Do we really need another book about The Beatles? Do we need yet another addition to the ever-burgeoning - seemingly never-ending - Beatles-Industrial complex? In fairness to Stuart Maconie, these are questions he addresses at the very outset of “With A Little Help From Their Friends”. Well, seeing as Maconie describes The Beatles as “the greatest, the most joyous and transcendent cultural force of the modern world”, then it isn’t a surprise that he might answer those questions with an emphatic ‘Yes’.
Maconie has landed on an intriguing angle for his own contribution to the canon of Beatles books: telling the story of the group through the friends, family members, former-band members, associates, hangers-on and – on occasions – enemies and nemeses who orbited the band during their relatively brief, but superlatively creative existence. “With A Little Help From Their Friends” is essentially based on the principle of ‘It takes a Village’; that while the four Beatles were, collectively, more supernaturally talented than any other entity from the twentieth century, they were aided by an astonishing supporting cast, by “many significant others around them to facilitate their particular genius”.
The one hundred pen portraits of those supporting characters, whilst by their nature quite concise, are rarely less than utterly fascinating. Amongst my favourite excerpts from “With A Little Help From Their Friends” were those profiling the bouncer at the squalid Hamburg club where The Beatles cut their teeth, the head of the Fab Four’s fan club, and the dissolute aristocrat and Guinness heir Tara Browne, whose death inspired “A Day in the Life” (perhaps the pinnacle of The Beatles’ creative output).
It can be easy to overlook how The Beatles is a story blighted by tragedy, not just through the premature death of their manager Brian Epstein, but also through the tale of poor, doomed Stu Sutcliffe that is recounted here. Some of the most entertaining passages of “With A Little Help From Their Friends” are those on the chancers who mercilessly attempted to bleed The Beatles dry, not least the charlatan and glorified-TV repairman ‘Magic’ Alex Mardas, who almost singlehandedly bankrupted the band’s Apple recording division. And if there is one overarching villain in this story, it is that of the avaricious, thuggish manager Allen Klein, whose mendacity probably did more than any other person to rend asunder The Beatles.
Stuart Maconie broadly subscribes to the view (popularised by Ian MacDonald in “Revolution in the Head”) that it was Paul McCartney – rather than John Lennon – who was the true innovator and revolutionary forward-thinker in The Beatles (believing Lennon to be too self-absorbed and too easily taken-in by frauds and the latest quackeries). Maconie also picks up a lot of the threads of John Higgs’ recent treatise on The Beatles – “Love and Let Die” – arguing that the group have over the last half-century plus had a profoundly positive impact on masculinity and social class in Britain.
But, more importantly, “With A Little Help From Their Friends” is a blissfully exuberant book. By telling the story of The Beatles through the characters surrounding them, you get a sense of how thrilling it must have felt to be in their slipstream as they wove one of the most compelling, magical stories of our last century. This is a wonderful, warm bath of a book, and Maconie can rest assured that it more than justifies its existence in that canon of books on The Beatles.