazzling Princess of Paris, has everything—fame, fortune, and the adoration of her fans. Katarina, on the other hand, escaping the suffocating Iron Curtain, is desperate for freedom, and will do anything to get it. What happens when these two meet on the same stage? Sparks fly, tensions rise, and their rivalry evolves into a passionate love story full of angst, betrayal, and an undeniable connection. McKay has crafted another brilliant Ice Queen in Katarina, and watching her walls crumble is both heart-wrenching and deeply satisfying.
The cast of characters is unforgettable, each one leaving their own mark on the story. From the highs of ballet success to the lows of heartbreak and betrayal, Reverence is an emotional rollercoaster that had my heart bruised and battered but in true McKay fashion -beautifully soothed. Buy the tissues with lotion—trust me, you’ll need them. This book grips you from the first page and doesn’t let go until long after the final bow. McKay hits every emotion on the spectrum—joy, sorrow, competitiveness, love, tragedy, and more. It’s as if you’re spinning an emotional wheel, and whatever it lands on, McKay delivers with precision and depth.
The plot is executed to perfection, keeping you on the edge of your seat. And of course, there’s love and angst—compelling, gripping, and all-consuming. The steamy scenes are few but powerful, adding to the intensity of Juliette and Katarina’s relationship. McKay also does a phenomenal job of connecting this book to her other works, giving a sense of familiarity while still creating a brand new world that stands on its own.
Do NOT skip the Afterwords. It’s vital to understanding the passion and intention behind McKay’s writing, and it adds another layer of appreciation for the beautiful words she’s given us. Her storytelling is a true work of art, and I’m in awe of her ability to create such emotionally complex and gripping narratives.
Reverence is an absolute masterpiece—a book filled with love, friendships, dancing, joy, tragedy, and the rawness of life. I am completely floored by McKay’s talent, and I’m so incredibly happy to have found her work. This book isn’t just a romance—it’s a journey, a ballet of emotions, and an unforgettable experience. Truly, a work of art. This review doesn't begin to do it justice but it's the best I've got after such an incredible reading experience.
October 12, 2024
4.5 stars
Milena McKay and ballerinas. Oh my.
I love all things related to the arts, so having a story set at Paris's Palais Garnier with two of the greatest ballerinas to ever grace the stage is something of a dream come true.
Will things ever be the same after beloved "Princess" of the Paris Opera Ballet Juliette Lucian-Sorel rescues world renown Bolshoi dancer Katarina Vyatka when she defects from the Iron Curtain? Juliette is comfortable with her place and role in 1980s Paris society, but has difficulty even breathing in the presence of the stunning, talented and ice cold Katarina. When neither can resist the other's pull, is it all real or is there more happening behind the scenes? And is there room for both of them at the top?
While McKay is known for high-angst books, this one is on the lower scale of that. Not that it's without its moments - certainly not. In fact, there's a scene I can't get out of my mind since I read it. But it doesn't torture you in the same way that A Whisper of Solace did. The story focuses more on relationships than ballet for those who don't know or may not care much about the art form.
McKay chooses her words carefully and writes so beautifully I found myself highlighting lines in the book - which I rarely do. I always love the memorable entrances of her ice queens.
I found both main characters highly intriguing in different ways. Juliette is proud and aware of her power, but down to earth in spite of being so revered in the dance world. Katarina has been tormented under the Soviet regime and is tough as nails out of necessity. You're never quite sure who she really is underneath.
There are also strong supporting, characters as well - especially Juliette’s best friend and dance partner Gabriel. And there are those you love to hate.
McKay’s stories are never light and easy, but that’s what I love about them. I can’t wait to hear Abby Craden perform this work!
Milena McKay and ballerinas. Oh my.
I love all things related to the arts, so having a story set at Paris's Palais Garnier with two of the greatest ballerinas to ever grace the stage is something of a dream come true.
Will things ever be the same after beloved "Princess" of the Paris Opera Ballet Juliette Lucian-Sorel rescues world renown Bolshoi dancer Katarina Vyatka when she defects from the Iron Curtain? Juliette is comfortable with her place and role in 1980s Paris society, but has difficulty even breathing in the presence of the stunning, talented and ice cold Katarina. When neither can resist the other's pull, is it all real or is there more happening behind the scenes? And is there room for both of them at the top?
