The Medicine Woman Of Galveston is the fifth novel by American author, Amanda Skenandore. The audio version is narrated by Amanda Stribling. Once top of her class at the Women’s Medical College of Chicago, now, at the start of the twentieth Century, Tucia Hatherly is out of options. She owes the loan company six hundred and sixty dollars, she has an almost-seven-year-old son with Down syndrome to support, and she has just lost her job at the corset factory.
When Hugh Horn turns up on her doorstep with a solution, she’s wary, but the idea of Toby landing in an asylum while she ends up in the poorhouse? That has her signing a document she’d never have considered, had she a choice.
Huey owns the Amazing Adolphus and his Travelling Medicine Show Co, and he needs her qualifications as a doctor to stay on the right side of the law. While his patter is convincing, she knows he’s really just a huckster, a con man, but the extent of his deception only becomes apparent in the months that follow.
For now, it’s bad enough that she has to become Madame Zabelle, fortune teller and mind reader, and has to perform in front of a crowd, something that triggers the flashbacks to an awful episode in the operating theatre at Fairview Hospital, the reason she doesn’t practice as a doctor. Overcoming her stage fright takes some time, and the help of one of the other performers, most of whom think she won’t last long.
The others are surprisingly talented, and Tucia wonders why they’re working for this demanding, insulting man prone to mercurial moods. The mind reading act isn’t the worst of what Huey dreams up: while the yokels are sold Revivifying Rattlesnake Oil and Miraculous Corn-busting Salve during the main show, in the case-taking tent, Tucia has to play the role of nurse as Huey diagnoses ailments, then prescribes his Revitalizing Crystals. It goes against everything she swore to uphold when she took her oath. Huey has yet more indignity in store for Tucia when they arrive in Galveston.
When she tries to leave, she discovers just how vague but watertight her contract is, and it soon becomes apparent that he has some sort of hold over each of the others as well: the ballet-dancing giantess, her crippled musician husband, the “savage” Indian, and the aloof behind-the-scenes maintenance man. Uniting against a common enemy, and kindnesses shown, make them friends.
Tucia manages to surreptitiously offset some of the bogus health advice Huey spews during the show by giving proper medical care in addition to reading palms. The troupe has mixed feelings about arriving in Galveston, but before they can even start rehearsals at Darby’s Museum of Wonders, Toby goes missing, just as a hurricane hits the island.
Skenandore conveys her setting and era with consummate ease; her characters are appealing for all their flaws, except those who deserve to be despised, and she gives even the least of them insightful observations: “There’s more to a person than the worse thing they done”. The story deftly illustrates the lack of agency suffered by not just women, but non-whites and the handicapped, in the early years of the twentieth Century. A moving and thought-provoking read.
This unbiased review is from an audio copy provided by NetGalley and High Bridge Audio