Gravity

by Leanne Lieberman

An Orthodox Jewish teenager comes to terms with her sexuality and her faith.

Genres: LGBT, Young Adult, Queer, Fiction, Religion, Jewish, Realistic Fiction

256 pages, Paperback

First published November 1, 2008

About the author

Leanne Lieberman is the author of six YA books including Gravity (a Sydney Taylor Notable Book), and Lauren Yanofsky Hates The Holocaust. Her latest YA book is Cleaning Up, Leanne also writes adult fiction and is working on a novel entitled The Bird Girls. Leanne is a graduate of The University of Windsor's MA in in Creative Writing. Originally from Vancouver BC, Leanne now lives in Kingston ON with her husband and two sons.

Reviews

[Barb · Rating 2 out of 5]

I was disappointed in this book as a Jew and as a lesbian. At times, I really questioned the author's specific understanding of both identities. Although there was a little bit of creativity here and it seems to cover new territory, the book seemed oddly didactic (all the Hebrew and Yiddish transliterations are irritatingly italicized and defined in the back of the book, with no Hebrew letters in sight), but I was irritated by the sentence on page 227 of my copy, "Not only sedimentary and igneous (sic metamorphic?!), but volcanic." It ought to be common knowledge that igneous rocks are volcanic in origin. That should have been changed before printing. Largely, the novel seemed formulaic and fairy-tale-ish to me. I did not find the characters to be particularly well-rounded- especially the protagonist's mother (we're told what she does, but she doesn't really have an authentic voice backing up her behavior), and it irked me that the protagonist and her mother didn't seem to have anything close to a three-dimensional conversation before the last 20 pages of the book. I'd be interested in what other readers thought.

[Hannah · Rating 1 out of 5]

Oy vey. I guess I have to give someone props for writing an Orthodox lesbian young adult coming-of-age novel just so one exists, but really? From the acknowledgments it's apparent that the author herself isn't and has never been Orthodox, which is pretty problematic in itself. I'm also not clear on who the intended audience for this book is--you can bet that a book with a Catholic schoolgirls' exposed legs on the cover is not going to be a safe library pick for Orthodox teenagers to leave lying around. And it only gets worse when the story actually starts: the characters are cliched beyond any appropriate metaphor, and the writing and editing leave much to be desired. Case in point: the beginning of the book alludes to how events unfold over the summer of 1980whatever (the exact year escapes me, and I've already returned this to the library in a fit of disgust). There seems to be no reason the book takes place in the 80's and no allusion to anything associated with that decade and then, in the middle of the book, a character complains about how rude it is when people talk on their CELL PHONES at the Wailing Wall. What editor wouldn't catch that?

Thumbs down!

[M · Rating 1 out of 5]