While McKay is known for high-angst books, this one is on the lower scale of that. Not that it's without its moments - certainly not. In fact, there's a scene I can't get out of my mind since I read it. But it doesn't torture you in the same way that A Whisper of Solace did. The story focuses more on relationships than ballet for those who don't know or may not care much about the art form.
McKay chooses her words carefully and writes so beautifully I found myself highlighting lines in the book - which I rarely do. I always love the memorable entrances of her ice queens.
I found both main characters highly intriguing in different ways. Juliette is proud and aware of her power, but down to earth in spite of being so revered in the dance world. Katarina has been tormented under the Soviet regime and is tough as nails out of necessity. You're never quite sure who she really is underneath.
There are also strong supporting, characters as well - especially Juliette’s best friend and dance partner Gabriel. And there are those you love to hate.
McKay’s stories are never light and easy, but that’s what I love about them. I can’t wait to hear Abby Craden perform this work!
May 2, 2025
5 stars - I am a sucker for a good ballet themed romance. And this story is very very good. The chemistry, the passion the pining is spot on 10 out of 10. No notes. The angst is torturous, but the pay off glorious. Loved it.
March 15, 2025
Fine, Milena McKay, I will cry a lot about the gay ballerinas.
I loved this. It made me cry a lot and also really engage me in a world I normally care nothing about (Parisian ballet and its politics). Milena McKay does a fantastic job with creating well-rounded characters that we can understand and empathise with. In many books, if you don't have the POV chapters for a character whose general demeanor is best described as icy and unapproachable, like Katarina Vyatka is, you would have a hard time empathising with her fear and insecurity but Milena has us somehow on board within a few chapters.
Remarkable, deeply sad, and the afterwords about Milena McKay's personal connections that led to her writing about the Gulag and HIV lend even more poignancy to the story. Absolutely wonderful, as expected!
I loved this. It made me cry a lot and also really engage me in a world I normally care nothing about (Parisian ballet and its politics). Milena McKay does a fantastic job with creating well-rounded characters that we can understand and empathise with. In many books, if you don't have the POV chapters for a character whose general demeanor is best described as icy and unapproachable, like Katarina Vyatka is, you would have a hard time empathising with her fear and insecurity but Milena has us somehow on board within a few chapters.
Remarkable, deeply sad, and the afterwords about Milena McKay's personal connections that led to her writing about the Gulag and HIV lend even more poignancy to the story. Absolutely wonderful, as expected!
March 8, 2025
⭐ 5 Stars
This book was heartbreaking.
I can’t remember a time when I was left speechless and out of words for so long.
We always say a good book is one that makes you feel, and this one definitely did that for me. The writing was everything. I actually learned so much about ballet, and it was both informative and entertaining. I loved Juliette and Katarina from the very beginning. They were like light and dark, yet both were so easy to love. Even the side characters were wonderful: Francesca with her intensity, Gabriel with his loyalty, and Helena with her constant support.
I felt so much for Juliette. Her struggles were relatable, and when her life fell apart, it shattered my heart too. What happened with Gabriel broke me. By the end of that chapter, I had no tears left. The ending was sweet, and I liked how things turned out, though I wish we’d gotten more time with Juliette and Katarina together to really enjoy their HEA.
Overall, this book is a masterpiece. If you’re looking for an emotional journey, lovable characters, and amazing writing, this is the book for you.
This book was heartbreaking.
I can’t remember a time when I was left speechless and out of words for so long.
We always say a good book is one that makes you feel, and this one definitely did that for me. The writing was everything. I actually learned so much about ballet, and it was both informative and entertaining. I loved Juliette and Katarina from the very beginning. They were like light and dark, yet both were so easy to love. Even the side characters were wonderful: Francesca with her intensity, Gabriel with his loyalty, and Helena with her constant support.
I felt so much for Juliette. Her struggles were relatable, and when her life fell apart, it shattered my heart too. What happened with Gabriel broke me. By the end of that chapter, I had no tears left. The ending was sweet, and I liked how things turned out, though I wish we’d gotten more time with Juliette and Katarina together to really enjoy their HEA.
Overall, this book is a masterpiece. If you’re looking for an emotional journey, lovable characters, and amazing writing, this is the book for you.
