Sometimes a person can remain on the stage too long. That is the case, both figuratively and literally, with superstar comedian Bob Hope. Living to exactly 100, Hope almost perfectly spanned the 20th century, mastering and excelling at all of the different forms of entertainment that came around during those many decades. Hope, who started on vaudeville in the 1920s, was still making TV specials for NBC in the 90s. Could anyone else say that? Then again, it may not have been a good thing that Hope was still active that late in life.
Richard Zoglin has, both by virtue of Hope's incredibly long life and his breadth of traveling and forms of media, plenty of material to work with. Hope actually was not an American by birth; he was born in England. But his family moved across the Atlantic Ocean to America when he was only a few years old, settling in Cleveland. Hope came from a large family (five brothers) and his parents, specifically his father, struggled to bring in enough money. Hope set out on his own in his early 20s and never looked back. He endured a decade of fairly lean years on the vaudeville circuit - traveling anywhere that would pay him, staying in run-down places, constantly trying to make a name for himself.
Eventually, he began to be noticed, and started doing some monologues to open shows while also performing on Broadway in several plays. While today we view that as standard for any comedian, in Hope's time nobody really did monologues. But Hope did, and managed to do it in a delivery style (rapid jokes, then pause to stare at the audience waiting for them to react to his punchline) that made people laugh. But radio was the main form of entertainment in the Depression 30s and Hope astutely turned towards, eventually beginning what would be a sixty year affiliation with NBC, first on radio and later on TV. Who has a professional relationship that long? Nobody.
Around this same time (mid/late 30s) Hope dipped his toe in Hollywood and found success there too. His film career soon took off, and Hope churned out comedies for the next thirty years, while still doing lots of radio work. Too old to serve in WWII, Hope decided to take his radio show on the road by visiting military bases during Christmas and performing for the troops. This quickly grew into Hope traveling overseas to perform for as many troops as he could. Hope loved it - and so did the troops. His shows were immensely popular, and Hope benefitted as well from the exposure that he got.
Unfortunately, one thing that Hope was not good at was knowing when there was too much of a good thing. While he resumed his troop shows for the Korean War, and those went well, it was a different story by the time Vietnam came around. By then, Hope was even more of a massive star thanks to his NBC contract that allowed him to produce multiple specials each year. Hope was a TV star, just like he had been in Hollywood before, and radio before that. But Hope got swept up in the divisiveness over that war, coming down hard on the side of the establishment. This did not endear him to many of the troops. In addition, by the mid 60s, Hope was no longer young enough to relate to the men in uniform. Also, while always conservative politically, after decades of keeping his political views mostly to himself, he became quite partisan, openly supporting Richard Nixon.
As a result of this, Hope's star lost a lot of its luster, especially for younger viewers. While still making a large number of personal appearances (many of them for charities), Hope's movie career dried up and he only became more out of touch as he aged. The latter part of the book is somewhat painful to read as Hope, despite declining physically, stubbornly refused to retire. NBC, wedded to Hope for so long, knew it could not afford to fire him or even try to part ways with him. So Hope continued to produce TV specials, and even entertained troops in the Gulf War. But by then, Hope was out of it - he couldn't see well, he couldn't hear well (and refused to wear a hearing aid), he was difficult to work with, and he steadfastly would not ride off into the sunset. He did his last show in 1996 and even though he himself knew it was bad, he exploded when his daughter and wife told him that was it. Hope spent his final years embroiled in lawsuits, bad press, and ill health.
Zoglin is refreshingly neutral about Hope, and really did his homework by thoroughly (and carefully) reviewing Hope's professional work while also interviewing his family members, employees, and others who knew him. While what I wrote above tilts toward the negative aspects of Hope, the man did a lot of good things as well. Start with the troop shows. Hope did not get paid for these. True, the government paid his expenses for the most part, but he didn't get money for doing them. He went to some dangerous places (one year in Vietnam, he missed an explosion outside of his hotel by only ten minutes - an explosion that was specifically meant for him and the crowds that he was drawing), stayed in some difficult accommodations, spent a lot of time recruiting other stars (always including a beautiful young woman) and endured the difficulties of travel back in the those pre-jet days. I think that Hope genuinely felt that he was giving back to the troops who were fighting to protect him (and later, the American way of life). He didn't have to do any of that. He went to Alaska multiple times for the troops stationed there. Who goes to Alaska in December if they don't have to, and not get paid for it to boot?
Also, Hope did a ton of charity work - flying all over the country to help raise money for this cause or dedicate that building. While it is true that, like the troop shows, this was good exposure for Hope himself, he continued to do this long after he was an established star. Hope was serious about helping others. Yet this same man was not really a family man. He had who knows how many extra marital affairs. He and his wife Dolores adopted four children but Hope was usually out of town and whenever he was home he seemed detached. Zoglin writes that Hope was detached from pretty much everyone; he was not well-read nor well-rounded, and only engaged in mainly superficial conversations. Hope did not get particularly close to most of the people that he worked with or who worked for him. Zoglin, for example, details Hope's relationship with Bing Crosby. The two were longtime collaborators on their famous Road to movies and knew each other for decades. Yet they rarely socialized outside of professional engagements.
When I got to the end of the book, I felt somewhat sad for Hope. Not too sad - how many people have lives like he had? Pretty much nobody. Yet, his last fifteen years were not happy ones. It was a steady decline, and Hope didn't seem to have intimate connections with anyone. It made me wonder what was going on in his mind. And it made me wonder if he lived a bit too long.
Grade: A