Hélène Cixous is a Jewish-French, Algerian-born feminist well-known as one of the founders of poststructuralist feminist theory along with Luce Irigaray and Julia Kristeva. She is now a professor of English Literature at University of Paris VIII and chairs the Centre de Recherches en Etudes Féminines which she founded in 1974.
She has published numerous essays, playwrights, novels, poems, and literary criticism. Her academic works concern subjects of feminism, the human body, history, death, and theatre.
Joyce’s Non Servium is the connective tissue. Kafka applies such. Blanchot and especially Lispector provide the poetics. This is ultimately Cixous’ homage to the Brazilian, despite the other names on the cover. Blanchot is explored for his literature rather than his concepts or criticism. The Lispector citations are grounded more in her short fiction than her novels, which I did find interesting.
Cixous provides an enticing blend of criticism and poetry, this was most evident in the section on Kleist, which strangely was the one section I disliked. Perhaps due my dearth of time with the German poet.
These were fascinating lectures. I’d likely rate them a 3.5.
Reading in order to compose a feminine poetics outside of the masculine economy - a poetics that moves and dances in its relation with otherness; a living poetics, as an apprenticeship towards living outside.
Cixous attempts to open a space through listening to the writing of others - a space in which the signifiers dance as the self attempts a step outside itself; a graceful step of a dance that moves with the other rather than seeking to grasp and control. A step towards this other poetic, a preparatory step, hazarded ever so boldly.
Only rating this lower than the standard Cixous (whose work I adore) because I am less interested in literary theory than in experiencing literature, so this book was a slog for me to get through. Interesting ideas, though, and always interesting wordplay.