This book is an insult to Judiasm, young adults and the English language. It is possibly one of the worst books I have ever read and I wish passionately that I could give negative stars.
Here's a tip, people - want to write about a culture so clearly not your own? Do more than look it up on wikipedia.
Lieberman takes on a mighty interesting premise - an orthodx teenager discovers she is gay - and then writes this potentially gripping tale as if teenagers act as though they've suffered severe blows to the head. SHe also seems to know not much more than bagels and lox type details about the world she so boldly enters into.
Ellisheva (two ls?), Eli, is fifteen, orthodox and a honking nerd. SHe is obsessed with the ocean and tells the reader more than she ever wanted to know about sea anemone. THis is, in fact, the only thing I can tell you about her. PLucky heroine you want to root for? hardly. Just a socially awkward (or was that the lousy attempt at dialogue) dorkwad. Eli goes to spend a month (??) with her grandmother, who is not religious (parents have no problem with this?) and also happens to hate religion and is incredibly immature and downright nasty about it. She frequently rolls her eyes and constantly encourages her teenage granddaughters to break the rules whenever she can. Yep I sure would send my kids off to grandma's for lots of time unsupervised. And I would ask what fifteen year old would want that, but Eli was such an incredibly dull girl that I suppose that part worked.
Her parents go off to Israel because, I mean, where else do Jews go, ever, and her sister, the rebellious Neshama (??) goes off to camp. So Eli's summer consists of trying to keep kosher, swimming, and staring into space. In fact her summer is so very exciting that she forgets what the days of the week are and skips over Shabbos by accident.
Well things pick up when she meets the obnoxios and slutty Lindsay, a fellow fifteen year old who is not Jewish and apparently very attractive. Lindsay makes it clear (to the reader, anyway) the Eli is beaneath her (honking nerd) yet Eli pursues her rather relentlessly and embarrassingly. Somehow they end up having trysts together but then Lindsay leaves the area without saying goodbye.
Oh the angst. Can Eli stay orthodox??? It is in fact an interesting conflict, to be sure, but so poorly executed! The characters speak in the most irrelevant ways, the conversations are newver compelling, Lieberman makes sure to include every um and like and so. Her knowledge of orthodox is pathetic - Eli's goldfish are named Rashi, Golda Meir and Hannah Senesh - her father has no patience for anything but the messiah - her mother is a total wacko - there are several inconsistencies and outirght errors.
The combination of painful writing and poor research made this an utter disaster.

[John Clark · Rating 5 out of 5]

Ellie Gold is so wrapped up in rituals that she doesn't know who she really is. Her parents are reborn Jews, her sister is beginning to rebel with college on the horizon and her grandmother Bubbie, is the coolest of the lot, a free thinker who listens to Ellie and shocks her with her casual dismissiveness of some of the daily rituals that Ellie practices.
When her parents take a long desired trip to Israel, Ellie goes with her grandmother to the summer cottage she's rented for years. The only time Ellie has ever been there was when she was eight and she has mixed feelings about going there. On the one hand, she wants to experience swimming and all the things that nature offers, she lives in Toronto, after all, but she's worried about what might happen to her rituals.
One day, she's sitting on the dock when another girls paddles up in a canoe. Enter Lindsay, also from Toronto but very daring and worldly wise. She shocks Ellie, but even more frightening, Ellie realizes that she's very attracted to Lindsey. Suddenly she's faced with a huge and perplexing dilemma. Can a nice orthodox Jewish girl be comfortable as a lesbian? What a thing for a fifteen year old to face.
When her month long stay at the camp comes to an end, she's confused, but determined to see more of Lindsey. That's not easy as they go to different schools and when she tries to connect, her summer crush blows her off. If that wasn't bad enough, her parents returned even more fanatical about Judaism, her mother so much so that her behavior soon alienates most of the congregation at their synagogue.
Readers will find that the way Ellie navigates the confusing mess created by her own dilemma, combined with family chaos makes for a very interesting read. Ellie is a very strong and likable female protagonist. This is a great book for teens who are wrestling with big issues in their lives, be they dealing with sexuality, religion or family dynamics.

[Kelsey · Rating 4 out of 5]

Age: Middle - High School

"Ellie Gold is an orthodox Jewish teenager living in Toronto in the late eighties. Ellie has no doubts about her strict religious upbringing until she falls in love with another girl at her grandmother's cottage. Aware that homosexuality clashes with Jewish observance, Ellie feels forced to either alter her sexuality or leave her community. Meanwhile, Ellie's mother, Chana, becomes convinced she has a messianic role to play, and her sister, Neshama, chafes against the restrictions of her faith. Ellie is afraid there is no way to be both gay and Jewish, but her mother and sister offer alternative concepts of God that help Ellie find a place for herself as a queer Jew" (Goodreads feature review).

A truly unique perspective where the protagonist does not abandon her religion, the same religion that has kept her whole throughout her life. Instead, Ellie reinterprets it by keeping the beauty and discarding the unnecessary hatred.