April 22, 2025
I was up at 3am crying over this sapphic historical romance 🙂↕️ Loved every second.
I’m incredibly picky with historical books but Milena has done such a brilliant job here, both with research and accuracy, and with writing a truly gripping novel.
Sometimes you find a novel that you think about every day, even months after reading it, and for me, this is one of those. It buries itself in your soul and you’re eternally happy to have it there.
Without spoilers this is fairly angsty, but also a beautiful and emotive read. It’s a balance between romance and history/struggles, keeping you gripped the whole way.
Rivals to lovers, ice queen, and has an age-gap (25&35) and sight celebrity themes.
Rep// lesbian woman MC (25), sapphic woman MC (35), relationship is WLW.
Spice: Yes, a tiny dash.
TWs listed below, please skip if you don’t want spoilers.
TW// on page sex, blood, KGB, glass injury, political prisoners, torture of prisoners (off page), mention of suicide, death of a parent, harm/abuse of children (off page, past), trauma/ptsd, HIV/Aids, hospital scenes, injury, death.
I’m incredibly picky with historical books but Milena has done such a brilliant job here, both with research and accuracy, and with writing a truly gripping novel.
Sometimes you find a novel that you think about every day, even months after reading it, and for me, this is one of those. It buries itself in your soul and you’re eternally happy to have it there.
Without spoilers this is fairly angsty, but also a beautiful and emotive read. It’s a balance between romance and history/struggles, keeping you gripped the whole way.
Rivals to lovers, ice queen, and has an age-gap (25&35) and sight celebrity themes.
Rep// lesbian woman MC (25), sapphic woman MC (35), relationship is WLW.
Spice: Yes, a tiny dash.
TWs listed below, please skip if you don’t want spoilers.
TW// on page sex, blood, KGB, glass injury, political prisoners, torture of prisoners (off page), mention of suicide, death of a parent, harm/abuse of children (off page, past), trauma/ptsd, HIV/Aids, hospital scenes, injury, death.
January 29, 2025
Ohhhh my heart! This book! What a beautiful roller coaster ride this was. Milena McKay has written a new favorite of mine, and Juliette and Katarina will live rent-free in my head forever now. 💕😭
I absolutely adored the leading ladies. Juliette is a fiery marvel of a woman with a protective streak that left me weak in the knees. It was a pleasure to read this story through her POV. And Katarina…oh my god, I think Katarina broke my brain. She starts off the book being mostly silent (though even her silences are powerful). But when she spills her heart and we finally learn what’s going on in that beautiful mind? Let’s just say I’m glad I read those passages sitting down, because if I’d been standing up, I may have just face-planted onto the floor!
Also, this book has one of my favorite first kiss/first acknowledgement scenes of all time. Possibly my favorite EVER, but that just could be the recency bias talking. Either way, it was fucking exquisite and I’ll be revisiting it frequently in the near future. 😵🔥😍😭
Juliette and Katarina are put through SO much within these pages, and by the end, both have been tortured relentlessly. God, it hurt, but it soothes me to know that they have each other. Their love is so deep, so powerful, so mind-altering…ugh. I physically clutched my chest several times, and if I were a book-crier, I’d be a blubbering mess about these two!
Honestly, I didn’t always vibe with the writing in this book. Several times, I was confused and had to reread what I’d just read (though maybe that’s just a me thing 🤷🏼♀️). Some characters (especially Katarina) had an uncanny habit of showing up at just the right time to perfectly contribute to the conversation. Imo, there was an overuse of the word “the” instead of possessive adjectives. The book kinda dragged for me somewhere around the 25ish percent mark, and I tbh didn’t give a hoot about Juliette’s ex…I just wanted her to go away most of the time. 🤣 HOWEVER…the good in this book completely annihilates all these minor complaints for me, so, yeah. Still five stars!
Maybe it’s finally time for me to devour Milena McKay’s backlist! Or maybe I should just marinate in this book hangover for a little while longer…🥹
I absolutely adored the leading ladies. Juliette is a fiery marvel of a woman with a protective streak that left me weak in the knees. It was a pleasure to read this story through her POV. And Katarina…oh my god, I think Katarina broke my brain. She starts off the book being mostly silent (though even her silences are powerful). But when she spills her heart and we finally learn what’s going on in that beautiful mind? Let’s just say I’m glad I read those passages sitting down, because if I’d been standing up, I may have just face-planted onto the floor!
