In this second book in the Honeysuckle Bend series, we get to revisit Callie, her best friend Maya, and the most reliable pal of them all, Callie’s dog Smokie. Following the events of the first book, we pick up with Callie’s establishment preparing to host an eminent scholar for an exciting literary talk. But of course plans go slightly awry and Callie finds herself acting as detective once more.
Honeysuckle Bend and Myrtlebough again feature as characters in themselves, but we’re also treated to the antics of numerous sparring pairs: Evelyn and Ophelia trying to outbid each other in their dramatic reactions to a death, Gina and Maya fighting it out in a political arena, and Leonard Leonard’s mystery nemesis. Even Callie must face her counterpart in the next town over, another seller of rare books.
And to top it off, among these known knowns and known unknowns comes a twist that further upends Callie’s world on a more personal level.
The return to Honeysuckle Bend is a return to Southern Gothic elements translated into cozy style, from the (literal) foggy atmosphere to a (literal) loving, dioramic perspective of the town, respecting all its moving parts as necessary cogs in the machines of place, identity, and history.
But lurking between all those cozy mystery layers, this book is also a love letter and tribute to William Faulkner. The tidy narrative itself couldn’t be less reminiscent of Faulkner, but the residents of Honeysuckle Bend each have their own experience and opinions regarding the renowned author and writing in general. These experiences and ideas may push characters down opposing paths, but always with respect for Faulkner guiding their actions.
And as per any cozy mystery, eventually the thick kudzu is torn away and the fog inevitably clears to reveal the answers that Callie has been searching for, whether she likes them or not.