Loved it. This book won so many points with me with setting and characters that I couldn‘t be made to care about the few bits that were in need of tougher love by an editor.
The fact that the setting was capital-I Interesting makes up for the at-times mechanic delivery of the facts of the setting (I mean info dumps but I dislike the judgement that comes with that term).
Hell, I‘ll even go against my own grading system to give this one recognition. It really was excellent, in my book, I was so engaged. I still am, days later busily daydreaming in this world.
Positives, neutrals, negatives:
The Excellent
*The characters. All felt distinct, all felt greater than just their part of the story. I connected to the leads. Little character moments are used to beautiful effect, complicated feelings are not agonised over en detail, but rather presented as what they feel like.
*The fantasy trappings. I love a bit of urban fantasy done right. Interesting magical alterations of reality, beautiful set pieces hidden away in modern day Britain. Days later I am still thinking about the divisions and the agency, I keep exploring new implications in my head, and wow how I long to find that in a book.
*The relationships. This is not romantasy, I repeat, THIS IS NOT ROMANTASY (thank the stars). At least, this is not that lazy kind of romance sweeping the genre right now. Here, the undertones of romance add to the story, rather than overtake it. I ate it up, every last crumb. I bought it. I bought the A-plot and the B-plot pairings, and I felt my own heart do odd little things in that last chapter. Bravo.
*The narration. Especially the characters and their accents. (Sidenote: did read the Audiobook as my monthly treat, but writing this review I actually hopped online and ordered the hardback, I just want this beauty on my shelf. And support the author.)
The not-all-that-excellent, or neither-here-nor-there
*The headhopping. I can actually deal quite well with shifts in perspective, in that I am not confused by it. And it adds a little something to know what the person whose thoughts are presented is keeping to themselves. But it can also make mysteries less mysterious (why exactly are we not hearing this one character‘s perspective atm?), and once it gets noticeable that we switch for what feels like a single paragraph, I think it should have been reined in. It is also never used to add spice in the form of a secret motive or motivation, which is a benefit of multiple perspectives if ever there was one, or even omniscient viewpoint. Which this isn‘t (I think. I‘m not an analyst).
The I‘ll-take-it-in-stride
(Yes, some books are forgiven all faults on the principle of being a Damn Good Read.)
*The similes and metaphors, especially when leaning purple.
*The repeated phrasing. Noticeable repeats of the author’s lean-to phrases. Did someone just pick up the phone after however many rings?
*The delivery of big set-pieces. Whenever there was a lengthy description of either a stunning setting or a big piece of the action, I had to fight myself zoning out, going back repeatedly to reread because it just went over my head the first time. In those moments, I felt like there was always just a pair of eyes looking at stuff, instead of a character interacting with the scenery. It could have gone smoother, but overall, once I pushed myself to internalise the scene, the crux of the matter was worth it.
*Last but not least, the pacing. Couldn’t the fourth assignment at the latest break the pattern, lead to new information? It took the leads a good while to turn from reaction to action, pushing the investigation aspects too far to the back part of the book when things should already be escalating. Maybe it revelled just a tad too long in setting up and elaborating on the gorgeous urban fantasy worldbuilding, but I revelled in it too, so that makes the final verdict on plotting: it is what it is, and what it is is still a good book with a fine story.
Three stars upgraded to four, because I loved it, and love is complicated. And also magical. 🏹💖
P.S. fucking best lighter engraving ever:
“Evil is powerless when the good are unafraid.“
P.P.S. Almost forgot to praise the stellar title.