[Dennis Fischman · Rating 4 out of 5]

Nice prose combined with an utterly believable voice. The adult characters are not fleshed out well enough, particularly the father, but the teenage girl growing up in an Orthodox Jewish home who finds herself in love with a non-Jewish girl, the protagonist of the book, is wonderful. In the course of this book, the author can only gesture at other ways of being authentically Jewish that would include and celebrate young Ellie, but at least she lets readers know they are there. I wonder if in anyone's coming out story, this book plays a major role?

[Angie · Rating 3 out of 5]

Gravity is the interesting story of fifteen year old Ellie as she figures out how to fit her new found sexuality into her Orthodox Jewish upbringing after a summer at her grandmother's lake cottage. It's also set in the 80s, which is awesome. But anyway, Ellie meets Lindsay and cannot stop thinking about her (especially her boobs). Things might be over when they leave the lake, but the girls don't live too far from one another. Now Ellie is terrified of being caught due to the mixed messages her religion sends about homosexuality.

Ellie's parents are very, very, very religious. The Torah is everything, so there's no way she can talk to them about what's going with her. Luckily, her older sister is sick of the sexism and restrictions placed on them by their faith and is letting it go. Ellie doesn't want to stop being religious, she just wants to figure out how to make it work for her without being like those hypocrites who pick and choose which scriptures should be followed literally and which are out of date. I really enjoyed going on this journey with Ellie. There was a great balance between her being totally lost and her finding her own way. She asked questions even if she remained vague so her parents wouldn't know exactly what she meant.

The only thing that kind of annoyed me about Gravity was the romance. At least in the beginning. Lindsay is not a very nice girl. Ellie likes her at first because she's hot (duh) and confident, like how she wants to be. But Lindsay toys with her a lot. I would also describe her as a manic pixie dream girl. She has all of the qualifications, including getting Ellie to open up and be herself. Ellie also stalks Lindsay for several weeks before making contact. It's kind of weird. Like, she's super obsessed with her and at times it made her feel younger. I'm sure you can all remember lingering around places to get a glimpse of your crush then giggle back to your friends about it. It was like that, so it was weird to see Ellie like that, but then she's also having a sexual relationship later. If that makes any sense at all.

In the end, I did like Gravity. I found it really interesting to learn more about Judaism, which I'll admit I didn't know much about at all. I also thought that Ellie discovering her sexuality felt very realistic. She noticed that she never thought about boys the way she thought about Lindsay, did some research, discovered it wasn't the end of the world, and accepted it. I do kind of wish there had been a coming out scene though. I would have liked to know how her parents reacted. I'm sure Bubbie would have been 100% supportive though.

Read more of my reviews at Pinkindle Reads & Reviews.

[Jennifer Wardrip · Rating 4 out of 5]

Reviewed by Andrew S. Cohen for TeensReadToo.com

This book by Canadian first-time author Leanne Lieberman centers on the coming-of-age of Ellie Gold.

The story begins during the summer vacation: Ellie goes to her grandmother's cottage in the midst of immaculate natural beauty, a place that she has looked forward to returning to since her first visit. This trip ends unexpectedly, as Ellie ends up falling in love with a girl her age, realizing her homosexuality.

However, Ellie has been brought up with strict religious values and traditions, which do not accept homosexuality, and she is forced to choose between shunning her community or denying her true sexuality.

Ultimately, through the multiple conflicts illustrated between tradition and modernity, Lieberman establishes that there is a place for all types of people, including Ellie, in society and religion.

I definitely enjoyed this story. Lieberman sucessfully develops her characters, and does not shy away from the lust commonly experienced by teenagers. And, coupled with the homosexual storyline, this story provides for a very interesting read, and is friendly to those who are not familiar with Judaism, specifically Orthodoxy.

GRAVITY is a good read for any, and despite my initial questions of how Lieberman would create such a challenging story, my concerns were for naught, as the story is an excellent work.