Also, this book has one of my favorite first kiss/first acknowledgement scenes of all time. Possibly my favorite EVER, but that just could be the recency bias talking. Either way, it was fucking exquisite and I’ll be revisiting it frequently in the near future. 😵🔥😍😭
Juliette and Katarina are put through SO much within these pages, and by the end, both have been tortured relentlessly. God, it hurt, but it soothes me to know that they have each other. Their love is so deep, so powerful, so mind-altering…ugh. I physically clutched my chest several times, and if I were a book-crier, I’d be a blubbering mess about these two!
Honestly, I didn’t always vibe with the writing in this book. Several times, I was confused and had to reread what I’d just read (though maybe that’s just a me thing 🤷🏼♀️). Some characters (especially Katarina) had an uncanny habit of showing up at just the right time to perfectly contribute to the conversation. Imo, there was an overuse of the word “the” instead of possessive adjectives. The book kinda dragged for me somewhere around the 25ish percent mark, and I tbh didn’t give a hoot about Juliette’s ex…I just wanted her to go away most of the time. 🤣 HOWEVER…the good in this book completely annihilates all these minor complaints for me, so, yeah. Still five stars!
Maybe it’s finally time for me to devour Milena McKay’s backlist! Or maybe I should just marinate in this book hangover for a little while longer…🥹
April 2, 2025
ok, the good news is that overall, i enjoyed this one, and thus i am not deciding that the headmisstress/magdelene nox were outliers and abandoning trying the new books by this author as was almost the case. so, yayy.
there were a couple of things i didn't entierly vibe with: i felt like the pacing in the third act had a couple of whiplash issues and i'd have rather focused on things than a big time jump, personally.
one of my qualms with mckay as an author is that i wish so much she would write dual pov books, but by GOD i would not be mad if this one got the magdelene nox treatment and we got a book from katerina's pov, bc i was DESPRATE to get into her head. there is still so much we don't really know from her pov, and i was aching for it basically the whole novel. (i do gotta say tho, as someone who did dance as a kid [nowhere NEAR to this level, but followed some things/used to enjoy it a lot] it did strike me as kind of fantastical that they wouldn't be saying a shitton of nonsense abt katerina's age being that she was 35-42 and still dancing at the level of prima? i thought ballet ppl were as shitty abt women aging as gymnastics and figure skating and such, but maybe i'm wrong).
however, this is the first book by mckay that i've read recently where i actually liked both mcs!! and was actually rooting for them to get together!! so yayyy there. i really liked juliette and i enjoyed being in her pov. i liked her friendships with gabe and helena and francesca. i loved seeing the ballet world (though, again, found it a little wild that juliette's sexuality seemed almost not a problem/she and gabe were barely in the closet at all in the 80s, but i wasn't alive then and maybe i've just been told too many times that wouldn't be an issue?). i loved the ballet stuff, it made me miss dance. and i really loved katerina (again!! i wish we had her pov). i'm glad that this one isn't leaving me frusturated and deciding mckay is not for me, but it does almost leave me more confused than ever. bc i had figured that i just often don't vibe with her younger mcs, but i liked juliette a lot, here. so maybe it's just hit or miss, for me).
there were a couple of things i didn't entierly vibe with: i felt like the pacing in the third act had a couple of whiplash issues and i'd have rather focused on things than a big time jump, personally.
one of my qualms with mckay as an author is that i wish so much she would write dual pov books, but by GOD i would not be mad if this one got the magdelene nox treatment and we got a book from katerina's pov, bc i was DESPRATE to get into her head. there is still so much we don't really know from her pov, and i was aching for it basically the whole novel. (i do gotta say tho, as someone who did dance as a kid [nowhere NEAR to this level, but followed some things/used to enjoy it a lot] it did strike me as kind of fantastical that they wouldn't be saying a shitton of nonsense abt katerina's age being that she was 35-42 and still dancing at the level of prima? i thought ballet ppl were as shitty abt women aging as gymnastics and figure skating and such, but maybe i'm wrong).
