A WRITER FOLLOWS SOME PLAYERS FROM AN INNER-CITY BASKETBALL TEAM
Darcy Frey is an American writer and educator from New York who was a contributing editor at Harper's and The New York Times Magazine. He has taught writing at the University of Chicago, Columbia University's Graduate Writing Program, and Harvard University.
He wrote in the Prologue to this 1994 book, “It’s the summer of 1991, and Russell [Thomas] has just finished his junior year at Abraham Lincoln High School in Coney Island, New York… Most summer evenings I come by this court to watch Russell and his friends play ball… I am always pleased… when Corey comes by this court. Corey is Russell’s best friend and one of Lincoln High’s other star juniors… on a night like this, as the dealers set up their drug marts in the streets and alleyways, and the sounds of sirens and gunfire keep pace with the darkening sky… Yet even in Coney Island there is a use to which a young man’s talent, ambition, and desire to stay out of harm’s way may be put: there is basketball.” (Pg. 1-4)
He continues, “The neighborhood’s best players---Russell, Corey, and their brethren on the Lincoln varsity---practice a disciplined, team-driven style of basketball at the court … which has been dubbed the Garden … n a neighborhood ravaged by the commerce of drugs, the Garden offers a cherished sanctuary. A few years ago community activists petitioned the housing authority to install night lights. And the players themselves resurfaced the court and put up regulation-height rims that snap back when a player dunks… Even the dealers and hoodlums refrain from vandalizing the Garden, because in Coney Island the possibility of transcendence through basketball… is an article of faith.” (Pg. 5)
He continues, “It is not too much to say that basketball has saved Russell. The Thomases---Russell, his mother, and his two younger sisters---live in one of the neighborhood’s toughest projects … and in earlier days Russell often caused his family considerable grief, sometimes leaving home for long stretches to hang out on the streets with his friends… [This] posed a greater threat … since certain of his friends… liked to wander over to neighboring Brighton Beach in order to hold up pensioners at gunpoint. But… Russell has developed new ambitions for himself…” (Pg. 5-6)
He recounts, “I had occasion to witness some of the attitudes directed at the Lincoln players when I went ... to watch Tchaka play with an independent summer-league, which happens to be all black, against a group of white players…Every time the whistle blew on one of Tchaka’s transgressions, the crowd let up a carnival cheer… the mood in the bleachers, filled predominantly with the relatives of the white players, soon turned ugly. Whenever Tchaka took one step too many on his route to a crushing jam, hecklers would call for a technical, yelling, ‘This ain’t the NBA!’ which seemed a euphemism for the resentment many white players feel toward blacks with overwhelming talent, since the NBA is 80 percent black and just about the only arena in which whites are seriously in danger of losing their jobs to blacks.” (Pg. 50-51)
He goes on, “Sometimes… I felt that I had caught up with them at a crucial juncture in their lives. Sports has a way of doing that…one feels it especially around athletes from neighborhoods like Coney Island, where today they live in projects so menacing that even some of the Lincoln social workers won’t make home visits anymore… and tomorrow they may be… the first members of their families ever to graduate from a four-year college, the first to find decent employment, the first to take their long-denied place in the mainstream American economy---the game of basketball giving them perhaps their last best change to do so.” (Pg. 31-32)
He notes, “For the most part, the money and glamour go to the parochial schools, which ensure themselves a steady talent flow by fielding several teams… all coached by full-time staffs. In New York and many other cities the Catholic leagues also siphon off the best public school players by offering a safer environment, better academic preparation, and travel budgets for out-of-town tournaments.” (Pg. 41-42)
He points out, “With top college conferences like the Big East earning as much as $65 million a year for a one-year contract with CBS Sports, the pressure on coaches like Carlesimo, Barnes, and Massimo to recruit the top stars … is not significantly less than it is for the players themselves: jobs and livelihoods are on the line … Given the intense competition among the recruiters… and the widespread suspicion that not all of them follow religiously the NCAA rules governing the recruiting process, it isn’t surprising that collegiality among the coaches often suffers serious injury.” (Pg. 56)
He explains, “The ABCD camp … cost the [Nike] company an estimated $100,000 to stage the camp each year. But it’s an investment, allowing the long arms of Nike to reach deeper… bringing the best high school players into the Nike fold… But even as camp officials are lecturing players on how to avoid exploitative college recruiters, Nike is bestowing on its campers an astonishing largess---sneakers, shirts, shorts, meals, airfare, hotel room---that would be considered a blatantly illegal inducement if it came from a college coach…” (Pg. 60-61)
He wrote, “For years, I knew, Russell had earned a reputation in Coney Island for ‘playing white’---takin a lay-up when he could have dunked, that sort of thing. ‘No one thinks I can dunk ‘cause I never dunked in public,’ he says, ‘But between you and me, I dunk in the park all the time---when no one’s looking.’” (Pg. 89)
He records, “‘You know why basketball is so great?’ Corey said to me on another occasion. ‘Cause there’s just no limit to what you can do. Everything goes.’ I wasn’t certain what he was getting at until I saw him later that day in practice… Corey drove toward the basket and went airborne in the customary fashion---bellowing and slamming the ball violently between his hands. But instead of jamming it, Corey rolled the ball daintily off his fingertips into the hoop---a dunk in the ironic mode.’ ‘Jesus, did you see Corey lift off?’ said one spectator.” (Pg. 91)
But later, he notes, “And as the bar between Tchaka’s fortunes and those of his Coney Island teammates widened, so too did the fault lines that ran just below the surface of this team. For a long time I attributed the friction between Tchaka and the Coney Island crew merely to geography. After practice, Russell, Corey, and Stephon often hung out together … But among black neighborhoods in New York, I see now that geography speaks to a more delicate issue: social class… [Tchaka said] ‘Out by the projects, it’s CRAZY… all you gotta do is LOOK at someone wrong and they want to shoot you. After I get to college, I’m never going back to… Coney Island again.’ In this context, [it] sounds like barely disguised code for the disdain, even fear, with which Tchaka views some blacks from the projects; and certain of the Coney Island players readily return the insult, suggesting that the more middle-class players like Tchaka can’t play the game like they do in Coney Island.” (Pg, 201-202)
He records in the Epilogue, “Russell Thomas signed with Philadelphia’s Temple University… But on his final SAT attempt, his score went down. Temple withdrew its scholarship offer, and Russell ended up at a junior college… [Later he] accepted a scholarship at a four-year Division II school… where he thought he would study better… He has not been back to Coney Island... Corey Johnson fell short… on his SATs… [He] lost his eligibility, and returned to New York City. Now, he … works part-time for his father’s plumbing business. Tchaka spent two frustrating years playing for the Seton Hall Pirates… [He] languished on the bench… Tchaka transferred to the lower-level University of California at Irivne…but according to NCAA rules must sit out one full season before playing basketball again. All hopes no rest on Stephon Marbury… But as of the summer of 1994, he was still working to pass his SAT’s.” (Pg. 229-230) [Marbury, of course, was in the NBA from 1996 to 2009, then played in the Chinese Basketball Association (CBA) from 2010 to 2018.]
This book will be of great interest to those interested in street basketball, college basketball, and related topics.