[Rosey · Rating 2 out of 5]

The premise was certainly interesting - an Orthodox Jewish teenager struggles to reconcile her growing feelings for girls with her religion. I got the feeling, though, that the author was neither Orthodox nor gay. The characters seemed very trite and one-note, and I almost got a sense of condescension towards teenagers. I don't think the author liked Ellie very much.

I have to admit though, I got really upset in the middle. The book supposedly takes place in the 80s (although for no real reason, it's not really a factor in the story) but the mother complains about people talking on cell phones at the Wailing Wall. What? Zach Morris didn't even get a cell until the early 90s. Why set the book in a particular time period if you're just going to ignore it? It seemed offensive, on top of all the other poorly written parts, like the author and editor didn't put any time or effort into making this a good book.

Anyway it was a good premise, just poorly executed, and I'm glad to see that Ellie didn't go the full cliche route and denounce her entire family and religion, that she at least tried to reconcile the two. (Not to say that's not an option, just that it makes sense for someone so supposedly devout to at least try to hold on to what they've been taught is true for their entire life.) So I guess there's that. Perhaps this will open the door for additional, better books to be written on similar topics.

[Eileen · Rating 4 out of 5]

I feel like there's a dramatically increasing amount of both 1. LGBTQ and 2. conservative religious YA fiction out there, and this is a prime example. It's also Canadian! Anyway. So, Ellie Gold, second daughter in a Toronto orthodox Jewish family/developing oceanographer, goes off to spend a vacation at a summer cabin with her not at all orthodox grandmother. Besides hesitantly wearing clothes she would never be allowed to wear in the city (bare shoulders!) and singing prayers outside, she meets Lindsay, a neighbor, also down from Toronto but not at all orthodox or even Jewish. After some highly charged yet extremely slow-moving sexual exploration, their vacations end; back in the city, Ellie tries to find some resolution as her sister and mother deal with their own problems. Yeah. It's interesting to see the balance between sexuality and religion, as well as between feminism and religion. Ellie is actually quite a serious believer, which makes it exceptionally difficult for her to come to terms with her lesbianism. At the same time, her mother and sister are also combating the strictures of orthodoxy, illustrating not only two paths available to Ellie, but a whole spectrum of options from outright rejection to acceptance. Nothing is a throwaway; everything is complex. Delicate handling and solid characterization make the resolution believable.

[Anna · Rating 4 out of 5]

Gravity is set in the 80s in Toronto and revolves around a family of Orthodox Jews. Although the narrative is from the perspective of the younger daughter, Ellisheva Gold, who falls in love with a girl she meets while on vacation, the story is really about the entire family and their struggle with faith. Ellie's mother works to find ways to express her faith despite the restrictive confines of orthodoxy, Ellie's sister Neshama is determined to leave and never look back as soon as she finishes high school, and Ellie's father believes that if the Jews had been more observant, the Holocaust would never have happened. Against this background, Ellie fights doggedly against her attraction to Lindsay and also her desire to know more about the world and science than her religion finds strictly acceptable. When she accepts that she does prefer girls over boys, she must come to terms with what that means for her belief in God. The story resonates at the end with the balance she finds between her faith and her sexuality.

[Alexis · Rating 4 out of 5]

Full disclosure- This book won a novel contest that I entered. This book completely kicked my novel's ass, but then my novel kinda sucks. It was my first time writing a novel, and I am still not happy with my book.

On the other hand, this book is GREAT. It deals with the issues faced by an Orthodox Jewish teen who discovers that she likes girls. I thought it was realistic and I loved the many layers and interests of the main character and the depiction of how she and her sister struggled against the traditional elements of their Jewish family. It was a great story, with good writing and it was thought provoking. I've already started recommending it to people!

Great YA.

[tamarack · Rating 2 out of 5]

Despite this book being an aware winner, I was left less than wildly impressed. I'm not sure whether my lukewarm reaction is in part because I'm not a teenager myself, or if the book's characters truly lack believability. Ellie is mostly convincing, with the exception of her one-moment epiphany regarding her gayness. Her love interest, Lindsay, is a one-dimensional character who adds no depth to Ellie's struggle. I was much more impressed with Book of trees .