however, this is the first book by mckay that i've read recently where i actually liked both mcs!! and was actually rooting for them to get together!! so yayyy there. i really liked juliette and i enjoyed being in her pov. i liked her friendships with gabe and helena and francesca. i loved seeing the ballet world (though, again, found it a little wild that juliette's sexuality seemed almost not a problem/she and gabe were barely in the closet at all in the 80s, but i wasn't alive then and maybe i've just been told too many times that wouldn't be an issue?). i loved the ballet stuff, it made me miss dance. and i really loved katerina (again!! i wish we had her pov). i'm glad that this one isn't leaving me frusturated and deciding mckay is not for me, but it does almost leave me more confused than ever. bc i had figured that i just often don't vibe with her younger mcs, but i liked juliette a lot, here. so maybe it's just hit or miss, for me).
February 25, 2025
The angst in this nearly killed me. Loved the plot and characters but one certain subplot ruined it for me🥲
October 20, 2024
Milena McKay has never let me down as a reader, and this is yet another one of those books which imagery, feel, dialogues I just can't fully explain the magic of. The book is set in the 80s, but she doesn't tell you that outright because she's one of those authors that trust the intellect of her readers and their ability to get the picture. She has a way of crafting her characters so they're are unforgettable. For instance, as soon as "violet eyes" were mentioned I knew right away who she was referring to. I'll be looking out for this author's next work, that's for sure.
December 2, 2024
4.5 ⭐️ I know virtually nothing about the world of ballet and still I enjoyed this novel. I liked both main characters and their interactions. Juliette with her strong character and willingness to challenge the authorities. Katerina for all her suffering and the strength to endure and not give up hope for a better life and her true love. The plot was good with several twists and turns.
And thanks to Milena McKay for shinning a very bright light on the atrocities of former Soviet Union for imprisoning their intellectuals. Very few sapphic romance novels have a serious background such as this one.
And thanks to Milena McKay for shinning a very bright light on the atrocities of former Soviet Union for imprisoning their intellectuals. Very few sapphic romance novels have a serious background such as this one.
October 16, 2024
I truly enjoy reading books written by Milena McKay. Her stories always draw me in and the characters weave their way into my heart. Reverence is no exception. Juliette and Katerina easily wove their way in and took their place.
The author lays the foundation of the story in a way that makes it easy to follow. Her descriptive language enables the reader to visualize the scene and feel the emotions of the characters. Her words draw you in and absorb you into Paris and the world of ballet in the 1980's. I had a clear understanding of the competitiveness in the ballet world and the dangers faced by Katerina in her choice to defect. The perfection both Juliette and Katerina strive for in their dance as well as the place ballet holds in their hearts is clear.
Following their journey, with all the joy, sorrow, competitiveness, love and angst (of course) was compelling. There were moments in the story I would have preferred didn't happen, but that only speaks to how deeply the author is able to draw the reader in and evoke emotion.
I won't give more away as reading McKay's work without spoilers is preferred :). When it is released this month, grab it, read it, listen to it (I can't wait for the audiobook!), and enjoy being immersed into the world of Juliette and Katerina.
The author lays the foundation of the story in a way that makes it easy to follow. Her descriptive language enables the reader to visualize the scene and feel the emotions of the characters. Her words draw you in and absorb you into Paris and the world of ballet in the 1980's. I had a clear understanding of the competitiveness in the ballet world and the dangers faced by Katerina in her choice to defect. The perfection both Juliette and Katerina strive for in their dance as well as the place ballet holds in their hearts is clear.
Following their journey, with all the joy, sorrow, competitiveness, love and angst (of course) was compelling. There were moments in the story I would have preferred didn't happen, but that only speaks to how deeply the author is able to draw the reader in and evoke emotion.
I won't give more away as reading McKay's work without spoilers is preferred :). When it is released this month, grab it, read it, listen to it (I can't wait for the audiobook!), and enjoy being immersed into the world of Juliette and Katerina.
November 4, 2024
If you’d told me 10 years ago that on the eve of the election that may determine the fate of democracy in the United States, that I would be crying over lesbian ballerinas, I would have asked you what you were smoking. Yet, here I am.
This five star review is about the wonder and magic that is Milena McKay’s prose. Juliette and Katarina are both so strong and so incredibly flawed. The pining and angst (which I normally detest) were so well done, that I didn’t care that it was destroying my soul that Juliette and Katarina were not together. Once they were, I knew some shit was gonna go down and that there would be betrayals and miscommunications and that my heart would break. I also knew Milena would not let me down.
