Having written the stories of two of the three McCabe sisters, I guess there was an inevitability that Freya North would end up writing the story of the eldest, as that’s frequently how authors think. Having read “Cat” and “Fen”, the novels of the youngest and middle of the McCabe sisters, it was inevitable that I would end up reading “Pip”, the oldest of the McCabe sisters, as that’s the way I tend to think, regardless of my opinion of the first two books in any given trilogy.
That said, the story of Philippa McCabe, also known as the “Pip” of the title, promised to be slightly different due to her chosen career and her attitude to love compared to that of her sisters. For not only is Pip determined that she doesn’t need a man in her life, she makes her living as a professional clown. She performs at children’s parties as Merry Martha, but also spends two afternoons a week as a clown doctor known as Dr. Pippity, which proves to be rather more emotionally draining than the parties. For when she needs company, she has her sisters and best friend Megan and can always turn to them or her Uncle for advice.
Through her work, Pip meets two completely different men. At the hospital she meets Dr. Caleb Simmons, who is a fantastic lover and who Pip falls for completely, until she finds out that the friend he is going on holiday with is his girlfriend. She also meets Zac Holmes, who Pip immediately dismisses as a little strange as he says and does some unusual things, although having also met his son through both her jobs, Pip wouldn’t be interested in someone with Zac’s baggage anyway. Besides which, they’re completely opposite; she’s a clown, he’s an accountant; her flat is painted in dull colours, his is bright and has art on the walls; he has an ex and a son and a companion, she has her sisters and Uncle. Besides which, having been treated badly by Dr. Simmons and managing a one-night stand to get her over him, she doesn’t need any men in her life and she certainly doesn’t have enough money to have need of an accountant.
One of the few things I liked about this book was Pip’s job, especially the hospital work she does. Not just because it seems like a noble and fun thing to do with your time, but because it’s so well described. Nowhere else in this book, or any of the others by Freya North I’ve read, is any action or interaction between characters described in quite so much detail or with quite so much fun. It is clear both from an author’s note, but especially from the prose, that this work is something that has earned North’s respect and it is treated as such throughout the novel. The one shame was that as the book is based more around Pip’s personal life than her professional life, there wasn’t nearly enough about her work, which was far more interesting and funny than anything else here.
It’s amusing that Pip should have a job based around making people smile, as she seemed to be the least sympathetic of all the McCabe sisters. Whilst Cat was suffering and Fen was indecisive, Pip seemed to react to being treated badly by paying that forward, so that she treated a man she actually liked quite badly as a direct reaction to being treated the same way by another who had broken her heart. She was also very changeable which wasn’t terribly appealing to me, as her sudden willingness to make cosmetic changes after a good talking to from her Uncle seemed rather out of character. It’s almost as if she had two sides to her private life as well as there being two clown versions of her in her professional life, despite the clowns not being all that different from each other and the sudden one night stand she had was yet a third strand that didn’t seem in keeping with what was going on in her life otherwise.
Indeed, this one-night stand highlighted another thing I wasn’t entirely happy about with this book, in that it also varies between consistency and inconsistency. This happened in France, in a trip to see her sister Cat and has been mentioned in that book, but the version of it in “Pip” differs in a couple of major ways from that in “Cat”, as to where it happened and who was awake at the time to notice. In “Pip”, this one-night stand came as a revelation to the sisters, despite them being aware of it at the time. However, at the same time, throughout this book there are a number of very familiar turns of phrase I recognize from being used in “Cat” and “Fen” and one paragraph in particular that seemed so familiar, I wasn’t entirely convinced it hadn’t been lifted directly from one of the other books.
One place where the writing was a little less repetitive than I have become accustomed to in Freya North’s work was in the sexual scenes. Generally speaking, in the past they have blended into one another, but here Pip is involved with two men who have different approaches to sex, who Pip is sleeping with for different reasons and for whom Pip feels different things. This means that the scenes are written differently, as different language and a different approach is needed for both men, rather than the one size fits all approach of the earlier novels, which I felt made “Pip” the better written of the three books in terms of these scenes and this type of content, which became less boring for the reader.
However, this improvement to the writing in these scenes is once again offset by the voice of the narrator or author, who felt the need to comment in various places, but not in others. This has been a feature of all the McCabe sisters novels, where the story at times is being told by a separate narrator in some parts, but then suddenly the narrator seems to step in and become a commentator, which has been somewhat annoying all the way through, but seems even more intrusive here than before, particularly in the opening to one particular chapter where it felt as if North wanted to force her way through the fourth wall and insert herself in case the reader forgot she was there.
Overall, I felt that whilst some parts of “Pip” were better than that in her sisters’ novels, some aspects of the writing were worse, especially when it comes to the narration. Of the three, this would perhaps be rated in between the two others, as there was more to like in “Pip” than in “Cat”, but certainly more than I didn’t like, or liked less than in “Fen”, who was a much sweeter character. North appeared to make some improvement between “Cat” and “Fen”, which I hoped would continue through to “Pip”, but instead there seems to have been a backwards step in some areas.