[Nightfalltwen · Rating 2 out of 5]

I'm not going to comment on the religion because I'm not Jewish. I'm also not going to comment on the sexuality because I'm not a lesbian. What I will comment on is the story itself. And I found it kind of lacking in strength throughout the whole story. As if it was trying too hard. Which I seem to find with a lot of YA books these days.

[Amy Mathers · Rating 5 out of 5]

http://amysmarathonofbooks.ca/gravity/

[Avery Follett · Rating 2 out of 5]

Jewish representation: 3.5/10
Queer representation: 5/10
Unintentional autism representstion: 15/10
Even my goyish ass could tell that Wikipedia co-wrote this novel. However, I did enjoy some of the storytelling elements and it had it's moments. However, I had a very difficult time relating as a queer person; a lot of the representation seemed manufactured, not to mention potentially reinforcing the stereotype that queer people, specifically queer women, are inherently hypersexual beings.

I found many parts of this book very uncomfortable to read, specifically the graphic sexualization of minors (although it is by other minors.)

Interestingly enough, it became evident to me almost right away that Ellie is autistic! As an autistic person, I totally identified with her random infodumping and Special Interests (I also have aquariums and fishtanks as an SI). She gives tidbits of knowledge about her SI without prompt, she forms bonds and attachments incredibly quickly, and (one factor that I can unfortunately identify with very strongly) was manipulated and emotionally abused by someone she loved and was very attached to without knowing about it. Whether unintentional or not, Ellie is a great autistic character!

[Angie · Rating 3 out of 5]

I appreciate that this book--about an Orthodox Jewish girl coming to terms with her (homo)sexuality--exists. There are a host of books about this from a Christian perspective and a couple that I know of from a Muslim perspective, but this is the first time I've seen the issue tackled from a Jewish perspective, and this gets points for that. I also appreciate that this book doesn't treat Ellie's love interest, non-Jewish Lindsay, as this great love. Lindsay serves an important role. She's the catalyst to Ellie's awakening, but Ellie knows in her gut that Lindsay isn't THE girl. Sure, she'd like her to be, she hopes that she is, but she understands that she wants and deserves more than what Lindsay can offer (because Lindsay isn't usually likable and is riddled with issues). I like that she doesn't lose sight of that, and I loved that her sexuality wasn't tied to this one girl.

It's not a perfect book by any stretch, but I appreciated the effort. Ellie is really likable. I related to her a lot.

[Allie Hayden-Gill · Rating 1 out of 5]

Okay, so I didn’t actually finish this book because the writing was absolutely horrendous. The author tells everything, the main character is incredibly disjointed, and names are thrown around without being told who these people are. I picked up this book hoping to get a better understanding of Jewish thoughts on homosexuality, but the Jewish traditions she partakes in aren’t explained in a way that a non-Jewish person can understand. Honestly, maybe the story gets better, but I couldn’t make it past page 40 because of the writing alone.

[Ruby Ridge · Rating 3 out of 5]

Three stars as I really did not know what to make of this book. The writing really did nothing for me, perhaps if I understood the religion more it might mean something. Ending was not really an ending or a new beginning or anything really.
OK but......

[Ben · Rating 5 out of 5]

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[Cornmaven · Rating 4 out of 5]

I thought the writing was uneven; there were parts that flowed so well, and other that felt very disjointed.
This is a story of a 15 year old teen, Ellie, in an observant Orthodox Jewish family (not Hasidic), who comes to realize she is gay. Of course Orthodox Judaism condemns homosexuality, and she wrestles with her faith vs her reality, and what to do about it. She's got an older sister who is totally rejecting her faith, a mother who is struggling with the restrictions placed on women by this version of Judaism, a totally conservative father, and a grandmother who is a reformed Jew. Plus the girl of her interests at the moment is not Jewish. Her parents are teachers of sorts of Jewish observance as well.