I don’t know squat about ballet nor will I ever learn, but I did care about these two broken ballerinas. This book was so good and powerful. The 3 spice scenes, just mwah *chef’s kiss! And my sweet little Irishman, Gabriel. Doing everything he could to bring Katarina and Juliette together, he has my heart.
This five star review is about the wonder and magic that is Milena McKay’s prose. Juliette and Katarina are both so strong and so incredibly flawed. The pining and angst (which I normally detest) were so well done, that I didn’t care that it was destroying my soul that Juliette and Katarina were not together. Once they were, I knew some shit was gonna go down and that there would be betrayals and miscommunications and that my heart would break. I also knew Milena would not let me down.
I don’t know squat about ballet nor will I ever learn, but I did care about these two broken ballerinas. This book was so good and powerful. The 3 spice scenes, just mwah *chef’s kiss! And my sweet little Irishman, Gabriel. Doing everything he could to bring Katarina and Juliette together, he has my heart.
May 3, 2025
As usual, McKay's writing is recognizable, with elegant prose and a sophisticated vocabulary that draws readers in from the start. Thanks to the vivid descriptions of the settings, readers feel transported to the classy Paris of the 1980s, between the Palais Garnier and Juliette's apartment, which she likes to brag about, given how often she mentions it is on Rue de Rivoli. McKay is one of the few writers who gives chapters titles, and it is something I really appreciate.
McKay has a signature style and uses familiar patterns, where psychology and drama are intertwined, making her books intense reads: a lot of angst, mystery, love, conflict, and angry sex, all with a crescendo of drama. The two main characters are strong and likeable. Everything I needed was there, and the book was excellent—until Chapter 25.
Now, hear me out: I don't mind drama or separation. I don't even mind death, no matter how cruel, as long as it serves the story.But when the third-act breakup is mostly based on miscommunication, a seven-year separation is too frustrating, even if McKay wanted to give a more dramatic impact. That timeline could easily have been shortened. Characters' final personal and professional growth could have been achieved together as a couple. In perspective, the resolution of the conflict felt a bit hasty. The culprit for Juliette's sabotage was really hard for me to believe.
The final confrontation with the villain, Foltin, felt a bit cartoonish. I couldn't picture someone from the KGB being that weak.
Overall, I loved most of the book, but the overdramatic final part didn't quite live up to the rest. I know the recipe McKay uses is really loved, but I am ready for a more surprising dish.
McKay has a signature style and uses familiar patterns, where psychology and drama are intertwined, making her books intense reads: a lot of angst, mystery, love, conflict, and angry sex, all with a crescendo of drama. The two main characters are strong and likeable. Everything I needed was there, and the book was excellent—until Chapter 25.
Now, hear me out: I don't mind drama or separation. I don't even mind death, no matter how cruel, as long as it serves the story.But when the third-act breakup is mostly based on miscommunication, a seven-year separation is too frustrating, even if McKay wanted to give a more dramatic impact. That timeline could easily have been shortened. Characters' final personal and professional growth could have been achieved together as a couple. In perspective, the resolution of the conflict felt a bit hasty. The culprit for Juliette's sabotage was really hard for me to believe.
The final confrontation with the villain, Foltin, felt a bit cartoonish. I couldn't picture someone from the KGB being that weak.
Overall, I loved most of the book, but the overdramatic final part didn't quite live up to the rest. I know the recipe McKay uses is really loved, but I am ready for a more surprising dish.
October 18, 2024
Loved this book. Milena Mckay is only getting better.
If you like your romance with a intriguing plot, strong women, enough story to take you out of your comfort zones learn and think.
I highly recommend.
If you like your romance with a intriguing plot, strong women, enough story to take you out of your comfort zones learn and think.
I highly recommend.
September 20, 2025
nah bc after sitting with this for a bit this was batshit insane. i didn't think i would be THIS seated for pure unhinged sapphic yearning and angst that literally got me jumping from my seat. and i looooove me some possessive and toxic sapphics
October 10, 2024
This book is an absolute masterpiece. Set in 1980s Paris, it tells the story of two rival ballerinas who are brought together in an unconventional way when Katarina Vyatka seeks to defect to the Paris Opera Ballet and Juliette Lucian-Sorel helps her to do so. However, at what price, and can Katarina be trusted? That is the question.
This book is skillfully written and thoroughly enjoyable. I found it difficult to put down. It contains elements of angst, betrayal, friendship, a few steamy scenes, plot twists that are all exceptionally well-written that leave both the characters and the readers in a state of surprise and curiosity, eagerly anticipating what it around the corner.
This is a book that you should not miss. It is a perfect example of the rivals-to-lovers trope that I have read in a while. Milena is an extremely talented writer and truly brings the story to life with her exquisite writing style, which I wholeheartedly admire.
If you haven't added this book to your to-be-read list, I strongly suggest you do so immediately. It is an exceptional book that you should not miss. I highly recommend this book and all of Milena's other works.
Star rating. ⭐️⭐️⭐️⭐️⭐️
Spice rating. 🔥🔥🔥
I received an advance review copy for free, and I am leaving this review voluntarily
This book is skillfully written and thoroughly enjoyable. I found it difficult to put down. It contains elements of angst, betrayal, friendship, a few steamy scenes, plot twists that are all exceptionally well-written that leave both the characters and the readers in a state of surprise and curiosity, eagerly anticipating what it around the corner.
This is a book that you should not miss. It is a perfect example of the rivals-to-lovers trope that I have read in a while. Milena is an extremely talented writer and truly brings the story to life with her exquisite writing style, which I wholeheartedly admire.
If you haven't added this book to your to-be-read list, I strongly suggest you do so immediately. It is an exceptional book that you should not miss. I highly recommend this book and all of Milena's other works.
Star rating. ⭐️⭐️⭐️⭐️⭐️
Spice rating. 🔥🔥🔥
I received an advance review copy for free, and I am leaving this review voluntarily
November 3, 2024
Perfect 5!
Wow! What an Amazing read…. Thank you, Milena McKay, for Reverence.
Amidst captivating story settings, I was very much mesmerized by the beautiful language crafted by Ms McKay. The heartfelt romance which unfolded and the eventual angst tugged at my heartstrings. The characters, especially Juliette and Katarina, came alive in vivid detail, supported by a cast of supportive side characters who enriched the story even further. I longed to be among the audience, to immerse in the beauty of Swan Lake, and to experience the magic.
Reverence will undoubtedly linger in my mind and heart long after the last page has turned.
Wow! What an Amazing read…. Thank you, Milena McKay, for Reverence.
Amidst captivating story settings, I was very much mesmerized by the beautiful language crafted by Ms McKay. The heartfelt romance which unfolded and the eventual angst tugged at my heartstrings. The characters, especially Juliette and Katarina, came alive in vivid detail, supported by a cast of supportive side characters who enriched the story even further. I longed to be among the audience, to immerse in the beauty of Swan Lake, and to experience the magic.
Reverence will undoubtedly linger in my mind and heart long after the last page has turned.
April 26, 2025
Where do I even begin. I can’t even pinpoint what emotions I’m feeling right now. Happy? Sad? Shocked? I think I felt every emotion possible while reading this. I only rated it a 4/5 because I did feel as though there were a few flaws and it took me a few times to push myself through the novel, but it was well worth the push. I always love a good happy ending, but the author definitely broke my heart a few times throughout.
The author portrayed the truth of how life was like back then for ballerinas, everything is political, even today. It’s not what you know, it really is who you know. There was so much betrayal I didn’t know if everything was going to be back full circle.
My sweet Gabriel, one of my favorite characters in the book. I wish there was more for him, and that’s all I will keep it at so I don’t spoil.
As for Juliette, she was my ABSOLUTE favorite. She didn’t let anything stop her for a very long time until it broke her. To me, I feel as though she forgave more than she should have and let everyone control her life. She deserved more, and she deserved more apologies than she got.
The world made Katarina hard and silent. Life was not good to her, and she needed to escape, but it cost her everything. I can’t say I necessarily fully blame her for the things she did, but ultimately she did do them. She got a lot more forgiveness than I think she deserved, but that may be because I love Juliette so much.
What a heart-wrenching book, I was in a reading slump but I believe this one got me out. Beautifully sad.