I liked the peek into the world of conservative Judaism. The only problem is that those who are unfamiliar with it will struggle with the text. Lieberman includes a glossary of terms, but the publisher chose to put it at the end; I think it should be at the beginning. As comfortable as I am with the Jewish faith, I was lost in several places, because I didn't discover the glossary until the end.

Now this girl is destined to become a marine biologist or oceanographer, and so Lieberman has her discussing/looking at sea creatures. But I never understand why at certain crucial parts she would just include the scientific name of a sea star. That was lost on me. Her mother's motives at certain points just didn't ever seem real, so I wonder if I missed something there as well. You are not really supposed to like Lindsay, the object of Ellie's affections, but her character is a good contrast against Ellie in regards to how each reacts to their sexual orientation. Ellies anguishes, searches for answers, but Lindsay acts out, pretends to be confident, and basically turns into a real jerk as her defense.

In the end you see that Ellie's internal struggle is more fruitful, and as the whole family falls apart from the standpoint of religious fervor and togetherness (each for his/her own reason), she comes to realize a few positive things about love,God, and faith. Thankfully she ditches Lindsay, a wise move, and starts working toward fulfilling her dreams and being herself, whatever that might prove to be.

So it's worth a shot for girls faced with such a 'difference' and perhaps in similar family circumstances.

At the end you also find out that this novel was Lieberman's master thesis and was inspired by her brother, who came out to her at some point and got her thinking.

[Michael Goth · Rating 5 out of 5]

A wonderful book! I really liked and sympathized with Ellie.

[Jules · Rating 2 out of 5]

Oh, how I wish we had half-star ratings on Goodreads; this was really, for me, a 2.5, but it's definitely not a three, and I wasn't willing to round up. The "it was ok" alt-text on the second star really sums it up, anyway, so there you go. To quote another review of this book, Gravity was definitely a mixed bag. I'm quite fond of it for being a book about a queer girl period, because lordy-loo how sick I am of going searching for queer-themed YA and getting nine books about boys for every one about girls, and to throw in the main character's Jewish identity -- well, I was biased from the start. Unfortunately, Gravity is...dry, in large part, which to some extent works, with Ellie being sort of awkward and socially inept, but I feel like, for the most part, that's not so much an intentional way of building Ellie as a narrator as clumsiness on Lieberman's part.

As others have noted, Lieberman isn't Orthodox, and she may not be queer, either (apparently she's married to a man, though that certainly doesn't rule out her being bi). As others have ALSO noted, there's no real need for the story to be set in 1987 (and indeed, at one point Ellie's mother complains about the rudeness of a woman talking on her cell phone at the Western Wall), which is never a good sign for a non-contemporary story: if the time doesn't serve the characters and the story, they don't need to be there. The glaring anachronism also points to some pretty lackluster editing, which does give me some hope for future works by Lieberman: a decent editor, who can explain to her that you don't need every other word out of a character's mouth to be "um" and to give her a lot of nervous tics by way of showing that she's AWKWARD, DID YOU NOTICE HOW AWKWARD SHE IS (drinking game: drink every time Ellie says "um" or chews on a hangnail), might go a long way towards bringing out the shine.

The which shine is there in Gravity! That's what makes the places where it falls flat so disappointing, really -- there's a truly WONDERFUL book here, but alas, it needed at least one more good, hard edit before it was ready to hit the shelves.

[Dan Stern · Rating 5 out of 5]

The story begins during the summer vacation: Ellie goes to her grandmother's cottage in the midst of immaculate natural beauty, a place that she has looked forward to returning to since her first visit. This trip ends unexpectedly, as Ellie ends up falling in love with a girl her age, realizing her homosexuality.

However, Ellie has been brought up with strict religious values and traditions, which do not accept homosexuality, and she is forced to choose between shunning her community or denying her true sexuality.

Ultimately, through the multiple conflicts illustrated between tradition and modernity, Lieberman establishes that there is a place for all types of people, including Ellie, in society and religion.