The author portrayed the truth of how life was like back then for ballerinas, everything is political, even today. It’s not what you know, it really is who you know. There was so much betrayal I didn’t know if everything was going to be back full circle.
My sweet Gabriel, one of my favorite characters in the book. I wish there was more for him, and that’s all I will keep it at so I don’t spoil.
As for Juliette, she was my ABSOLUTE favorite. She didn’t let anything stop her for a very long time until it broke her. To me, I feel as though she forgave more than she should have and let everyone control her life. She deserved more, and she deserved more apologies than she got.
The world made Katarina hard and silent. Life was not good to her, and she needed to escape, but it cost her everything. I can’t say I necessarily fully blame her for the things she did, but ultimately she did do them. She got a lot more forgiveness than I think she deserved, but that may be because I love Juliette so much.
What a heart-wrenching book, I was in a reading slump but I believe this one got me out. Beautifully sad.
May 17, 2025
Overall, Reverence is a moving, memorable read with standout characters and emotion that lingers.
There were just a couple of things that didn’t quite work for me. McKay’s writing—usually so poetic and beautiful—sometimes felt overly wordy and a bit pretentious here. And Part Two really dragged for me. The pacing dipped so much I found myself skimming; a handful of chapters could’ve easily been cut or shortened without hurting the story. A tighter edit would’ve made a big difference.
That said, there’s a lot to love. Part One starts off strong with the gripping storyline of Katarina defecting and Juliette helping her escape. And Part Three was a sweet and emotional way to wrap things up.
Katarina and Juliette’s romance was beautifully built—subtle but gut-wrenching in all the right places. There were a few moments that genuinely made me stop and catch my breath. Katarina’s arc in particular stood out, developing into a really well-rounded and powerful character journey.
There were just a couple of things that didn’t quite work for me. McKay’s writing—usually so poetic and beautiful—sometimes felt overly wordy and a bit pretentious here. And Part Two really dragged for me. The pacing dipped so much I found myself skimming; a handful of chapters could’ve easily been cut or shortened without hurting the story. A tighter edit would’ve made a big difference.
That said, there’s a lot to love. Part One starts off strong with the gripping storyline of Katarina defecting and Juliette helping her escape. And Part Three was a sweet and emotional way to wrap things up.
Katarina and Juliette’s romance was beautifully built—subtle but gut-wrenching in all the right places. There were a few moments that genuinely made me stop and catch my breath. Katarina’s arc in particular stood out, developing into a really well-rounded and powerful character journey.
November 1, 2024
intrigue, ballet, & romance
This was excellent, though heartbreaking in many places. The history reflected was hard to read, but honest and fit well in the story.
This was excellent, though heartbreaking in many places. The history reflected was hard to read, but honest and fit well in the story.
October 29, 2025
This book, set in France 1985, was more like page after page of poetry for me. Plenty of times I wanted to pause to highlight, quote, think a little more but ultimately keeping my flow took precedence.
A beyond beautiful story that is filled with a good amount of mystery that’s born of secrets from almost every character. Mistakes are made, not all are forgiven but everything does come full circle in one way or another.
The quotable moment, for me was this: “Because you asked me to keep the light on for you, Juliette. Because you… God, you’re everything. You always have been. And love doesn’t stop even if it doesn’t know if it will ever be needed again. Love goes on, like this light. It shines without any expectation that it will serve anyone, yet it shines anyway. Hoping.”
Yeahhh, that one can trigger some unshed tears. I will no doubt read this one again and really highlight my favourite moments, because it jam packed with amazing writing.
Gabriel, I absolutely ADORE. This best friend is a stroke of genius.
A beyond beautiful story that is filled with a good amount of mystery that’s born of secrets from almost every character. Mistakes are made, not all are forgiven but everything does come full circle in one way or another.
The quotable moment, for me was this: “Because you asked me to keep the light on for you, Juliette. Because you… God, you’re everything. You always have been. And love doesn’t stop even if it doesn’t know if it will ever be needed again. Love goes on, like this light. It shines without any expectation that it will serve anyone, yet it shines anyway. Hoping.”
Yeahhh, that one can trigger some unshed tears. I will no doubt read this one again and really highlight my favourite moments, because it jam packed with amazing writing.
Gabriel, I absolutely ADORE. This best friend is a stroke of genius.
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