I definitely enjoyed this story. Lieberman sucessfully develops her characters, and does not shy away from the lust commonly experienced by teenagers. And, coupled with the homosexual storyline, this story provides for a very interesting read, and is friendly to those who are not familiar with Judaism, specifically Orthodoxy.

GRAVITY is is an excellent work.

[Sarah · Rating 2 out of 5]

This gripping and well written lesbian coming of age novel is an unexpected hit. While the first chapter is a bit bumpy and hard to get into, the reader is soon sucked into Ellie's world of orthodox Judaism. The characters and setting are so intricate and interesting, unlike other YA lit where the characters are overly generic. The plot with Lindsey starts out like any queer YA lit, but slowly moves to become more engaging and more real then I expected. By the middle, I was sucked in, unable to put this book down, and a little sad when it ended.

I would love to see this book have a sequel, just to find out how Ellie can reconcile her faith with her sexuality. Or perhaps a telling of this tale from Lindsey's POV, because we still have many unanswered questions about her, her family, and those mysterious bruises.

[Karen · Rating 3 out of 5]

Very mixed feelings about this book. The characters were not multi-dimensional, and Ellie seemed to go very suddenly from never thinking about being gay to being certain. You'd think it would take her a little while to realize what she was feeling for Lindsay. Some of the Yiddish or Hebrew seemed off, and it seemed far too easy for Ellie to sneak around. So lots of parts seemed unrealistic or careless. What I liked was how the book showed many different attitudes towards Judaism and the complexity and evolution of Ellie's feelings. That was the one area in which we saw a character gradually grow and shift throughout the book, and I liked the book wasn't a simplistic dismissal of religiosity.

[Nancy · Rating 3 out of 5]

Good girl Ellen Gold has been comfortable in her Orthodox Jewish life until she meets and falls for Lindsay. She consults the Torah, and anonymously writes the Rabbi's wife for advice. In order not to think about her, she memorizes the periodical table, the Latin names of sea stars, pulls out her hair, bites the inside of her cheek until it bleeds, etc. She finally begins sneaking over to Lindsay's house after school where she guiltily indulges her desires. With her older sister's encouragement, she begins to accept herself, and also to realize that Lindsay is not the person she would risk losing her family over. The change in Ellen is a bit too facile, while her angst seems very real.

[Shawnta · Rating 5 out of 5]

The cover girl wears a typical high school kilt in black, mid thigh, with a confidant swagger. She is Lindsay; the first love of our main character and Orthodox Jewish, confused and earth-loving teen: Ellisheva Gold (Ellie for short). In this realistic fiction narrative of coming to terms with Spirituality, Sexuality, and Love, Ellie walks us through her day-to-day family squabbles, her need for prayer, and her coming-out. Gravity asks, ‘Can a girl be Jewish, study geology, and love girls too?’ Before Lindsay, the question didn’t even exist for Ellie, but now…

[Indanthrene · Rating 1 out of 5]

I am gay and this book offends me. The author's solution was basically making Lindsay, who initiated make out sessions and stuff, who drove around with strange boys at night a stereotypical bad influence. Then, Ellie tells her to stop calling. Eventually, Lindsay stops calling. Boom, relationship with mom gets better (they go to church), a few other problems get solved, and it felt fake. She never came out. She's still gay, but she talks about when she finds her partner, she uses gender neutral terms. Like she might fake it with a boy to keep the peace.

[Amy Bradley · Rating 5 out of 5]

Beautifully written coming of age, of a girl from an Orthodox Jewish family discovering that she is attracted to other girls. She struggles with her attraction and her faith, in late 1980s Toronto.

The emotions depicted are strong and ring true, especially the inner struggle of trying to deny the attraction to herself due to living in a non-LGBTQ friendly atmosphere. While there is not blatant homophobia or any confrontation with her family regarding her orientation, there is still a lot of anxiety, stress and tension experienced by Ellie.